Tuesday, March 24, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

Gallery Exhibition: Works of Milton Glaser
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

To many, Milton Glaser is the embodiment of American graphic design during the latter half of this century. His presence and impact on the profession internationally is formidable. Immensely creative and articulate, he is a modern renaissance man -- one of a rare breed of intellectual designer-illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Two: Recent Works by Frederick Bartolovic and Chris McEvoy, and Emerging: Recent Works by Lacey Mckinney
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Works of Karen Thomas-Lillie, Madeline Silber, and Jeremy Randall
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

Adventure in Deep Sea Exploration: Living the Dream
University Lectures
Featuring Robert Ballard, oceanographer, photographer and deep-sea explorer

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Among the most accomplished and well known of the world's deep-sea explorers, Ballard is best known for his historic discovery of the RMS Titanic. During his long career, he has conducted more than 100 deep-sea expeditions using the latest in exploration technology. Ballard has also pioneered distant learning in the classrooms of America and around the world with his JASON Project, an award-winning educational program. His books on his discovery of the Titanic and the Bismarck were both #1 bestsellers on The New York Times and London Times lists, and his recent "Return to Titanic" special on the National Geographic Channel was the highest-rated show in the network's history.

Adapt or Die: The Future of Journalism
University Neighbors Lecture Series
Featuring Fred Fiske

Price: $10 regular, $5 with student ID
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Fred Fiske has been at The Post-Standard since 1979, working as editorial page editor and is now senior writer. He was president of the National Conference of Editorial Writers in 2001 and served as a Pulitzer Prize juror in 2002 and 2003. Fred grew up as a "foreign service brat" and lived in Europe, Asia, and Africa. He graduated from both Harvard and Columbia. He is active in the Thursday Morning Roundtable, the Onondaga Citizens League, Literacy Volunteers of Greater Syracuse, and the Vera House Foundation. He taught reporting and writing over a 10-year period at SU's Newhouse School.

Kabir Singers
Syracuse University College of Arts and Sciences

Stolkin Auditorium, Physics Building
Syracuse University, Syracuse

Kabir was a great mystical poet of 15th-century North India. Difficult to categorize by any one religious label, Kabir has been revered by Hindus, Muslims, Sikhs, secularists, atheists, and sectarian worshippers alike. Still a popular figure in contemporary times, his poetry and influence appear in various social, religious, and political locations, as well as through vibrantly diverse musical genres.

Renown folksinger, Prahlad Singh Tipanya, along with his group of musicians from the Indian state of Madhya Pradesh, will perform a program of Kabir songs. In March 2008, Tipanya was honored by the illustrious Sangeet Natak Akademi award. Professor Linda Hess from Stanford University, a foremost Kabir scholar and translator, who has traveled extensively with the musicians, will introduce the event.

The Drowsy Chaperone
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Get ready to be transported to a magical, wonderful world where the critics are in awe, the audiences are in heaven and the neighborhood is buzzing with excitement. Welcome to The Drowsy Chaperone, the new musical comedy that is swooping into town with tons of laughs and the most 2006 Tony Awards of any musical on Broadway! It all begins when a die-hard musical fan plays his favorite cast album, a 1928 smash hit called The Drowsy Chaperone, and the show magically bursts to life. We are instantly immersed in the glamorous, hilarious tale of a celebrity bride and her uproarious wedding day, complete with thrills and surprises that take both the cast (literally) and the audience (metaphorically) soaring into the rafters.

Read a review!

Wednesday, March 25, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

Gallery Exhibition: Works of Milton Glaser
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

To many, Milton Glaser is the embodiment of American graphic design during the latter half of this century. His presence and impact on the profession internationally is formidable. Immensely creative and articulate, he is a modern renaissance man -- one of a rare breed of intellectual designer-illustrators, who brings a depth of understanding and conceptual thinking, combined with a diverse richness of visual language, to his highly inventive and individualistic work.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Two: Recent Works by Frederick Bartolovic and Chris McEvoy, and Emerging: Recent Works by Lacey Mckinney
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

Works of Karen Thomas-Lillie, Madeline Silber, and Jeremy Randall
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Exploring History with Art: The Changing View—Landscapes
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

Paintings from OHA's permanent collection

Dinosaurs Had Sharp Teeth! Works of Chris Wildrick
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

For several years Chris Wildrick has been working to become a self-taught professional paleontologist. He specializes in "dinosaur aesthetics," or why we think dinosaurs looked the way we think they looked. What kinds of colors and patterns did they have? How did they move? What did they sound like? How have our conceptions of these things changed over the years?

He creates his work through interactive projects with the public, which take the form of polls, games, and creative activities. For the past several months he has worked as an artist in residence with the Paleontological Research Institution (PRI), doing projects at their Museum of the Earth in Ithaca as well as the New York State Fair and local schools.

This exhibition compiles his research into colorful and complex charts and graphs, audio recordings, and sculptures. He will also be doing his interactive projects at the opening and at other points throughout the show, so anyone can join in and share in the creation of the work. Chris will try to guess your favorite dinosaur, ask you to make dinosaur sounds, and challenge you to recast famous movies using only dinosaur species in the actors' roles. Plus, try to beat the reigning champion as you name as many dinosaurs as you can in one minute!

Redhouse Art Radio will feature selections from his audio projects, including interviews with famous dinosaur illustrators, throughout the show.

This show is great for all ages: it's philosophical, experimental, and hey, it has dinosaurs.

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

Light Sculpture Unveiling

Price: Free
Syracuse Stage
820 E. Genesee St., Syracuse

Five solar-powered metal and glass prisms will be unveiled at an opening ceremony in front of Syracuse Stage. The 8-foot-tall, student-designed light prisms have been installed along the Connective Corridor at East Genesee Street and Irving Avenue.

Festival Pre-Screening
Syracuse International Film Festival

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Films from the 2008 festival.

Civic Morning Musicals
Nicholas Blaney, baritone; Patricia DeAngelis, piano

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Nicholas Blaney, already the winner of several competitions, is a junior at Liverpool High School. He has participated in important summer programs and will attend Bel Canto Institute in Florence, Italy, this summer. Nicholas Blaney is a student of Eileen Strempel, and will be singing works of Tosti, Finzi, and Schubert.

Poet Tom Sleigh
Raymond Carver Reading Series

Price: Free
Gifford Auditorium, Huntington Beard Crouse Hall
Syracuse University, Syracuse

Award-winning poet Tom Sleigh is author of seven collections of poetry, including Space Walk (Houghton Mifflin, 2007), winner of the prestigious Kingsley Tuft Award, and Far Side of the Earth (2003), named an Honor Book by the Massachusetts Society for the Book. Among his many honors and awards are an Academy Award from the American Academy of Arts and Letters, the Shelley Award from the Poetry Society of America and an Individual Writer's Award from the Lila Wallace Fund. He is program director of and senior poet at Hunter College's M.F.A. Creative Writing Program in New York City.

The reading will be preceded by a Q&A session with the author beginning at 3:45 pm.

Parking is available in SU pay lots. For more information, phone 315-443-2174.

The Drowsy Chaperone
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Get ready to be transported to a magical, wonderful world where the critics are in awe, the audiences are in heaven and the neighborhood is buzzing with excitement. Welcome to The Drowsy Chaperone, the new musical comedy that is swooping into town with tons of laughs and the most 2006 Tony Awards of any musical on Broadway! It all begins when a die-hard musical fan plays his favorite cast album, a 1928 smash hit called The Drowsy Chaperone, and the show magically bursts to life. We are instantly immersed in the glamorous, hilarious tale of a celebrity bride and her uproarious wedding day, complete with thrills and surprises that take both the cast (literally) and the audience (metaphorically) soaring into the rafters.

Read a review!

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

Thursday, March 26, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Two: Recent Works by Frederick Bartolovic and Chris McEvoy, and Emerging: Recent Works by Lacey Mckinney
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Works of Karen Thomas-Lillie, Madeline Silber, and Jeremy Randall
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Exploring History with Art: The Changing View—Landscapes
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

Paintings from OHA's permanent collection

Dinosaurs Had Sharp Teeth! Works of Chris Wildrick
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

For several years Chris Wildrick has been working to become a self-taught professional paleontologist. He specializes in "dinosaur aesthetics," or why we think dinosaurs looked the way we think they looked. What kinds of colors and patterns did they have? How did they move? What did they sound like? How have our conceptions of these things changed over the years?

He creates his work through interactive projects with the public, which take the form of polls, games, and creative activities. For the past several months he has worked as an artist in residence with the Paleontological Research Institution (PRI), doing projects at their Museum of the Earth in Ithaca as well as the New York State Fair and local schools.

This exhibition compiles his research into colorful and complex charts and graphs, audio recordings, and sculptures. He will also be doing his interactive projects at the opening and at other points throughout the show, so anyone can join in and share in the creation of the work. Chris will try to guess your favorite dinosaur, ask you to make dinosaur sounds, and challenge you to recast famous movies using only dinosaur species in the actors' roles. Plus, try to beat the reigning champion as you name as many dinosaurs as you can in one minute!

Redhouse Art Radio will feature selections from his audio projects, including interviews with famous dinosaur illustrators, throughout the show.

This show is great for all ages: it's philosophical, experimental, and hey, it has dinosaurs.

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

Fiber Art
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Works include framed batik, cloth colleges, sculptural coiled basketry, quilting, tapestry, and more by artists Wilson Akuamoah-Boateng, Sharon Bottle Souva, Lauren Bristol, Barbara Conte-Gaugel, Linda Esterley, Alice Gant, Hilary Gifford, Mary Kester, and Holly Knott.

Wild Card Exhibit: Ceramics by Carles Vives
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

Love & Patience
Orange Line Gallery

Price: Free
Orange Line Gallery
106 Montgomery St., Syracuse

The exhibit is a mix of traditional to abstract works, but remaining modern throughout. The show title refers not only to the content of the pieces, but also the artist's connection to their work and process. New work will be featured by previous OL artists including Alejandro Bettencourt, Amber Blanding, David McKenney, Debra Parry Trichilo, Jace Collins, Jacqueline Adamo, Laura Celuch, Melissa Tiffany and Spencer Baker.

Manlius Pebble Hill Jazz Celebration
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

High school musicians, including Nick Frenay, Noah Kellman, and others, will perform jazz tunes.

Death Warmed Over
Acme Mystery Company

Price: $25.95 plus tax and gratuities (includes meal and show)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive mystery/comedy dinner theater. A sleepy village is in for strange events when a famous medium comes to a haunted cottage to run a live seance on his television show.

The Drowsy Chaperone
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Get ready to be transported to a magical, wonderful world where the critics are in awe, the audiences are in heaven and the neighborhood is buzzing with excitement. Welcome to The Drowsy Chaperone, the new musical comedy that is swooping into town with tons of laughs and the most 2006 Tony Awards of any musical on Broadway! It all begins when a die-hard musical fan plays his favorite cast album, a 1928 smash hit called The Drowsy Chaperone, and the show magically bursts to life. We are instantly immersed in the glamorous, hilarious tale of a celebrity bride and her uproarious wedding day, complete with thrills and surprises that take both the cast (literally) and the audience (metaphorically) soaring into the rafters.

Read a review!

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

Friday, March 27, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Two: Recent Works by Frederick Bartolovic and Chris McEvoy, and Emerging: Recent Works by Lacey Mckinney
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

A meet-the-artist reception will be held 6:00-8:00 pm.

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

Works of Karen Thomas-Lillie, Madeline Silber, and Jeremy Randall
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Exploring History with Art: The Changing View—Landscapes
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

Paintings from OHA's permanent collection

Dinosaurs Had Sharp Teeth! Works of Chris Wildrick
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

For several years Chris Wildrick has been working to become a self-taught professional paleontologist. He specializes in "dinosaur aesthetics," or why we think dinosaurs looked the way we think they looked. What kinds of colors and patterns did they have? How did they move? What did they sound like? How have our conceptions of these things changed over the years?

He creates his work through interactive projects with the public, which take the form of polls, games, and creative activities. For the past several months he has worked as an artist in residence with the Paleontological Research Institution (PRI), doing projects at their Museum of the Earth in Ithaca as well as the New York State Fair and local schools.

This exhibition compiles his research into colorful and complex charts and graphs, audio recordings, and sculptures. He will also be doing his interactive projects at the opening and at other points throughout the show, so anyone can join in and share in the creation of the work. Chris will try to guess your favorite dinosaur, ask you to make dinosaur sounds, and challenge you to recast famous movies using only dinosaur species in the actors' roles. Plus, try to beat the reigning champion as you name as many dinosaurs as you can in one minute!

Redhouse Art Radio will feature selections from his audio projects, including interviews with famous dinosaur illustrators, throughout the show.

This show is great for all ages: it's philosophical, experimental, and hey, it has dinosaurs.

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

Fiber Art
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Works include framed batik, cloth colleges, sculptural coiled basketry, quilting, tapestry, and more by artists Wilson Akuamoah-Boateng, Sharon Bottle Souva, Lauren Bristol, Barbara Conte-Gaugel, Linda Esterley, Alice Gant, Hilary Gifford, Mary Kester, and Holly Knott.

Wild Card Exhibit: Ceramics by Carles Vives
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

Love & Patience
Orange Line Gallery

Price: Free
Orange Line Gallery
106 Montgomery St., Syracuse

The exhibit is a mix of traditional to abstract works, but remaining modern throughout. The show title refers not only to the content of the pieces, but also the artist's connection to their work and process. New work will be featured by previous OL artists including Alejandro Bettencourt, Amber Blanding, David McKenney, Debra Parry Trichilo, Jace Collins, Jacqueline Adamo, Laura Celuch, Melissa Tiffany and Spencer Baker.

Opening: Drawing: VPA Students and Faculty Exhibit
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

For more information on XL Projects and the "Drawing" exhibition, contact Andrew Havenhand, VPA program exhibitions coordinator, at 315-474-1217 or ahavenhand@yahoo.com.

FridayFLICS: The Divorcee
ArtRage Gallery

Price: $5 suggested donation
ArtRage Gallery
505 Hawley Ave., Syracuse

Norma Shearer is a role model for sophisticated [1930s] woman-hood. Challenging her husband's double standard on adultery, she explores sexual independence--and love--with an honesty that would be frank even today. Shearer is is widely considered one of cinema's feminist pioneers. (Directed by Clarence Brown, 1930)

John Vernon, novelist
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

John Vernon is the author of 11 books, including the book of poems Ann, the memoir A Book of Reasons, and the novels La Salle, Lindbergh's Son, Peter Doyle, All for Love: Baby Doe and Silver Dollar, The Last Canyon, and Lucky Billy. His work has appeared in Harper's, Poetry, American Poetry Review, The Nation, The Los Angeles Times, and many other publications. Two of his books have been named New York Times Notable Books of the Year, and he has been awarded two National Endowment for the Arts grants. John Vernon is the 21st faculty member at Binghamton University to be named a Distinguished Professor; he teaches there in the Spring semester each year, and lives for the rest of the year in the mountains of northern Colorado.

The Music Man
Corcoran High School

Price: $5 in advance; $8 at the door
Corcoran High School
919 Glenwood Ave., Syracuse

The Boys Next Door
Appleseed Productions
Sharee Lemos, director

Price: $15 regular; $12 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

In a communal residence in New England, four mentally handicapped men live under the supervision of an earnest, but increasingly "burned out" young social worker named Jack. Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they are allotted on this earth. written by Tom Griffin.

Read a Review!

Bash
Rarely Done Productions
Dan Tursi, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

"Atrocity is 'the new black'", says filmmaker and playwright Neil LaBute. The play is a dark vision of casual atrocity; "matter of fact brutality" as LaBute puts it, in which understandable individuals with mundane characteristics inflict pain on themselves and others in the name of prosaic goals with socially insignificant results. The work takes the form of an assemblage of three monologues themed around ordinary people who commit murder. The author reinforces the awfulness of the crimes by framing them with stories which lack a sense of redemption or catharsis. Each piece is instead a testament to the creeping horror which has enveloped the murderers (or is poised to) even as life goes on as if what they had done had never happened.

Read a Review!

Home: An MFA Thesis Production
Syracuse University Drama Department
Sonita Surratt, director

Price: Free (reservations recommended)
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cephus Miles is on a journey, but not the journey he anticipated as a boy working on his grandfather's farm in Cross Roads, North Carolina. Life had other plans, taking him to the fast-paced and volatile world of New York City. A classic story of the African American experience, Samm-Art Williams' 1979 Tony-nominated Home is poetic and forceful, capturing the turbulence of the '50s, '60s and '70s while celebrating the inherent personal dignity in struggling to overcome misfortune.

With themes of salvation, acceptance and anti-war sentiment, Home takes its audience on a transformational journey from the plantations of North Carolina to hectic New York City and back again to the South. While many African Americans traveled North with hopes of prosperity, Home exposes the desire held by many to go back to the South.

Free seating can be reserved by calling 315-443-3275, or in person at the Box Office, 820 East Genesee Street.

Read a review!

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

Saturday, March 28, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

Wild Card Exhibit: Ceramics by Carles Vives
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Fiber Art
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Works include framed batik, cloth colleges, sculptural coiled basketry, quilting, tapestry, and more by artists Wilson Akuamoah-Boateng, Sharon Bottle Souva, Lauren Bristol, Barbara Conte-Gaugel, Linda Esterley, Alice Gant, Hilary Gifford, Mary Kester, and Holly Knott.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Opening -- Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

There will be a panel discussion with the artists 2:00-4:00 pm.

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Exploring History with Art: The Changing View—Landscapes
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

Paintings from OHA's permanent collection

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

Drawing: VPA Students and Faculty Exhibit
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

For more information on XL Projects and the "Drawing" exhibition, contact Andrew Havenhand, VPA program exhibitions coordinator, at 315-474-1217 or ahavenhand@yahoo.com.

Love & Patience
Orange Line Gallery

Price: Free
Orange Line Gallery
106 Montgomery St., Syracuse

The exhibit is a mix of traditional to abstract works, but remaining modern throughout. The show title refers not only to the content of the pieces, but also the artist's connection to their work and process. New work will be featured by previous OL artists including Alejandro Bettencourt, Amber Blanding, David McKenney, Debra Parry Trichilo, Jace Collins, Jacqueline Adamo, Laura Celuch, Melissa Tiffany and Spencer Baker.

Bi the Way
2009 Reel Queer Film Festival

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

This young, hip, sexy documentary explores bisexuality across America. The directors' bizarre and hilarious cross-country road trip takes us from a swinging cage fighter in LA to a cheerleader-turned-runaway in Memphis. Features interviews with Michael Musto, Dan Savage and Jonathan Caouette. Directed by Brittany Blockman and Josephine Decker.

A Capella for the Fellas
Rescue Mission

Price: $15 regular, $10 seniors
Storer Auditorium
Onondaga Community College, Syracuse

Six vocal groups perform a benefit concert for the Rescue Mission. For more information, phone 315-701-3891.

Folkstrings and Claude & Kathy Ryan
Redhouse

Price: $15
Former Redhouse Theater
219 S. West St., Syracuse

Folkstrings will play a concert of acoustic folk music from the 1960s and 70s, mixed in with some blues, a touch of gospel, and a hint of bluegrass. AND they're doing it all to benefit Redhouse! What better reason to come out and take in an evening of great local music? Claude and Kathy Ryan of Marcellus will open the night with some Irish and American Folksongs. Audience participation is welcome and encouraged!

Michael Philip Mossman
CNY Jazz Arts Foundation

Price: $19.50, $24.50, $27.50 ($5 student discount)
Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Michael Philip Mossman is arguably the world's most in-demand "triple threat" in the jazz music industry. Achieving early fame as a young man as Music Director and trumpeter in Blue Note Records young lions group "Out Of The Blue," he has gone on to amass a star-studded vitae including writing and performing for the Lincoln Center Afro-Cuban Jazz Orchestra, among many others. Michael has toured and recorded with Dizzy Gillespie, Art Blakey, Joe Henderson, McCoy Tyner, Gerry Mulligan, Joe Zawinul, The Carnegie Hall Jazz Orchestra, the Charles Mingus Orchestra, Benny Carter and the Gil Evans Orchestra.

Michael is currently Director of Jazz Studies at the Aaron Copland School of Music at Queens College. An active Yamaha clinician, he recently served as the resident teaching artist for the CNY Jazz SummerJazz Workshop at the NY State Fair. This CNYJO concert will open highlighting the incredible talents of some of the region's best and brightest student talent, and Mossman will take part in this unique scholastic component of the concert as well.

Stone Canoe Writers Series: Elizabeth Twiddy
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Little Red Riding Hood
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive version of the children's classic.

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

The Music Man
Corcoran High School

Price: $5 in advance; $8 at the door
Corcoran High School
919 Glenwood Ave., Syracuse

The Boys Next Door
Appleseed Productions
Sharee Lemos, director

Price: $15 regular; $12 students/seniors
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

In a communal residence in New England, four mentally handicapped men live under the supervision of an earnest, but increasingly "burned out" young social worker named Jack. Norman, who works in a doughnut shop and is unable to resist the lure of the sweet pastries, takes great pride in the huge bundle of keys that dangles from his waist; Lucien P. Smith has the mind of a five-year-old but imagines that he is able to read and comprehend the weighty books he lugs about; Arnold, the ringleader of the group, is a hyperactive, compulsive chatterer, who suffers from deep-seated insecurities and a persecution complex; while Barry, a brilliant schizophrenic, fantasizes that he is a golf pro. Mingled with scenes from the daily lives of these four, where "little things" sometimes become momentous (and often very funny), are moments of great poignancy when, with touching effectiveness, we are reminded that the handicapped, like the rest of us, want only to love and laugh and find some meaning and purpose in the brief time that they are allotted on this earth. written by Tom Griffin.

Read a Review!

Bash
Rarely Done Productions
Dan Tursi, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

"Atrocity is 'the new black'", says filmmaker and playwright Neil LaBute. The play is a dark vision of casual atrocity; "matter of fact brutality" as LaBute puts it, in which understandable individuals with mundane characteristics inflict pain on themselves and others in the name of prosaic goals with socially insignificant results. The work takes the form of an assemblage of three monologues themed around ordinary people who commit murder. The author reinforces the awfulness of the crimes by framing them with stories which lack a sense of redemption or catharsis. Each piece is instead a testament to the creeping horror which has enveloped the murderers (or is poised to) even as life goes on as if what they had done had never happened.

Read a Review!

Home: An MFA Thesis Production
Syracuse University Drama Department
Sonita Surratt, director

Price: Free (reservations recommended)
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cephus Miles is on a journey, but not the journey he anticipated as a boy working on his grandfather's farm in Cross Roads, North Carolina. Life had other plans, taking him to the fast-paced and volatile world of New York City. A classic story of the African American experience, Samm-Art Williams' 1979 Tony-nominated Home is poetic and forceful, capturing the turbulence of the '50s, '60s and '70s while celebrating the inherent personal dignity in struggling to overcome misfortune.

With themes of salvation, acceptance and anti-war sentiment, Home takes its audience on a transformational journey from the plantations of North Carolina to hectic New York City and back again to the South. While many African Americans traveled North with hopes of prosperity, Home exposes the desire held by many to go back to the South.

Free seating can be reserved by calling 315-443-3275, or in person at the Box Office, 820 East Genesee Street.

Read a review!

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

Sunday, March 29, 2009

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Exploring History with Art: The Changing View—Landscapes
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

Paintings from OHA's permanent collection

Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition brings together more than 80 engravings, vivid Orientalist paintings, decorative objects, and documents and letters made during General Napoleon Bonaparte's Egyptian Campaign of 1791-1801. While unsuccessful as a military campaign, the endeavor was extremely successful and a cultural expedition. Napoleon brought over 150 scholars with him and their investigations into the country's ancient and contemporary societies formed the foundation of modern Egyptology and were a major achievement. From the Dahesh Museum of Art.

Drawing: VPA Students and Faculty Exhibit
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

For more information on XL Projects and the "Drawing" exhibition, contact Andrew Havenhand, VPA program exhibitions coordinator, at 315-474-1217 or ahavenhand@yahoo.com.

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

Stained Glass Series: Mozart's Coronation
Syracuse Symphony Orchestra
Syracuse University Oratorio Society
Daniel Hege, conductor
Featuring Caroline Stinson and David LeDoux, cellos

Most Holy Rosary Church
111 Roberts Ave., Syracuse

Haydn Symphony No. 30, Alleluja
Boccherini Cello Concerto in G Major
Vivaldi Double Cello Concerto in G minor
Mozart Mass in C Major, Coronation

Featuring Lianne Coble and Shelley Jackson, sopranos; Robert Allen, tenor; and John Buffett bass-baritone

Viol Concert
Schola Cantorum of Syracuse
Alex Rakov, conductor

Price: Free
Pebble Hill Presbyterian Church
5299 Jamesville Rd., Dewitt

Consorts for 3-5 viols. Music for the private chambers of Queen Elizabeth i and King James I. Come and hear the most precious music of the Western World as it was intended, up close and personal.

La Musique Enchantee: Music of European and American composers
Featuring Martha Grener, flute; Luba Lesser, mezzo-soprano; Maryna Mazhukhova, piano

Price: Suggested donation $10
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

For more information, phone 315-256-8528.

Boy Gets Girl
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Successful magazine writer Theresa is a New Yorker focused more on her career than on her personal life. Her friends persuade her to go on a blind date with Tony, a seemingly nice guy who works with computer software. After two dates, Theresa puts a halt to the dating, letting Tony politely know that it just isn't going to work. But suddenly Theresa starts getting bouquets of flowers every day at work, and her voicemail inbox is maxed out. What seemed as innocent flattery quickly escalates into a terrifying stalker situation. First produced at the Goodman Theatre in Chicago, Rebecca Gilman's story of a woman's worst nightmare will leave audiences thinking.

Read a Review!

Home: An MFA Thesis Production
Syracuse University Drama Department
Sonita Surratt, director

Price: Free (reservations recommended)
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Cephus Miles is on a journey, but not the journey he anticipated as a boy working on his grandfather's farm in Cross Roads, North Carolina. Life had other plans, taking him to the fast-paced and volatile world of New York City. A classic story of the African American experience, Samm-Art Williams' 1979 Tony-nominated Home is poetic and forceful, capturing the turbulence of the '50s, '60s and '70s while celebrating the inherent personal dignity in struggling to overcome misfortune.

With themes of salvation, acceptance and anti-war sentiment, Home takes its audience on a transformational journey from the plantations of North Carolina to hectic New York City and back again to the South. While many African Americans traveled North with hopes of prosperity, Home exposes the desire held by many to go back to the South.

Free seating can be reserved by calling 315-443-3275, or in person at the Box Office, 820 East Genesee Street.

Read a review!

Monday, March 30, 2009

Gallery Exhibition: Works of Anne Novado Cappuccilli
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

To a large extent, Cappuccilli's drawings and paintings are about the beauty of mark making, sensitivity of touch, and forms that are fundamentally mysterious. Her drawings are sometimes mistaken for photographs. The biomorphic drawings may read as benign or threatening hybrids, or as unknown species. The stain drawings developed from recognition of the delicate formal quality of grease stains, and their random patterns.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

Tuesday, March 31, 2009

BFA Ceramics 2009 Exhibit
Clayscapes Pottery Gallery

Clayscapes Pottery Studio
1003 W. Fayette St., Suite L1, Syracuse

Senior ceramics majors in the School of Art and Design at Syracuse University will present the exhibition "BFA Ceramics 2009," featuring the work of five seniors: Tim Brockhaus, Rebecca Hill, Crystal Lasda, Jaimie Merrell and Vanna Valdez.

Gallery Exhibition: Works of Anne Novado Cappuccilli
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

To a large extent, Cappuccilli's drawings and paintings are about the beauty of mark making, sensitivity of touch, and forms that are fundamentally mysterious. Her drawings are sometimes mistaken for photographs. The biomorphic drawings may read as benign or threatening hybrids, or as unknown species. The stain drawings developed from recognition of the delicate formal quality of grease stains, and their random patterns.

The Gallery as Studio: Drawings on Delirium
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A world-renowned Uruguayan artist, Ricardo Lanzarini comes from Montevideo to Syracuse to recreate the mundane and the extraordinary in his drawings on delirium made to unexpected scales. The exhibition comes to life at The Point of Contact Gallery where the space has turned into an artist's studio. The work of the exhibit is to be produced entirely on site and directly onto the walls of the gallery in the weeks leading up to the opening. Lanzarini will also share this experiment with students from Syracuse University's Fine Arts Department who will join in the creative process.

Lanzarini's work balances extremes of scale, crafting an extensive abstract image from precise, miniscule characters, whose everyday activities serve as a window into a miniature world, frozen in time. These drawings sarcastically explore the two major paradigms in figurative art of the 20th century: Social and Fantastic Realism

The exhibit will last through the summer and then Lanzarini returns to Point of Contact to perform an "erasure" of the work on September 4. The book catalogue documenting the entire project will be presented at the close.

Arena Art Group Exhibit
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Fun, wild, and experimental artwork by Rochester's Arena Art Group.

A Goodly Heritage of Study: The Portfolio Club of Syracuse
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Displayed are the archives of a still-thriving women's study club that was formed in 1875 in Syracuse. The Portfolio Club exemplifies a post-Civil War movement in which many thousands of middle-class women came together to educate themselves in a society that restricted women's access to institutions of higher learning. This club began a few weeks after the Association for the Advancement of Women held a congress at the Wieting Opera House in downtown Syracuse. At these congresses, which took place in many American cities, Julia Ward Howe and other presenters encouraged women to form study clubs for self-culture.

Nine young women founded the Portfolio Club, with guidance from Mary Dana Hicks, their art teacher. Though they began with a focus on art, in the middle 1880s they expanded their scope to include literature, current events, history, performing arts and many other subjects. Members have always met regularly from October through April to read their papers on a topic assigned by each year's president.

Syracuse residents and those long associated with SU will recognize the married names of many past club members, such as Mrs. Donald Dey, Mrs. William Nottingham, Mrs. E.N. Westcott, and Mrs. Mildred Eggers. Among Portfolio guest speakers during the club's first several decades were Judge Charles Andrews, Dean George Fiske Comfort, Howard Lyman, professors Sawyer Falk and Irene Sargent, Paul Paine, Douglas Petit, Katherine Sibley, and SU Chancellor Charles Sims.

The exhibition, which emphasizes the years 1875-1950, includes annual program booklets, many of them finely crafted. Also on display are meeting minutes, clippings, photographs, film footage of a 1935 gathering and other club documents.

Faces: Inspiration from Within -- Works by Erin Boyle
Westcott Community Center

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Cutting away from traditional portraiture, Erin creates edgy images that offer more expressive descriptions.

The Nature of Being
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Works based on nature and the figure by John Fitzsimmons (oil paintings) and Patrice Fitzsimmons (ceramic sculpture).

Read a review!

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer, and Tamara Natalie Madden
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Three Sisters: The Art of Robin Holder, Sonya A. Lawyer and Tamara Natalie Madden features works by three contemporary African American women artists who work in different media but explore issues of ethnicity, identity, history and culture in their work.

Robin Holder's works are inspired by issues of empowerment and integrity as well as the complexities of American identity: culture, gender, class, race and ethnicity. The works in her series "Behind Each Window, A Voice," were inspired by oral histories of eight of her neighbors in Brooklyn. Issues of race, social and political victimization, and ideas about society are shared by each of the subjects in their personal histories. The works are a combination of painting, collage and printmaking techniques.

Sonya Lawyer's photographic transfers combine imagery from vintage photographs with modern hand-dyed cotton fabric. The photographs were collected by the artist from vintage photo albums purchased at antique stores and through online auctions. Concerned that pieces of history were literally being torn apart and sold to the highest bidder, Lawyer was prompted to start acquiring images in order to protect them from further disturbance. Works from two series, "Searching For Beulah (limit of disturbance)" and "Finding Authenticity (does anyone remember?)" contain singular images of men and women of color juxtaposed with fabric blocks of varying hues. The works are a celebration of the persons depicted, each work revealing strength, pride, beauty and a quintessential timelessness.

Tamara Natalie Madden, in her recent series of mixed media paintings, creates images of kings,queens and warriors, using everyday people as her inspiration. Recognizing the struggles of the working class, the unseen and unheard, Madden chooses to depict them as kings and queens, as a means of expressing appreciation for their experiences, struggles and triumphs. The paintings are layered with quilted fabrics, which represent regal clothing and, symbolically, storytelling and quilts reflecting African traditions. The birds in the paintings represent a sense of freedom.

Passage: Latino Direction in CNY
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Works by Alejandro Betancourt.

Observations East and West: Artists' Views of the Historic Erie Canal
Erie Canal Museum
Syracuse University College of Visual and Performing Arts

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

The exhibition will feature student work from professor Sarah McCoubrey's fall 2008 landscape painting class and will be matted, framed and installed by students in the Museum Studies program. The subject of the works is an exploration of the changing environment as impacted by the Erie Canal. To accomplish this, the class met weekly at a variety of locations along the Erie Canal including the more rural areas, through the suburbs, into the city, and at the Erie Canal Museum.

The choice of these sites represents more than 200 years of transition in the surrounding Syracuse community and illustrates the change in the living environment as the community evolved from a casual based transportation center into a major modern metropolitan city.

Limbo: Works of Admas Habteslasie
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"Limbo" depicts a graceful yet unusually honest and insightful snapshot of Eritrea, an East African country suspended in an unsettled state between war and peace.

Eritrea warred with neighboring Ethiopia for 30 years before gaining independence in 1991. Then, in 1998, they entered another war with Ethiopia that lasted two years. Today, the war-torn country is yet again at the brink of war with their neighbor. Years of unrest have left the people of Eritrea waiting for life to improve. According to Habteslasie: "Transitory states become permanent; empty villas, destroyed old buildings and unfinished new buildings dot the landscape, monuments to the suspension of history. The collision between Eritrea's proud historical narrative and the bleak ennui of the present has produced an obsessive focus on the future. Reconstruction and infrastructure development are energetically driven forward whilst the economy remains essentially shut off from the outside world." The images in "Limbo" capture both destruction and construction, both the unhealed wounds of war and a fierce optimism and hope for a brighter future.

Habteslasie was born in Kuwait, and his parents are Eritrean. He received his master's degree from the London College of Communication in photojournalism and documentary photography. His photographic projects look at the ideas of identity, history, and the re-evaluation of our relationship with historical process. His work has been exhibited at venues such as Flowers East and 198 Gallery in London. His work has also been published in Source Magazine.

As It Happens: Artists-in-Residence at Light Work
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Josh Brilliant curates a selection of images by recent Light Work Artists-in-Residence, including Amy Stein, Kelli Connell, Cristina Fraire, Krista Steinke, and Christine Osinski. Brilliant is currently an MFA candidate in the Museum Studies program at Syracuse University.

American Change: From Slavery to the Presidency
Museum of Young Art

Price: Suggested donation: $4 adults, $3 students
Museum of Young Art
110 W. Fayette St., One Lincoln Center, Syracuse

If you could become an inspirational historical figure, who would you choose? How would becoming that person, even for a few moments, affect you?

In this show, students take on the personae of inspirational historical and current figures to truly immerse themselves in history.

The project, "American Change: from Slavery to the Presidency," features written, spoken and photographic illustrations of key figures and events in US history created by 4th grade students at Van Duyn Elementary. The work was inspired by and created in collaboration with CNY photographer Brantley Carroll.

Carroll worked with the students in a similar process to the one he used for his acclaimed project "The Whipping Post," which examined the slave trade by casting contemporary Americans in portraits of historical figures.

The partnership with Mr. Carroll is just one of the many arts-based learning projects that are happening this year at Van Duyn, which is one of six Syracuse City School District (SCSD) schools participating in the Arts in Mind initiative. Arts in Mind is a collaboration between schools, cultural organizations and funders that is working to make it easier for teachers in all SCSD schools to bring the arts into their classrooms as a way to strengthen student engagement and achievement. You can read more about Arts in Mind at www.artsinmind.net.

Anne Cofer: Concealed Objects
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Anne Cofer's interest in materials and artistic processes is evident in "Concealed Objects," a provocative new site-specific installation created for her first museum solo exhibition at the Everson. Inspired by British artists such as Cornelia Parker and Rachel Whiteread, whose sculpture is at once unique and fleeting, Cofer creates objects that exist for a moment and place in time and then are recycled and reused for other projects. The installation designed for the Everson is composed of skirt forms constructed of cloth and wet clay suspended from the ceiling in grid fashion. The skirts, arranged in perfect harmony within the space that contains them, appear to float in contradiction to the heavy clay that pulls them downward. Each garment is cut from a Victorian-era dress pattern (ca. 1895), combined with wet clay and modeled by hand to capture every fold of the fabric as it cascades to the floor. The repetition of form and motion recalls the monotonous tasks of domestic chores that have existed for centuries without change. Cofer assigns new meaning to the found and recycled fabrics she chooses for the garments: the bed linens, table cloths, furniture upholstery, and well-worn clothing conceal the individual histories, memories and stories untold about their previous owners.

Anne Cofer was the recipient of the Best-of-Show Award given at the 2008 Everson Biennial exhibition.

50/50: Works of Nancy Jurs
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Nancy Jurs juxtaposes her signature large-scale, hand-built ceramic sculptures with recent site-specific installations composed of ceramic, mixed-media and found objects. Throughout her 40-year career Jurs, a Rochester-based sculptor and ceramic artist, has produced an astounding body of work that largely addresses female power and strength. In 2003, Jurs completed the Armor Series, a grouping of six life-size armored torsos that present themselves with empowered determination. The stylized shells not only serve to protect the figures but to symbolize renewed confidence and strength in a post-9/11 world. "Undaunted" (2003), which is part of the Armor Series, was acquired by the Everson in 2004.

Also on view will be "Triad," a monumental 16-foot high sculpture composed of ceramic slabs that have been hand-built: cut, scraped, modeled, and stacked in three interacting totem-like structures. Triad will be prominently displayed in the Rosamond Gifford Sculpture Court.

From HardWare to SoftForm
Syracuse University School of Architecture
Featuring Winka Dubbeldam

Price: Free
Slocum Hall Auditorium
Syracuse University campus, Syracuse

Winka Dubbeldam is principal and founder of Archi-Tectonics, NYC. Archi-Tectonics is created as an open network; a team of highly qualified architects and designers, with a close connection to her team of engineers and consultants. Dubbeldam's role as Professor of Practice and the Director of the Post-Professional Program at the University of Pennsylvania and her teaching at Columbia university and Harvard further assist in the constant innovation the office strives for.

Friends of the Central Library Author Series
Featuring Marjane Satrapi

Price: $25
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Michael Burritt Concert and Clinic
Onondaga Community College

Price: Free
Storer Auditorium
Onondaga Community College, Syracuse

Having performed on four continents and nearly 40 states, Michael Burritt is one of the world's leading percussion soloists. He is in frequent demand performing concert tours and master classes throughout the United States, Europe, Asia, Australia and Canada. Mr. Burritt has recently been appointed to the faculty of the Eastman School of Music where he will begin his position as Professor of Percussion in the fall of 2008. Michael is only the third percussion professor in the history of the Eastman School.

Syracuse University Setnor School of Music
Syracuse University Singers

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Parking is available in Irving Garage. For more information, phone 315-443-2191.