Friday, November 12, 2010

Ed Smith: "The Labors"
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibition of drawing and sculpture by Guggenheim Fellow Ed Smith. His work has been exhibited here and abroad, including at the British Museum, Royal Museum of Fine Arts in Begium, and at Yale University.

Silk: Photographs by Courtney Rile
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Marcus Acevedo Exhibit
Onondaga Community College

Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist's Statement: The duality of man, the potential to be both divine and carnal beings, has always interested me. There is a struggle with the expectations associated with these opposing forces: the potential for greatness always present on one hand, and weaknesses inescapable on the other. My work exists to inspire the question of what is the nature of heroes, legends and Gods, and how different is that from the nature of man. My work goes beyond self-analysis and introspection. I use myself as the archetype for the experiences that connect us. I want to explore not only the greatness of man, but the weakness as well. My work demonstrates that we are powerful and that there is no contradiction that this great power can manifest itself in a person that is inadequate, fearful and weak. In my work I am actor and director, puppet and puppet master, mortal and God. I am free to explore all of these relationships, to be whomever and what ever I desire.

La Colección/The Collection: Exhibit 2
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A special program to commemorate Point of Contact's 35th anniversary and The Point of Contact Gallery's 5th -- a show of the entire permanent collection in five exhibitions starting in September 2010.

This second exhibit of the program presents contemporary photography by Maureen Connor, Rimma Gerlovina & Valeriy Gerlovin, Joseph Kugielsky, and intaglios by Nancy Graves.

The Silent Scream: Conflict in Novels Without Words
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

The Special Collections Research Center at Syracuse University Library has always had a keen interest in all forms of book illustration, and not surprisingly, novels without words became a significant collecting area. Over time, we have amassed a considerable number of the classic specimens in the genre, and the main practitioners of the art form are well represented within our holdings. We developed this exhibition in keeping with the Syracuse Symposium theme for the coming year, "conflict." The artists upon whom we focused are William Gropper, Laurence Hyde, Frans Masereel, Giacomo Patri, John Vassos, and Lynd Ward.

In addition to conflict, novels without words often portray a quest on the part of the individual. This may assume the form of a journey or a saga about the search for self-fulfillment in artistic or purely personal terms, or the quest may have as its primary objective achieving social justice in a particular context. Because of the historical period in which many of these wordless novels were born, they often depict a struggle between the individual and the industrialized world. Industrialization and, by extension, capitalism, may be seen as forces that are fundamentally antagonistic to the interests of the individual and of society in general. Similarly, the law, the police, and the armed forces may all be viewed as instruments of repression in novels without words.

The creators of novels without words also tend to scrutinize the brutal forms of war and tyranny that are made possible by industrialization. In truth, any injustice may become the subject of such works, and perhaps just the cruel nature of our existential struggle to survive in an inherently hostile environment is all the background that is needed to provide the inspiration for the creation of a novel without words.

Visual Trips, No Passport Required
Westcott Community Art Gallery
The Syracuse Photographers Association

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

"Visual Trips, No Passport Required" is a collection of works by members of The Syracuse Photographers Association, and "Partially Abandoned Factory," a solo show within the show, is by the group's organizer and founding member, Mindy Lee Tarry. Color and creativity abounds and many of the framed ink jet prints are for sale, to help raise money for the WCC.

The "Visual Trips, No Passport Required" collection showcases a rich variety of creative viewpoints ranging from stunning landscape prints to ornate and fascinating interior location shots. Viewing this collection will reinforce the fact that there is no shortage of imagination or scenes which inspire members to create wonderful photographic art. The "Partially Abandoned Factory" series narrows the focus with visually engaging interior and exterior studies of a captivating ramshackle former factory. Six of these images are currently featured in COLOR magazine November issue #10.

Resin*ating Metal: Arlene Abend Retrospective
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

The sculpture of Arlene Abend, representing over 30 years of creating in resin, bronze, and steel

Read a Review!

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Dogs in Transition: Pit Bulls and Mill Dogs
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Cyrus Mejia's art focuses on activism and reflects the ideals of kindness and compassion while shining a light on "speciesism, ignorance and cruelty." Mejia is also co-founder of Best Friends Animal Society, which operates the nation's largest sanctuary for homeless animals near the town of Kanab, Utah. Best Friends is especially known for rehabilitating 22 of the pit bulls rescued from NFL quarterback Michael Vick.

"Pits and Perception" is the first series on view, which portrays pit bulls in a manner that challenges modern-day perceptions of the breed. With increased attention toward dog fighting in the media, many view the pit bull as a vicious and aggressive dog. Through his paintings, Mejia challenges these beliefs by forcing the observer to take a closer look and question public perception.

The second collection, "Mill Dogs Revenge," features dogs rescued from commercial breeding facilities, colloquially known as "puppy mills." Victims of physical abuse, emotional trauma and neglect, these dogs are often subjected to cruel conditions because of human greed for profit. Mejia hopes to raise awareness of the cruelty of puppy mills through his art.

Canaltown Suds: Syracuse Breweries of the Canal Era
Erie Canal Museum

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

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Diane Banks and Adam Francey Recent Works
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Diane Banks' specimen series sculptures and drawings are inspired by the fragileness of nature and the delicate balance between vulnerability and strength. Her sculptures are created through the combination of organic and found plastic materials. Through the use of these materials, Banks reveals her fascination how nature protects itself from physical harm caused by man's intrusion, and the many ways it contorts itself to survive.

Working with related and unrelated imagery, Adam Francey layers and edits his paintings until an abstracted composition emerges. These are not works about a concrete idea; rather they provide an opportunity for unlimited readings, depending on point-of-view or frame of reference. Snippets from overheard conversations are peppered in the compositions. These works alternate between toughness and humor, with vibrant colors that appear at any moment, ready to leap off of the surface.

15th Annual Holiday Shoppes
Junior League of Syracuse

Price: $8
Center of Progress Building
NYS Fairgrounds, Geddes

Toys from the 1970s
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

This year's version will feature toys from the 1970s. Do you remember playing Pong on Atari, getting your first Luke Skywalker figure, or just wishing to have your own Malibu Barbie? Then you won't want to miss this journey into the decade of Charlie's Angels, Richard Nixon and a gallon of gasoline at fifty cents.

Emerging Women of CNY #1
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Artwork by Taye Wright-hirry, Maria Janina Rizzo, Alexandara Crosby, and Kristie Hayes.

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Opening: First Continuing Group Show
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

There will be an opening reception this evening 5:00-8:00 pm.

Among area artists included in this show are Lauren Bristol, Sue Canizares, Vincent Fitches, Phil Parsons and James Skvarch.

A Sense of Place: The Real Central New York Landscape
Gandee Gallery

Price: Free
Gandee Gallery
7846 Main St., Fabius

"A Sense of Place: The Real Central New York Landscape" is a different kind of landscape exhibition. The show features painting, photography, and mixed-media art by Central New York artists that explores the interaction between the local landscape and human activity.

Exhibiting artists include Steven Barbash, Rayburn Beale, Willson Cummer, Brenda Edwards, Bob Gates, Nancy Kramer, Jared Landberg, Sarah McCoubrey, Diane Menzies, Phil Parsons, and Lucie Wellner.

56nd Annual Art Mart
Syracuse Allied Arts, Inc.

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The show and sale features paintings, pottery, jewelry, stained glass, and more. It's the perfect place to find special holiday gifts for your friends and family.

From the Studio to the Salon
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In collaboration with The Dahesh Museum of Art and the Syracuse University Art Galleries, students enrolled in the Advanced Curatorship course in the Graduate Program in Museum Studies have worked together to present a drawing exhibition that highlights some of the prominent themes and techniques of 19th-century Academic Art. The exhibition will present over 40 drawings on loan from The Dahesh Museum of Art, as well as selected Academic paintings drawn from the Syracuse University Art Collection.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available, the attendant will direct you to the nearest lot.

Run and Tell That! New Work from New York
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Run and Tell That! New Work from New York presents, for the first time in Syracuse, recent and new work by 21 young New York City artists. Included in the exhibition's wide array of media are several installation pieces created specifically for the SUArt Galleries. Co-curated by SU alumnus Eric Gleason, Sales Director at Marlborough Chelsea, and David Prince, Associate Director at the SUArt Galleries, the show illustrates conceptual and aesthetic trends in contemporary art.

Synonymous with "spread the word," Run and Tell That! is a phrase attributed to Antoine Dodson of Huntsville, AL, whose flamboyant July 28, 2010 television interview following the attempted sexual assault on his sister, quickly became an internet sensation. The phrase has since been integrated into contemporary vernacular; a phenomenon that could only happen now, in a time when information is digested and distributed constantly via the internet. The artists in Run and Tell That! take advantage of this wide spectrum of media to develop a conceptual focus that characterizes this younger generation.

Painters Kamrooz Aram, Steven Charles, Inka Essenhigh, Aaron Johnson, Liz Markus, Tom Sanford, Ryan Schneider and Aya Uekawa use personal experience, art history, abstraction, and social commentary to keep the medium fresh and relevant. Sculpture becomes a widely encompassing term as pieces by Robert Lazzarini, Diana Al-Hadid, Will Ryman, and Ethan Greenbaum broaden the definition. In the series of 13 prints entitled Ars Magica, William Powhida continues his astute satirization of the art world by likening its practices to sorcery. In her Mother Goddess series, Turkish photographer Pinar Yolacan examines pre-neolithic deity figures that were the archetype of beauty in her geographic region thousands of years ago.

Site-specific installations include a first-time collaboration between Ethan Greenbaum and Adam Krueger; a dynamic wall-length installation in which a tree violently emerges from a Hudson River School painting by Valerie Hegarty; Virginia Overton's minimal trompe l'oeil construction using only an eight-foot 2 x 4 and two sheets of mirrored plexiglas; Vlatka Horvat's repurposed ceiling fan and aluminum ladder; and individual projects by Wade Kavanagh and Stephen B. Nguyen whose monumental collaborative installation White Stag, 2010 is currently on view at Mass MoCA.

Also in the exhibition will be Rashaad Newsome: Video and Performance, 2005-2010, an intimate retrospective of the artist's multi-media work exploring innovative forms of communication and expression in contemporary African American urban culture. This work was recently featured in the 2010 Whitney Biennial and in Greater New York 2010 at the PS1 Contemporary Arts Center, Long Island City, NY.

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On My Own Time
Everson Museum of Art
CNY Arts

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Bill Viola Video Art
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson was the first museum to collect video art, beginning in the early 1970s. Bill Viola, now one of the world's leading video artists, studied at Syracuse University and began his career at the Everson. A selection of historic videos by Bill Viola from the Everson's pioneering video collection will be shown in the Rosamond Gifford Sculpture Court in conjunction with the Urban Video Project (UVP), which will also be featuring Viola this fall.

VPA Faculty Show
Syracuse University School of Art and Design

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

An exhibition featuring work by faculty in Syracuse University's College of Visual and Performing Arts.

For more information, phone 315-442-2542 during gallery hours.

New Formula
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

An artistic examination of C2's molecular fusion with design firm Lock 49 and artist Brendan Rose.

Tonto Revisited: Native American Stereotypes
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

What do Land 'o Lakes, Argo Cornstarch and Syracuse minor league baseball have in common? Stereotyped images of Native Americans. This exhibit is curated by Tom Huff, a Seneca/Cayuga artist living and working in his sculpture studio on the Onondaga Nation. It exposes the cultural mythology surrounding Native Americans. The images and objects associated with "Indians" are dictated and defined by the dominant non-Indian culture. Many of the resulting representations are culturally and socially incorrect, even racist, with exaggerated misrepresentations of Native Americans.

Huff's collection of portrayals of menacing warriors wielding tomahawks, knives, and bows and arrows found in posters, advertisements, toys, sports logos and more will be on display. He has been collecting "Indian Kitsch" for over 25 years. While many may not think of them individually as destructive, this exhibit helps to illustrate how these pervasive negative preconceptions trivialize the tragedy wrought on indigenous peoples everywhere. We hope to both dispel the myths surrounding Native Americans and to encourage a new understanding of native peoples.

Opening Night Reception
Everson Museum of Art

Price: Members free, $10 non-members
Everson Museum of Art
401 Harrison St., Syracuse

Celebrate the arrival of three long-awaited exhibitions - Haudenosaunee: Elements, Yui Kugimiya: Live Paintings, and Jules Olitski: An Inside View. This special evening will include live musical entertainment by flutist Rob Benedict, light hors d'oeuvres and cash bar. A special highlight will be a painting performance called Dance by Haudenosaunee: Elements artist Aweñheeyoh Powless at 6:45 pm.

Cliff Evans: Untitled (Sketch for a monument to J.G. Ballard) #3, 2009
Urban Video Project

Onondaga Historical Association
321 Montgomery St., Syracuse

(1-minute loop) This composite of video footage is the first in a series of three "sketches," from which elements will later be taken to create a much larger virtual monument to the author J.G. Ballard. Within the video, disparate shots of an array of motorway overpasses and exchanges are stitched together in order to create a complex landscape of concrete, smoke, and automobiles. The images hurtle through a dense arterial chaos of constructed time and sibilance, dissolving into a column of smoke and revealing their destination as circular and contained.

Evans is a multimedia artist whose work focuses primarily on political, popular, and internet culture using appropriation and photomontage animation. His multi-channel installations and video objects have been shown internationally, including at the Chelsea Art Museum, Luxe Gallery, and Scope NY in New York City; the Museum of Fine Arts Boston; Scope Miami in Miami; and the Chinese International Gallery Exposition in Beijing, China; among many others. He has also been an artist-in-residence at Boston Symphony Orchestra Tanglewood, Lenox, MA; Isabella Stewart Gardner Museum, Boston, MA; and Location One International Residency Program, New York, NY.

Eva Davidova: Location One & Two, 2005
Urban Video Project

Everson Museum of Art
401 Harrison St., Syracuse

(Digital animation loop, 2:12 minutes) These very short videos are photography-based animation loops, where movement, time, and spatial relationship are defined by the deliberate distortions in the process of blending a photo sequence. The pixels from one image are smoothly dragged and melted into those of the next one. Buildings and objects acquire impossible organic qualities, and the animations become almost sculptural. The affordances of spaces and structures are only dependent on the emotional state of the subject, and on the inner logic, or absurdity of each piece. Through invented and artificial, yet extremely realistic-looking movements, as well as by changing the perception of time, Davidova searches for hidden patterns and looks into states of mind unconditioned by the "possible".

Davidova's work has been exhibited internationally, including at Magnan Projects Gallery, New York; Instituto Cervantes, Sofia, Bulgaria; Circulo de Bellas Artes, Madrid, Spain; N2 Gallery in Barcelona, Spain; and many others. She received a 2006 BANCAJA International Contest Award for Digital Art, the 2008 M-tel Award for Contemporary Bulgarian Art, and the 2009 Djerassi Honorary Fellowship. In 2009 she participated in the Moscow Biennale and in the Living and Dreaming exhibition at the Bronx Museum, NY.

Images of Indians Series (1979), Parts 1-3
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Screening and discussion with Maureen Schwarz.

Since their invention, Hollywood movies have generally portrayed Native American Indians as bloodthirsty villains, anonymous and deadly forces of nature, or as noble savages. And speaking roles tended to go to Anglo-Saxons in red-skinned versions of minstrels. Who can forget Rock Hudson as the warrior chief Young Bull in the classic Winchester '73? Narrated by genuine Native American Will Sampson, who played Chief Bromden in the Academy award-winning One Flew Over the Cuckoo's Nest, Images of Indians is a five-part documentary that shines a light on Hollywood stereotypes of Indians. The series was written, produced, and directed by Phil Lucas and Robert Hagopian.

PART 1: The Great Movie Massacre. The first part examines how much of Buffalo Bill's Wild West Show was real and how much was just show. The West as a mythic realm envisioned by revered Western director John Ford is compared to reality.

PART 2: How Hollywood Wins the West. The second episode examines how U.S. history as wrought by Hollywood has enshrined the 19th-century racist philosophy known as Manifest Destiny -- the notion that God intended for the United States to extend from sea to shining sea for white people. Highlights include numerous cowboy-and-indian battle scenes from various movies.

PART 3: Warpaint & Wigs. The third installment focuses on the prejudice suffered by Native American film actors who have the audacity to seek roles as Indians. Highlights include interview footage with director King Vidor.

Pops Series: Best of the Big Bands
Syracuse Symphony Orchestra
Ron Spigelman, conductor
Featuring Ronnie Leigh, vocalist

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

A special 50th anniversary tribute to the late Calvin Custer, who, over his 24-year association with the SSO served as musician, resident conductor, arranger, and composer. Syracuse's own Ronnie Leigh and the SSO will perform Big Band signature tunes by Glenn Miller (Moonlight Serenade), Benny Goodman (Let's Dance), Tommy Dorsey (I'm Getting Sentimental Over You) and Woody Herman (Blue Flame).

Jaimee Wriston Colbert, author
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Jaimee Wriston Colbert is the author of a novel, Shark Girls (Livingston Press, 2009); a linked stories collection, Dream Lives of Butterflies, which won the gold medal in the 2008 Independent Publisher Awards; a novel in stories, Climbing the God Tree, winner of the Willa Cather Fiction Prize; and the story collection Sex, Salvation, and the Automobile, winner of the Zephyr Publishing Prize. Her stories have appeared in many journals and anthologies, and have been broadcast on "Selected Shorts" and archived in "New Letters on the Air." She teaches in the Creative Writing Program at Binghamton University.

Lizzie Borden Took an Axe
Covey Theatre Company

BeVard Room, Mulroy Civic Center
411 Montgomery St., Syracuse

August 4th 1892, Fall River, Massachusetts: The gruesome double axe murder of Andrew and Abby Borden, parents to the refined socialite Lizzie Borden, remains one of America's most interesting unsolved crimes. Put on trial and eventually acquitted, Lizzie never escaped public scrutiny and was condemned by the sensationalist media. Lizzie Borden Took an Axe delves into the exciting testimonies of the people involved, fleshing out the psychological and emotional trauma of the grisly event. Did Lizzie do it? You can judge for yourself in this new play by Garrett Heater.

The Covey Theatre Company is a non-profit corp. created by Susan Blumer, Garrett Heater, and Michael Penny. Lizzie Borden Took an Axe is the company's first production.

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*CANCELLED* Christmas With the Calamari Sisters
Redhouse

Price: $30 cabaret seating; $25 regular; $20 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

Red House Arts Center regretfully announces the cancellation of Christmas with the Calamari Sisters. "The production company for Calamari Sisters, Lively Arts Productions, called us Monday morning to inform us that they are not able to fulfill their contractual obligation with Red House," explains Administrative Director Mike Intaglietta. "We deeply regret the inconvenience to all of our customers."

Red House will refund all tickets purchased for the run of the show and Red House staff will attempt to contact all ticket purchasers as soon as possible. For further information or to inquire regarding a refund, please contact Mike Intaglietta at 315-425-0405 or email press@theredhouse.org.

Master Class
Salt City Center for the Performing Arts
Frank Fiumano, director

Price: $20
Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Terrence McNally's play based on singing classes given by world-famous opera star Maria Callas.

Cathleen O'Brien stars as Maria Callas, with Richard Koons, Robin Lounsbury, Crystal Sikora, Josh Smith, and Bill Ali.

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Jungalbook
Syracuse University Drama Department
Felix Ivanov, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

By Edward Mast, based on The Jungle Books by Rudyard Kipling

Take an excursion into a playground full of imagination and physical dexterity. Adapted from Rudyard Kipling's books and poems, these intertwined tales of Mowgli, the "mancub," get a contemporary spin as Kipling's great characters spring to life. The familiar story of Mowgli—raised by Akela the wolf, tutored by Baloo the bear, and protected by Bagheera the panther—climaxes in the final showdown with Sherakhan the tiger. Along the way, Mowgli learns the laws of the jungle and the price paid for breaking them. Unlike some popular film versions, this adaptation adheres closely to Kipling's stories and captures the poetic spirit of the original tales.

Mast is a Seattle-based playwright whose adaptations of The Jungle Books and The Hobbit allow contemporary audiences to access dated but important stories. After Jungalbook's New York premiere in August 2006, it has been performed around the U.S. for audiences of all ages. Previously for the department, Ivanov directed Aesop's Fables in the Black Box Theatre. He is a graduate of the prestigious Schukin Theatre School at the Vakhtangov Academy Theatre and the Stasov Musical School (violin) in Moscow, Russia.

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Saturday, November 13, 2010

Resin*ating Metal: Arlene Abend Retrospective
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

The sculpture of Arlene Abend, representing over 30 years of creating in resin, bronze, and steel

Read a Review!

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

New Formula
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

An artistic examination of C2's molecular fusion with design firm Lock 49 and artist Brendan Rose.

Canaltown Suds: Syracuse Breweries of the Canal Era
Erie Canal Museum

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

On My Own Time
Everson Museum of Art
CNY Arts

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Bill Viola Video Art
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson was the first museum to collect video art, beginning in the early 1970s. Bill Viola, now one of the world's leading video artists, studied at Syracuse University and began his career at the Everson. A selection of historic videos by Bill Viola from the Everson's pioneering video collection will be shown in the Rosamond Gifford Sculpture Court in conjunction with the Urban Video Project (UVP), which will also be featuring Viola this fall.

Jules Olitski: An Inside View
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

One of America's pre-eminent painters, Jules Olitski (1922-2007) is celebrated for his large-format, lyrical abstractions that shimmer with color. Less well-known are his smaller, more intimate prints in a variety of media, which both parallel and depart from the abstract imagery of his paintings.

"An Inside View" includes 40 prints in a variety of media—intaglio, silkscreen, lithograph, and monotype—spanning the artist's career of more than five decades.

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Haudenosaunee: Elements
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The act of creating works of art is embedded in the Haudenosaunee way of life and has been for centuries. This exhibition presents works by contemporary Haudenosaunee artists from the six nations of the Iroquois Confederacy—Onondaga, Oneida, Mohawk, Seneca, Cayuga and Tuscarora. The artists range from those with well established careers to new and notable talents. Among those exhibiting are Jay Carrier, Harold Farmer, Katsitsionni Fox and Ed Burnam, Ronni-Leigh Goeman, Stonehorse Goeman, Tom Huff, Frank Buffalo Hyde, Ada Jacques, G. Peter Jemison, Peter B. Jones, Linley Logan, Shelley Niro, Aweñheeyoh Powless, Jolene Rickard, Clint Shenandoah, Leah Shenandoah, Natasha Smoke Santiago, Smiley Summers, Tammy Tarbell-Boehing, and Tracy Thomas.

"Haudenosaunee: Elements" does not attempt to provide a survey of contemporary art—the talented artists working in our region are too numerous to be represented in this exhibition—but rather to introduce viewers to the broad range of media and art forms by which contemporary artists continue to create their own individual visual language while never straying far from their cultural heritage.

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Yui Kugimiya: Live Paintings
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Brooklyn-based artist Yui Kugimiya presents "live paintings" for the final installment of the 2010 Edge of Art: New York State Artist Series. Kugimiya creates stop-motion animation using expressionistic paintings and actual objects typically found in the home as shown here in her most recent work, Breakfast. This video animation involves the use of paintings in conjunction with a variety of kitchen utensils and vegetables mixed with sound recorded directly from the live action. The artist states, "The animation parallels the psychological space, reveals the thoughts of making, and unfolds the inspiration of the daily-life-mundane."

The video animations are lighthearted and playful with a hint of dark drama. For each frame, a scene is painted on the canvas with fluid, gestural brush strokes loaded with rich color, captured on video and then the scene disappears before one's eyes as the next phase of the narrative unfolds. The exhibition includes new video work as well as a selection of paintings in the creative process so viewers can experience the richness of Kugimiya's paintings alongside her enlivening video works.

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Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

15th Annual Holiday Shoppes
Junior League of Syracuse

Price: $8
Center of Progress Building
NYS Fairgrounds, Geddes

First Continuing Group Show
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Among area artists included in this show are Lauren Bristol, Sue Canizares, Vincent Fitches, Phil Parsons and James Skvarch.

Dogs in Transition: Pit Bulls and Mill Dogs
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Cyrus Mejia's art focuses on activism and reflects the ideals of kindness and compassion while shining a light on "speciesism, ignorance and cruelty." Mejia is also co-founder of Best Friends Animal Society, which operates the nation's largest sanctuary for homeless animals near the town of Kanab, Utah. Best Friends is especially known for rehabilitating 22 of the pit bulls rescued from NFL quarterback Michael Vick.

"Pits and Perception" is the first series on view, which portrays pit bulls in a manner that challenges modern-day perceptions of the breed. With increased attention toward dog fighting in the media, many view the pit bull as a vicious and aggressive dog. Through his paintings, Mejia challenges these beliefs by forcing the observer to take a closer look and question public perception.

The second collection, "Mill Dogs Revenge," features dogs rescued from commercial breeding facilities, colloquially known as "puppy mills." Victims of physical abuse, emotional trauma and neglect, these dogs are often subjected to cruel conditions because of human greed for profit. Mejia hopes to raise awareness of the cruelty of puppy mills through his art.

A Sense of Place: The Real Central New York Landscape
Gandee Gallery

Price: Free
Gandee Gallery
7846 Main St., Fabius

"A Sense of Place: The Real Central New York Landscape" is a different kind of landscape exhibition. The show features painting, photography, and mixed-media art by Central New York artists that explores the interaction between the local landscape and human activity.

Exhibiting artists include Steven Barbash, Rayburn Beale, Willson Cummer, Brenda Edwards, Bob Gates, Nancy Kramer, Jared Landberg, Sarah McCoubrey, Diane Menzies, Phil Parsons, and Lucie Wellner.

56nd Annual Art Mart
Syracuse Allied Arts, Inc.

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The show and sale features paintings, pottery, jewelry, stained glass, and more. It's the perfect place to find special holiday gifts for your friends and family.

Toys from the 1970s
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

This year's version will feature toys from the 1970s. Do you remember playing Pong on Atari, getting your first Luke Skywalker figure, or just wishing to have your own Malibu Barbie? Then you won't want to miss this journey into the decade of Charlie's Angels, Richard Nixon and a gallon of gasoline at fifty cents.

Run and Tell That! New Work from New York
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Run and Tell That! New Work from New York presents, for the first time in Syracuse, recent and new work by 21 young New York City artists. Included in the exhibition's wide array of media are several installation pieces created specifically for the SUArt Galleries. Co-curated by SU alumnus Eric Gleason, Sales Director at Marlborough Chelsea, and David Prince, Associate Director at the SUArt Galleries, the show illustrates conceptual and aesthetic trends in contemporary art.

Synonymous with "spread the word," Run and Tell That! is a phrase attributed to Antoine Dodson of Huntsville, AL, whose flamboyant July 28, 2010 television interview following the attempted sexual assault on his sister, quickly became an internet sensation. The phrase has since been integrated into contemporary vernacular; a phenomenon that could only happen now, in a time when information is digested and distributed constantly via the internet. The artists in Run and Tell That! take advantage of this wide spectrum of media to develop a conceptual focus that characterizes this younger generation.

Painters Kamrooz Aram, Steven Charles, Inka Essenhigh, Aaron Johnson, Liz Markus, Tom Sanford, Ryan Schneider and Aya Uekawa use personal experience, art history, abstraction, and social commentary to keep the medium fresh and relevant. Sculpture becomes a widely encompassing term as pieces by Robert Lazzarini, Diana Al-Hadid, Will Ryman, and Ethan Greenbaum broaden the definition. In the series of 13 prints entitled Ars Magica, William Powhida continues his astute satirization of the art world by likening its practices to sorcery. In her Mother Goddess series, Turkish photographer Pinar Yolacan examines pre-neolithic deity figures that were the archetype of beauty in her geographic region thousands of years ago.

Site-specific installations include a first-time collaboration between Ethan Greenbaum and Adam Krueger; a dynamic wall-length installation in which a tree violently emerges from a Hudson River School painting by Valerie Hegarty; Virginia Overton's minimal trompe l'oeil construction using only an eight-foot 2 x 4 and two sheets of mirrored plexiglas; Vlatka Horvat's repurposed ceiling fan and aluminum ladder; and individual projects by Wade Kavanagh and Stephen B. Nguyen whose monumental collaborative installation White Stag, 2010 is currently on view at Mass MoCA.

Also in the exhibition will be Rashaad Newsome: Video and Performance, 2005-2010, an intimate retrospective of the artist's multi-media work exploring innovative forms of communication and expression in contemporary African American urban culture. This work was recently featured in the 2010 Whitney Biennial and in Greater New York 2010 at the PS1 Contemporary Arts Center, Long Island City, NY.

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From the Studio to the Salon
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In collaboration with The Dahesh Museum of Art and the Syracuse University Art Galleries, students enrolled in the Advanced Curatorship course in the Graduate Program in Museum Studies have worked together to present a drawing exhibition that highlights some of the prominent themes and techniques of 19th-century Academic Art. The exhibition will present over 40 drawings on loan from The Dahesh Museum of Art, as well as selected Academic paintings drawn from the Syracuse University Art Collection.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available, the attendant will direct you to the nearest lot.

Tonto Revisited: Native American Stereotypes
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

What do Land 'o Lakes, Argo Cornstarch and Syracuse minor league baseball have in common? Stereotyped images of Native Americans. This exhibit is curated by Tom Huff, a Seneca/Cayuga artist living and working in his sculpture studio on the Onondaga Nation. It exposes the cultural mythology surrounding Native Americans. The images and objects associated with "Indians" are dictated and defined by the dominant non-Indian culture. Many of the resulting representations are culturally and socially incorrect, even racist, with exaggerated misrepresentations of Native Americans.

Huff's collection of portrayals of menacing warriors wielding tomahawks, knives, and bows and arrows found in posters, advertisements, toys, sports logos and more will be on display. He has been collecting "Indian Kitsch" for over 25 years. While many may not think of them individually as destructive, this exhibit helps to illustrate how these pervasive negative preconceptions trivialize the tragedy wrought on indigenous peoples everywhere. We hope to both dispel the myths surrounding Native Americans and to encourage a new understanding of native peoples.

Diane Banks and Adam Francey Recent Works
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Diane Banks' specimen series sculptures and drawings are inspired by the fragileness of nature and the delicate balance between vulnerability and strength. Her sculptures are created through the combination of organic and found plastic materials. Through the use of these materials, Banks reveals her fascination how nature protects itself from physical harm caused by man's intrusion, and the many ways it contorts itself to survive.

Working with related and unrelated imagery, Adam Francey layers and edits his paintings until an abstracted composition emerges. These are not works about a concrete idea; rather they provide an opportunity for unlimited readings, depending on point-of-view or frame of reference. Snippets from overheard conversations are peppered in the compositions. These works alternate between toughness and humor, with vibrant colors that appear at any moment, ready to leap off of the surface.

VPA Faculty Show
Syracuse University School of Art and Design

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

An exhibition featuring work by faculty in Syracuse University's College of Visual and Performing Arts.

For more information, phone 315-442-2542 during gallery hours.

Artist Demonstrations
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artist demonstrations by Smiley Summers, Tom Huff, and Ronni-Leigh Goeman, in conjunction with the opening of the exhibit Haudenosaunee: Elements.

Eva Davidova: Location One & Two, 2005
Urban Video Project

Everson Museum of Art
401 Harrison St., Syracuse

(Digital animation loop, 2:12 minutes) These very short videos are photography-based animation loops, where movement, time, and spatial relationship are defined by the deliberate distortions in the process of blending a photo sequence. The pixels from one image are smoothly dragged and melted into those of the next one. Buildings and objects acquire impossible organic qualities, and the animations become almost sculptural. The affordances of spaces and structures are only dependent on the emotional state of the subject, and on the inner logic, or absurdity of each piece. Through invented and artificial, yet extremely realistic-looking movements, as well as by changing the perception of time, Davidova searches for hidden patterns and looks into states of mind unconditioned by the "possible".

Davidova's work has been exhibited internationally, including at Magnan Projects Gallery, New York; Instituto Cervantes, Sofia, Bulgaria; Circulo de Bellas Artes, Madrid, Spain; N2 Gallery in Barcelona, Spain; and many others. She received a 2006 BANCAJA International Contest Award for Digital Art, the 2008 M-tel Award for Contemporary Bulgarian Art, and the 2009 Djerassi Honorary Fellowship. In 2009 she participated in the Moscow Biennale and in the Living and Dreaming exhibition at the Bronx Museum, NY.

Cliff Evans: Untitled (Sketch for a monument to J.G. Ballard) #3, 2009
Urban Video Project

Onondaga Historical Association
321 Montgomery St., Syracuse

(1-minute loop) This composite of video footage is the first in a series of three "sketches," from which elements will later be taken to create a much larger virtual monument to the author J.G. Ballard. Within the video, disparate shots of an array of motorway overpasses and exchanges are stitched together in order to create a complex landscape of concrete, smoke, and automobiles. The images hurtle through a dense arterial chaos of constructed time and sibilance, dissolving into a column of smoke and revealing their destination as circular and contained.

Evans is a multimedia artist whose work focuses primarily on political, popular, and internet culture using appropriation and photomontage animation. His multi-channel installations and video objects have been shown internationally, including at the Chelsea Art Museum, Luxe Gallery, and Scope NY in New York City; the Museum of Fine Arts Boston; Scope Miami in Miami; and the Chinese International Gallery Exposition in Beijing, China; among many others. He has also been an artist-in-residence at Boston Symphony Orchestra Tanglewood, Lenox, MA; Isabella Stewart Gardner Museum, Boston, MA; and Location One International Residency Program, New York, NY.

SaturdaySCREENINGS: Trudell (2006)
ArtRage Gallery

Price: $5 suggested donation
ArtRage Gallery
505 Hawley Ave., Syracuse

Directed by Heather Rae. Insightful look at the travels, performances, and politics of legendary Native American poet/activist John Trudell. "He is extremely eloquent, and therefore extremely dangerous" -- FBI file on Trudell. Seattle Film Festival: Documentary Special Award.

Haudenosaunee Singers and Dancers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Performance in conjunction with the opening of the exhibit Haudenosaunee: Elements.

8th Annual Invitational Women's Choir Festival
Syracuse University Setnor School of Music
Syracuse University Women's Choir

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Syracuse University Women's Choir, under the direction of Barbara M. Tagg, will host the eighth annual Invitational Women's Choir Festival. Invited choirs include the Skaneateles High School Women's Chamber Choir under the direction of Micheal Kringer, and the Cazenovia High School Women's Choir under the direction of Teresa Campbell.

The public concert will feature the choirs in individual performances, as well as a combined, 100-voice choir. Under their directors, the choirs will perform a variety of works, including ones by Craig Hella Johnson, Eric Whitacre, Rodgers and Hammerstein, Lowell Mason, Ludwig van Beethoven, Randall Thompson, Amy Bernon, and Jerome W. Malek.

The combined choirs will perform under the direction of featured guest conductor Cara Tasher, director of choral activities and associate professor of voice at the University of North Florida in Jacksonville. The choirs will perform "How Can I Keep from Singing" by Robert Lowry, and "It Takes a Village" by Joan Szymko.

Tasher has conducted choirs in Hong Kong, Japan, Mexico and the United States. She has studied at the University of Cincinnati College-Conservatory of Music, the University of Texas at Austin, La Sorbonne, and Northwestern University.

Free parking is available in the Irving Garage.

For more information, contact Tagg at 315-443-5750 or btagg@syr.edu.

Junior Flute Recital
Syracuse University Setnor School of Music
Featuring Christie Glaser, flute

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Christie Glaser, a junior music industry major, will perform C.P.E. Bach's Hamburger Sonata in G Major with Moriah Dohner on cello, Robert Muczynski's Three Preludes Op. 18, Franz Doppler's Andante and Rondo Op. 25 with Stephanie Burke on flute, and Alec Wilder's Sonata No. 2. Maryna Mazhukhova will accompany on piano.

For more information, phone the Setnor School at 315-443-2191.

Summer Cult / Communipaw
Spark Contemporary Art Space

Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

Summer Cult is a Folk Rock/Alt Country group from New York state dedicated to the art of songwriting and making good music. They are not so much a band but more a collective of musicians who make music in the folk tradition filtered through the lens of hard rock, punk, hardcore and other modern genres, along side their friends and anyone else who might like to play music with them. Among Summer Cult's influences are The Band, Neil Young, Bob Dylan, Ryan Adams and Elliott Smith. The core of the group is made up of singer/guitarists Nathan Curtis and Dylan J Suttles, singer Marissa Mae and drummer Steven Lowe.

When Communipaw left the punk rock hotbed of New Brunswick in late 2009 and moved into a house in rural New Jersey to write and record their second full-length, Big Blue, the change was a natural one. With the sound of crickets as a backdrop, the band honed a dynamic folk rock signature by mixing a classic songwriting sensibility with their love of of alt-country and soaring, anthemic indie rock. Big Blue is currently available at iTunes and Band Camp, and Communipaw is currently touring the United States in a large navy van lovingly named Moondog.

Walden Chamber Players
Syracuse Friends of Chamber Music

Price: $20 regular, $15 senior, $10 student, children under 13 free
Lincoln Middle School
1613 James St., Syracuse

The outstanding musicians of this Boston-based ensemble have important careers on their own: as soloists, as teachers in major conservatories, as members of the Boston Symphony, Orpheus, and other organizations. Performing as an ensemble since 1997, they draw on their rich resources including string and wind instruments and piano to create varied and stimulating programs. "A season spent with the Walden Chamber Players is a time for discovery." -- Chamber Music America.

Schubert Adagio and Rondo Concertant for Piano and String Trio in F Major, D. 487
Brahms Trio in A minor for Clarinet, Cello, and Piano, Op. 114
Penderecki Quartet for Clarinet and String Trio
Dohnanyi Sextet for Horn, Clarinet, Strings and Piano in C Major, Op. 37

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Pops Series: Best of the Big Bands
Syracuse Symphony Orchestra
Ron Spigelman, conductor
Featuring Ronnie Leigh, vocalist

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

A special 50th anniversary tribute to the late Calvin Custer, who, over his 24-year association with the SSO served as musician, resident conductor, arranger, and composer. Syracuse's own Ronnie Leigh and the SSO will perform Big Band signature tunes by Glenn Miller (Moonlight Serenade), Benny Goodman (Let's Dance), Tommy Dorsey (I'm Getting Sentimental Over You) and Woody Herman (Blue Flame).

Kambuyu Marimba Ensemble
Westcott Community Center

Price: $5
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Kambuyu Marimba Ensemble creates musical sounds unlike those of any other group in Central New York. From the deep, natural resonating tones of the bass and baritone marimbas, to the scintillating rhythms and melodic interplay of the sopranos and tenors, the group entertains with a musical experience that will delight any audience. Kambuyu's percussive music is happy and infectious.

Anansi, Spiderman of Africa!
Open Hand Theater
Crabgrass Puppet Theatre

Price: $8 adults, $6 children
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

This sidesplitting selection of folktales from Africa stars Anansi the Spider, whose appetite always overrules his intellect. His hilarious stories are brought to life with a dynamic blend of traditional African design, infectious music, and fabulous puppetry by nationally acclaimed puppeteers Jamie Keithline and Bonny Hall. "Anansi" has been awarded an UNIMA Citation of Excellence, the highest award in American puppet theater.

Alice in Wonderland
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive comedic retelling of the classic tale.

*CANCELLED* Christmas With the Calamari Sisters
Redhouse

Price: $30 cabaret seating; $25 regular; $20 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

Red House Arts Center regretfully announces the cancellation of Christmas with the Calamari Sisters. "The production company for Calamari Sisters, Lively Arts Productions, called us Monday morning to inform us that they are not able to fulfill their contractual obligation with Red House," explains Administrative Director Mike Intaglietta. "We deeply regret the inconvenience to all of our customers."

Red House will refund all tickets purchased for the run of the show and Red House staff will attempt to contact all ticket purchasers as soon as possible. For further information or to inquire regarding a refund, please contact Mike Intaglietta at 315-425-0405 or email press@theredhouse.org.

Lizzie Borden Took an Axe
Covey Theatre Company

BeVard Room, Mulroy Civic Center
411 Montgomery St., Syracuse

August 4th 1892, Fall River, Massachusetts: The gruesome double axe murder of Andrew and Abby Borden, parents to the refined socialite Lizzie Borden, remains one of America's most interesting unsolved crimes. Put on trial and eventually acquitted, Lizzie never escaped public scrutiny and was condemned by the sensationalist media. Lizzie Borden Took an Axe delves into the exciting testimonies of the people involved, fleshing out the psychological and emotional trauma of the grisly event. Did Lizzie do it? You can judge for yourself in this new play by Garrett Heater.

The Covey Theatre Company is a non-profit corp. created by Susan Blumer, Garrett Heater, and Michael Penny. Lizzie Borden Took an Axe is the company's first production.

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Well-Aged Words: Book Every Saturday for a Funeral
Open Hand Theater
Featuring Andy Offutt Irwin

Price: $18 advance sale, $20 at the door, $5 artist reception
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

"My Aunt Marguerite, at the age of 79 years old, decided to go back to medical school. Her husband had passed away. And, all her friends' husbands had passed away... Aunt Marguerite begins to speak in a voice that is a delicious mixture of southern charm and grace, peppered with a saucy irreverence and the slightest quaver that her 85 years have earned."
"And we had gotten tired of the bridge club and the garden club. They are fine clubs. Don't misunderstand me at all. They are lovely. Only so many pansies can give you pleasure...."

Andy's silly putty voice, astounding narratives, hilarious heartfelt songs, and astonishing mouth noises, have made him one of the most adored touring storytellers in the United States. An award-winning artist and educator, Irwin has appeared at venues such as the Library of Congress and Walt Disney World. 2010 will mark his fourth appearance at the National Storytelling Festival and his fifth appearance as Teller in Residence at the International Storytelling Center. Four of his CDs have won Storytelling World Awards, and he has received two Just Plain Folks Music Awards.

*CANCELLED* Christmas With the Calamari Sisters
Redhouse

Price: $30 cabaret seating; $25 regular; $20 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

Red House Arts Center regretfully announces the cancellation of Christmas with the Calamari Sisters. "The production company for Calamari Sisters, Lively Arts Productions, called us Monday morning to inform us that they are not able to fulfill their contractual obligation with Red House," explains Administrative Director Mike Intaglietta. "We deeply regret the inconvenience to all of our customers."

Red House will refund all tickets purchased for the run of the show and Red House staff will attempt to contact all ticket purchasers as soon as possible. For further information or to inquire regarding a refund, please contact Mike Intaglietta at 315-425-0405 or email press@theredhouse.org.

Master Class
Salt City Center for the Performing Arts
Frank Fiumano, director

Price: $20
Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Terrence McNally's play based on singing classes given by world-famous opera star Maria Callas.

Cathleen O'Brien stars as Maria Callas, with Richard Koons, Robin Lounsbury, Crystal Sikora, Josh Smith, and Bill Ali.

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Jungalbook
Syracuse University Drama Department
Felix Ivanov, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

By Edward Mast, based on The Jungle Books by Rudyard Kipling

Take an excursion into a playground full of imagination and physical dexterity. Adapted from Rudyard Kipling's books and poems, these intertwined tales of Mowgli, the "mancub," get a contemporary spin as Kipling's great characters spring to life. The familiar story of Mowgli—raised by Akela the wolf, tutored by Baloo the bear, and protected by Bagheera the panther—climaxes in the final showdown with Sherakhan the tiger. Along the way, Mowgli learns the laws of the jungle and the price paid for breaking them. Unlike some popular film versions, this adaptation adheres closely to Kipling's stories and captures the poetic spirit of the original tales.

Mast is a Seattle-based playwright whose adaptations of The Jungle Books and The Hobbit allow contemporary audiences to access dated but important stories. After Jungalbook's New York premiere in August 2006, it has been performed around the U.S. for audiences of all ages. Previously for the department, Ivanov directed Aesop's Fables in the Black Box Theatre. He is a graduate of the prestigious Schukin Theatre School at the Vakhtangov Academy Theatre and the Stasov Musical School (violin) in Moscow, Russia.

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Sunday, November 14, 2010

Canaltown Suds: Syracuse Breweries of the Canal Era
Erie Canal Museum

Price: Free
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

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First Continuing Group Show
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Among area artists included in this show are Lauren Bristol, Sue Canizares, Vincent Fitches, Phil Parsons and James Skvarch.

A Sense of Place: The Real Central New York Landscape
Gandee Gallery

Price: Free
Gandee Gallery
7846 Main St., Fabius

"A Sense of Place: The Real Central New York Landscape" is a different kind of landscape exhibition. The show features painting, photography, and mixed-media art by Central New York artists that explores the interaction between the local landscape and human activity.

Exhibiting artists include Steven Barbash, Rayburn Beale, Willson Cummer, Brenda Edwards, Bob Gates, Nancy Kramer, Jared Landberg, Sarah McCoubrey, Diane Menzies, Phil Parsons, and Lucie Wellner.

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Toys from the 1970s
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

This year's version will feature toys from the 1970s. Do you remember playing Pong on Atari, getting your first Luke Skywalker figure, or just wishing to have your own Malibu Barbie? Then you won't want to miss this journey into the decade of Charlie's Angels, Richard Nixon and a gallon of gasoline at fifty cents.

From the Studio to the Salon
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In collaboration with The Dahesh Museum of Art and the Syracuse University Art Galleries, students enrolled in the Advanced Curatorship course in the Graduate Program in Museum Studies have worked together to present a drawing exhibition that highlights some of the prominent themes and techniques of 19th-century Academic Art. The exhibition will present over 40 drawings on loan from The Dahesh Museum of Art, as well as selected Academic paintings drawn from the Syracuse University Art Collection.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available, the attendant will direct you to the nearest lot.

Run and Tell That! New Work from New York
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Run and Tell That! New Work from New York presents, for the first time in Syracuse, recent and new work by 21 young New York City artists. Included in the exhibition's wide array of media are several installation pieces created specifically for the SUArt Galleries. Co-curated by SU alumnus Eric Gleason, Sales Director at Marlborough Chelsea, and David Prince, Associate Director at the SUArt Galleries, the show illustrates conceptual and aesthetic trends in contemporary art.

Synonymous with "spread the word," Run and Tell That! is a phrase attributed to Antoine Dodson of Huntsville, AL, whose flamboyant July 28, 2010 television interview following the attempted sexual assault on his sister, quickly became an internet sensation. The phrase has since been integrated into contemporary vernacular; a phenomenon that could only happen now, in a time when information is digested and distributed constantly via the internet. The artists in Run and Tell That! take advantage of this wide spectrum of media to develop a conceptual focus that characterizes this younger generation.

Painters Kamrooz Aram, Steven Charles, Inka Essenhigh, Aaron Johnson, Liz Markus, Tom Sanford, Ryan Schneider and Aya Uekawa use personal experience, art history, abstraction, and social commentary to keep the medium fresh and relevant. Sculpture becomes a widely encompassing term as pieces by Robert Lazzarini, Diana Al-Hadid, Will Ryman, and Ethan Greenbaum broaden the definition. In the series of 13 prints entitled Ars Magica, William Powhida continues his astute satirization of the art world by likening its practices to sorcery. In her Mother Goddess series, Turkish photographer Pinar Yolacan examines pre-neolithic deity figures that were the archetype of beauty in her geographic region thousands of years ago.

Site-specific installations include a first-time collaboration between Ethan Greenbaum and Adam Krueger; a dynamic wall-length installation in which a tree violently emerges from a Hudson River School painting by Valerie Hegarty; Virginia Overton's minimal trompe l'oeil construction using only an eight-foot 2 x 4 and two sheets of mirrored plexiglas; Vlatka Horvat's repurposed ceiling fan and aluminum ladder; and individual projects by Wade Kavanagh and Stephen B. Nguyen whose monumental collaborative installation White Stag, 2010 is currently on view at Mass MoCA.

Also in the exhibition will be Rashaad Newsome: Video and Performance, 2005-2010, an intimate retrospective of the artist's multi-media work exploring innovative forms of communication and expression in contemporary African American urban culture. This work was recently featured in the 2010 Whitney Biennial and in Greater New York 2010 at the PS1 Contemporary Arts Center, Long Island City, NY.

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On My Own Time
Everson Museum of Art
CNY Arts

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Yui Kugimiya: Live Paintings
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Brooklyn-based artist Yui Kugimiya presents "live paintings" for the final installment of the 2010 Edge of Art: New York State Artist Series. Kugimiya creates stop-motion animation using expressionistic paintings and actual objects typically found in the home as shown here in her most recent work, Breakfast. This video animation involves the use of paintings in conjunction with a variety of kitchen utensils and vegetables mixed with sound recorded directly from the live action. The artist states, "The animation parallels the psychological space, reveals the thoughts of making, and unfolds the inspiration of the daily-life-mundane."

The video animations are lighthearted and playful with a hint of dark drama. For each frame, a scene is painted on the canvas with fluid, gestural brush strokes loaded with rich color, captured on video and then the scene disappears before one's eyes as the next phase of the narrative unfolds. The exhibition includes new video work as well as a selection of paintings in the creative process so viewers can experience the richness of Kugimiya's paintings alongside her enlivening video works.

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Haudenosaunee: Elements
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The act of creating works of art is embedded in the Haudenosaunee way of life and has been for centuries. This exhibition presents works by contemporary Haudenosaunee artists from the six nations of the Iroquois Confederacy—Onondaga, Oneida, Mohawk, Seneca, Cayuga and Tuscarora. The artists range from those with well established careers to new and notable talents. Among those exhibiting are Jay Carrier, Harold Farmer, Katsitsionni Fox and Ed Burnam, Ronni-Leigh Goeman, Stonehorse Goeman, Tom Huff, Frank Buffalo Hyde, Ada Jacques, G. Peter Jemison, Peter B. Jones, Linley Logan, Shelley Niro, Aweñheeyoh Powless, Jolene Rickard, Clint Shenandoah, Leah Shenandoah, Natasha Smoke Santiago, Smiley Summers, Tammy Tarbell-Boehing, and Tracy Thomas.

"Haudenosaunee: Elements" does not attempt to provide a survey of contemporary art—the talented artists working in our region are too numerous to be represented in this exhibition—but rather to introduce viewers to the broad range of media and art forms by which contemporary artists continue to create their own individual visual language while never straying far from their cultural heritage.

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Jules Olitski: An Inside View
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

One of America's pre-eminent painters, Jules Olitski (1922-2007) is celebrated for his large-format, lyrical abstractions that shimmer with color. Less well-known are his smaller, more intimate prints in a variety of media, which both parallel and depart from the abstract imagery of his paintings.

"An Inside View" includes 40 prints in a variety of media—intaglio, silkscreen, lithograph, and monotype—spanning the artist's career of more than five decades.

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Bill Viola Video Art
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson was the first museum to collect video art, beginning in the early 1970s. Bill Viola, now one of the world's leading video artists, studied at Syracuse University and began his career at the Everson. A selection of historic videos by Bill Viola from the Everson's pioneering video collection will be shown in the Rosamond Gifford Sculpture Court in conjunction with the Urban Video Project (UVP), which will also be featuring Viola this fall.

15th Annual Holiday Shoppes
Junior League of Syracuse

Price: $8
Center of Progress Building
NYS Fairgrounds, Geddes

VPA Faculty Show
Syracuse University School of Art and Design

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

An exhibition featuring work by faculty in Syracuse University's College of Visual and Performing Arts.

For more information, phone 315-442-2542 during gallery hours.

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Artist Demonstrations
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Artist demonstrations by Ada Jaques, Sherri Waterman Hopper, and Alf Jaques, in conjunction with the opening of the exhibit Haudenosaunee: Elements.

Cliff Evans: Untitled (Sketch for a monument to J.G. Ballard) #3, 2009
Urban Video Project

Onondaga Historical Association
321 Montgomery St., Syracuse

(1-minute loop) This composite of video footage is the first in a series of three "sketches," from which elements will later be taken to create a much larger virtual monument to the author J.G. Ballard. Within the video, disparate shots of an array of motorway overpasses and exchanges are stitched together in order to create a complex landscape of concrete, smoke, and automobiles. The images hurtle through a dense arterial chaos of constructed time and sibilance, dissolving into a column of smoke and revealing their destination as circular and contained.

Evans is a multimedia artist whose work focuses primarily on political, popular, and internet culture using appropriation and photomontage animation. His multi-channel installations and video objects have been shown internationally, including at the Chelsea Art Museum, Luxe Gallery, and Scope NY in New York City; the Museum of Fine Arts Boston; Scope Miami in Miami; and the Chinese International Gallery Exposition in Beijing, China; among many others. He has also been an artist-in-residence at Boston Symphony Orchestra Tanglewood, Lenox, MA; Isabella Stewart Gardner Museum, Boston, MA; and Location One International Residency Program, New York, NY.

Eva Davidova: Location One & Two, 2005
Urban Video Project

Everson Museum of Art
401 Harrison St., Syracuse

(Digital animation loop, 2:12 minutes) These very short videos are photography-based animation loops, where movement, time, and spatial relationship are defined by the deliberate distortions in the process of blending a photo sequence. The pixels from one image are smoothly dragged and melted into those of the next one. Buildings and objects acquire impossible organic qualities, and the animations become almost sculptural. The affordances of spaces and structures are only dependent on the emotional state of the subject, and on the inner logic, or absurdity of each piece. Through invented and artificial, yet extremely realistic-looking movements, as well as by changing the perception of time, Davidova searches for hidden patterns and looks into states of mind unconditioned by the "possible".

Davidova's work has been exhibited internationally, including at Magnan Projects Gallery, New York; Instituto Cervantes, Sofia, Bulgaria; Circulo de Bellas Artes, Madrid, Spain; N2 Gallery in Barcelona, Spain; and many others. She received a 2006 BANCAJA International Contest Award for Digital Art, the 2008 M-tel Award for Contemporary Bulgarian Art, and the 2009 Djerassi Honorary Fellowship. In 2009 she participated in the Moscow Biennale and in the Living and Dreaming exhibition at the Bronx Museum, NY.

Bill Crouse and The Allegany River Indian Dancers
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Performance in conjunction with the opening of the exhibit Haudenosaunee: Elements.

Touched with Fire

Price: $15
Temple Society of Concord
910 Madison St., Syracuse

A benefit for the Syracuse NAMI.

For more information, phone 315-475-2085.

John Ginn in Concert

Price: Free
University United Methodist Church
1085 E. Genesee St. (corner of University Ave.), Syracuse

The singer will perform works from Cabaret, Into the Woods, Jekyll and Hyde, and Les Miserables.

For more information, phone 315-475-7277.

Kristen Jorgensen, flute; Rebecca Horning, piano
Joyful Noise Concert Series

Price: Free (donations accepted)
Liverpool First United Methodist Church
604 Oswego St., Liverpool

Music of Conflict and Reconciliation
Society for New Music
Featuring Simon Shaheen, oud

Price: $15 regular; $12 students/seniors
Hendricks Chapel
Syracuse University, Syracuse

Reza Vali (Persia) Zand (Calligraphy No.3) and Folk Songs (Set No. 11B)
Karim Al-Zand (Egypt) Lamentations on the Disasters of War, after the etchings by Goya, 2006
Simon Shaheen (Palestine) Fantasie for oud and string quartet and improvisations

Performers include Simon Shaheen, oud; Cristina Buciu and Rimma Bergeron-Langlois, violins; Wendy Richman, viola; David LeDoux and George Macero, cellos.

Simon Shaheen is one of the most significant Arab performers and composers of his generation. His work incorporates and reflects a legacy of Arabic music, while forging ahead to new frontiers, embracing many different styles in the process.

This performance is a collaboration with the Ray Smith Symposium, Departments of Art and Music Histories, South Asia Center, College of Arts and Sciences co-curricular fees, Department of Religion, and The Andrew W. Mellon Central New York Humanities Corridor, on the Andrew W. Mellon Foundation initiative. In conjunction with "Music of Conflict and Reconciliation: The War in Iraq."

Sweet Hour of Sound
DeWitt Community Church
Featuring Greg Skipton, harp; Joe Davoli, mandolin

Price: Free
Dewitt Community Church
3600 Erie Blvd. East, Dewitt

For more information, phone 315-445-0331.

*CANCELLED* Christmas With the Calamari Sisters
Redhouse

Price: $30 cabaret seating; $25 regular; $20 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

Red House Arts Center regretfully announces the cancellation of Christmas with the Calamari Sisters. "The production company for Calamari Sisters, Lively Arts Productions, called us Monday morning to inform us that they are not able to fulfill their contractual obligation with Red House," explains Administrative Director Mike Intaglietta. "We deeply regret the inconvenience to all of our customers."

Red House will refund all tickets purchased for the run of the show and Red House staff will attempt to contact all ticket purchasers as soon as possible. For further information or to inquire regarding a refund, please contact Mike Intaglietta at 315-425-0405 or email press@theredhouse.org.

Master Class
Salt City Center for the Performing Arts
Frank Fiumano, director

Price: $20
Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Terrence McNally's play based on singing classes given by world-famous opera star Maria Callas.

Cathleen O'Brien stars as Maria Callas, with Richard Koons, Robin Lounsbury, Crystal Sikora, Josh Smith, and Bill Ali.

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Jungalbook
Syracuse University Drama Department
Felix Ivanov, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

By Edward Mast, based on The Jungle Books by Rudyard Kipling

Take an excursion into a playground full of imagination and physical dexterity. Adapted from Rudyard Kipling's books and poems, these intertwined tales of Mowgli, the "mancub," get a contemporary spin as Kipling's great characters spring to life. The familiar story of Mowgli—raised by Akela the wolf, tutored by Baloo the bear, and protected by Bagheera the panther—climaxes in the final showdown with Sherakhan the tiger. Along the way, Mowgli learns the laws of the jungle and the price paid for breaking them. Unlike some popular film versions, this adaptation adheres closely to Kipling's stories and captures the poetic spirit of the original tales.

Mast is a Seattle-based playwright whose adaptations of The Jungle Books and The Hobbit allow contemporary audiences to access dated but important stories. After Jungalbook's New York premiere in August 2006, it has been performed around the U.S. for audiences of all ages. Previously for the department, Ivanov directed Aesop's Fables in the Black Box Theatre. He is a graduate of the prestigious Schukin Theatre School at the Vakhtangov Academy Theatre and the Stasov Musical School (violin) in Moscow, Russia.

Read a Review!

Monday, November 15, 2010

Silk: Photographs by Courtney Rile
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Marcus Acevedo Exhibit
Onondaga Community College

Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist's Statement: The duality of man, the potential to be both divine and carnal beings, has always interested me. There is a struggle with the expectations associated with these opposing forces: the potential for greatness always present on one hand, and weaknesses inescapable on the other. My work exists to inspire the question of what is the nature of heroes, legends and Gods, and how different is that from the nature of man. My work goes beyond self-analysis and introspection. I use myself as the archetype for the experiences that connect us. I want to explore not only the greatness of man, but the weakness as well. My work demonstrates that we are powerful and that there is no contradiction that this great power can manifest itself in a person that is inadequate, fearful and weak. In my work I am actor and director, puppet and puppet master, mortal and God. I am free to explore all of these relationships, to be whomever and what ever I desire.

The Silent Scream: Conflict in Novels Without Words
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

The Special Collections Research Center at Syracuse University Library has always had a keen interest in all forms of book illustration, and not surprisingly, novels without words became a significant collecting area. Over time, we have amassed a considerable number of the classic specimens in the genre, and the main practitioners of the art form are well represented within our holdings. We developed this exhibition in keeping with the Syracuse Symposium theme for the coming year, "conflict." The artists upon whom we focused are William Gropper, Laurence Hyde, Frans Masereel, Giacomo Patri, John Vassos, and Lynd Ward.

In addition to conflict, novels without words often portray a quest on the part of the individual. This may assume the form of a journey or a saga about the search for self-fulfillment in artistic or purely personal terms, or the quest may have as its primary objective achieving social justice in a particular context. Because of the historical period in which many of these wordless novels were born, they often depict a struggle between the individual and the industrialized world. Industrialization and, by extension, capitalism, may be seen as forces that are fundamentally antagonistic to the interests of the individual and of society in general. Similarly, the law, the police, and the armed forces may all be viewed as instruments of repression in novels without words.

The creators of novels without words also tend to scrutinize the brutal forms of war and tyranny that are made possible by industrialization. In truth, any injustice may become the subject of such works, and perhaps just the cruel nature of our existential struggle to survive in an inherently hostile environment is all the background that is needed to provide the inspiration for the creation of a novel without words.

Visual Trips, No Passport Required
Westcott Community Art Gallery
The Syracuse Photographers Association

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

"Visual Trips, No Passport Required" is a collection of works by members of The Syracuse Photographers Association, and "Partially Abandoned Factory," a solo show within the show, is by the group's organizer and founding member, Mindy Lee Tarry. Color and creativity abounds and many of the framed ink jet prints are for sale, to help raise money for the WCC.

The "Visual Trips, No Passport Required" collection showcases a rich variety of creative viewpoints ranging from stunning landscape prints to ornate and fascinating interior location shots. Viewing this collection will reinforce the fact that there is no shortage of imagination or scenes which inspire members to create wonderful photographic art. The "Partially Abandoned Factory" series narrows the focus with visually engaging interior and exterior studies of a captivating ramshackle former factory. Six of these images are currently featured in COLOR magazine November issue #10.

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

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Diane Banks and Adam Francey Recent Works
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Diane Banks' specimen series sculptures and drawings are inspired by the fragileness of nature and the delicate balance between vulnerability and strength. Her sculptures are created through the combination of organic and found plastic materials. Through the use of these materials, Banks reveals her fascination how nature protects itself from physical harm caused by man's intrusion, and the many ways it contorts itself to survive.

Working with related and unrelated imagery, Adam Francey layers and edits his paintings until an abstracted composition emerges. These are not works about a concrete idea; rather they provide an opportunity for unlimited readings, depending on point-of-view or frame of reference. Snippets from overheard conversations are peppered in the compositions. These works alternate between toughness and humor, with vibrant colors that appear at any moment, ready to leap off of the surface.

Emerging Women of CNY #1
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Artwork by Taye Wright-hirry, Maria Janina Rizzo, Alexandara Crosby, and Kristie Hayes.

Read a review!

56nd Annual Art Mart
Syracuse Allied Arts, Inc.

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The show and sale features paintings, pottery, jewelry, stained glass, and more. It's the perfect place to find special holiday gifts for your friends and family.

What If...: Third Ward TX
The Gifford Foundation

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Third Ward TX tells the story of Project Row Houses—a unique creative venture started when a group of African-American artists clean up around a row of condemned shotgun houses and hold a 'Drive By' exhibition of paintings on the fronts of the abandoned homes. Eventually, they purchase 22 houses on two blocks, become home to cutting-edge public art and a home-grown challenge to traditional notions of community development. As 93-year old resident Miss Earnestine Courtney says in the film "If you want to do something for real...you'll clean up this place and get these junkies outta here." Told in their own words, this moving story introduces unforgettable people from the Third Ward: artists, young mothers, children and long-time residents.

Hips, Hips, Hooray (1934)
Syracuse Cinephile Society

Price: $3 regular, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Bert Wheeler and Robert Woolsey are back in this wild Pre-Code comedy. The boys play sidewalk hucksters who try to help Thelma Todd's failing beauty emporium. Loads of gags, gals and even a couple of catchy songs. One of the team's best films. Directed by Mark Sandrich. Cast also includes Dorothy Lee, and Ruth Etting. PLUS Special Comedy Short: Thelma Todd and Zasu Pitts in On the Loose (1931).

USAF Airmen of Note
Syracuse University Pulse Performing Arts Series

Price: Free, but tickets required
Goldstein Auditorium, Schine Student Center
Syracuse University, Syracuse

The premier jazz ensemble of the U.S. Air Force, the Airmen of Note was created in 1950 to carry on the tradition of Major Glenn Miller's Army Air Corps dance band. Today, the group features 18 of the most talented jazz musicians in the country and is one of the last touring big bands, earning an international reputation as one of the finest and most versatile big bands of its kind.

Through the years, the Airmen of Note has presented its exciting brand of big band jazz to audiences throughout the United States, in dozens of countries in Europe and Asia, as well as back home in the Washington, D.C., area. The band has collaborated on recordings and performances with such jazz luminaries as Dizzy Gillespie, Joe Williams, Sarah Vaughan, and Nancy Wilson.

In 1990, the group established the Jazz Heritage Series (featured on NPR and jazz radio, satellite and Internet stations), featuring concerts with legendary icons of jazz. Artists who have participated in the series include Clark Terry, Phil Woods, Kurt Elling, Paquito D'Rivera, Nicholas Payton and Karrin Allyson, among others.

The band's Glenn Miller sound has remained a central ingredient in its musical heritage, but through the years it has also adopted a more contemporary sound, due largely to a talented stable of staff arrangers. Today, Master Sergeant Alan Baylock, the group's current chief arranger, helps maintain a commitment to tradition and cutting edge innovation.

In 2010, the Airmen of Note celebrates 60 years as one of the nation's most revered musical organizations.

Tickets available at Schine Box Office.

Paid parking available in Booth and University Avenue garages for $4.

Tuesday, November 16, 2010

Silk: Photographs by Courtney Rile
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Marcus Acevedo Exhibit
Onondaga Community College

Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist's Statement: The duality of man, the potential to be both divine and carnal beings, has always interested me. There is a struggle with the expectations associated with these opposing forces: the potential for greatness always present on one hand, and weaknesses inescapable on the other. My work exists to inspire the question of what is the nature of heroes, legends and Gods, and how different is that from the nature of man. My work goes beyond self-analysis and introspection. I use myself as the archetype for the experiences that connect us. I want to explore not only the greatness of man, but the weakness as well. My work demonstrates that we are powerful and that there is no contradiction that this great power can manifest itself in a person that is inadequate, fearful and weak. In my work I am actor and director, puppet and puppet master, mortal and God. I am free to explore all of these relationships, to be whomever and what ever I desire.

The Silent Scream: Conflict in Novels Without Words
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

The Special Collections Research Center at Syracuse University Library has always had a keen interest in all forms of book illustration, and not surprisingly, novels without words became a significant collecting area. Over time, we have amassed a considerable number of the classic specimens in the genre, and the main practitioners of the art form are well represented within our holdings. We developed this exhibition in keeping with the Syracuse Symposium theme for the coming year, "conflict." The artists upon whom we focused are William Gropper, Laurence Hyde, Frans Masereel, Giacomo Patri, John Vassos, and Lynd Ward.

In addition to conflict, novels without words often portray a quest on the part of the individual. This may assume the form of a journey or a saga about the search for self-fulfillment in artistic or purely personal terms, or the quest may have as its primary objective achieving social justice in a particular context. Because of the historical period in which many of these wordless novels were born, they often depict a struggle between the individual and the industrialized world. Industrialization and, by extension, capitalism, may be seen as forces that are fundamentally antagonistic to the interests of the individual and of society in general. Similarly, the law, the police, and the armed forces may all be viewed as instruments of repression in novels without words.

The creators of novels without words also tend to scrutinize the brutal forms of war and tyranny that are made possible by industrialization. In truth, any injustice may become the subject of such works, and perhaps just the cruel nature of our existential struggle to survive in an inherently hostile environment is all the background that is needed to provide the inspiration for the creation of a novel without words.

Visual Trips, No Passport Required
Westcott Community Art Gallery
The Syracuse Photographers Association

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

"Visual Trips, No Passport Required" is a collection of works by members of The Syracuse Photographers Association, and "Partially Abandoned Factory," a solo show within the show, is by the group's organizer and founding member, Mindy Lee Tarry. Color and creativity abounds and many of the framed ink jet prints are for sale, to help raise money for the WCC.

The "Visual Trips, No Passport Required" collection showcases a rich variety of creative viewpoints ranging from stunning landscape prints to ornate and fascinating interior location shots. Viewing this collection will reinforce the fact that there is no shortage of imagination or scenes which inspire members to create wonderful photographic art. The "Partially Abandoned Factory" series narrows the focus with visually engaging interior and exterior studies of a captivating ramshackle former factory. Six of these images are currently featured in COLOR magazine November issue #10.

Resin*ating Metal: Arlene Abend Retrospective
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

The sculpture of Arlene Abend, representing over 30 years of creating in resin, bronze, and steel

Read a Review!

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Dogs in Transition: Pit Bulls and Mill Dogs
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Cyrus Mejia's art focuses on activism and reflects the ideals of kindness and compassion while shining a light on "speciesism, ignorance and cruelty." Mejia is also co-founder of Best Friends Animal Society, which operates the nation's largest sanctuary for homeless animals near the town of Kanab, Utah. Best Friends is especially known for rehabilitating 22 of the pit bulls rescued from NFL quarterback Michael Vick.

"Pits and Perception" is the first series on view, which portrays pit bulls in a manner that challenges modern-day perceptions of the breed. With increased attention toward dog fighting in the media, many view the pit bull as a vicious and aggressive dog. Through his paintings, Mejia challenges these beliefs by forcing the observer to take a closer look and question public perception.

The second collection, "Mill Dogs Revenge," features dogs rescued from commercial breeding facilities, colloquially known as "puppy mills." Victims of physical abuse, emotional trauma and neglect, these dogs are often subjected to cruel conditions because of human greed for profit. Mejia hopes to raise awareness of the cruelty of puppy mills through his art.

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

Read a review!

Diane Banks and Adam Francey Recent Works
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Diane Banks' specimen series sculptures and drawings are inspired by the fragileness of nature and the delicate balance between vulnerability and strength. Her sculptures are created through the combination of organic and found plastic materials. Through the use of these materials, Banks reveals her fascination how nature protects itself from physical harm caused by man's intrusion, and the many ways it contorts itself to survive.

Working with related and unrelated imagery, Adam Francey layers and edits his paintings until an abstracted composition emerges. These are not works about a concrete idea; rather they provide an opportunity for unlimited readings, depending on point-of-view or frame of reference. Snippets from overheard conversations are peppered in the compositions. These works alternate between toughness and humor, with vibrant colors that appear at any moment, ready to leap off of the surface.

Emerging Women of CNY #1
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Artwork by Taye Wright-hirry, Maria Janina Rizzo, Alexandara Crosby, and Kristie Hayes.

Read a review!

56nd Annual Art Mart
Syracuse Allied Arts, Inc.

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The show and sale features paintings, pottery, jewelry, stained glass, and more. It's the perfect place to find special holiday gifts for your friends and family.

Run and Tell That! New Work from New York
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Run and Tell That! New Work from New York presents, for the first time in Syracuse, recent and new work by 21 young New York City artists. Included in the exhibition's wide array of media are several installation pieces created specifically for the SUArt Galleries. Co-curated by SU alumnus Eric Gleason, Sales Director at Marlborough Chelsea, and David Prince, Associate Director at the SUArt Galleries, the show illustrates conceptual and aesthetic trends in contemporary art.

Synonymous with "spread the word," Run and Tell That! is a phrase attributed to Antoine Dodson of Huntsville, AL, whose flamboyant July 28, 2010 television interview following the attempted sexual assault on his sister, quickly became an internet sensation. The phrase has since been integrated into contemporary vernacular; a phenomenon that could only happen now, in a time when information is digested and distributed constantly via the internet. The artists in Run and Tell That! take advantage of this wide spectrum of media to develop a conceptual focus that characterizes this younger generation.

Painters Kamrooz Aram, Steven Charles, Inka Essenhigh, Aaron Johnson, Liz Markus, Tom Sanford, Ryan Schneider and Aya Uekawa use personal experience, art history, abstraction, and social commentary to keep the medium fresh and relevant. Sculpture becomes a widely encompassing term as pieces by Robert Lazzarini, Diana Al-Hadid, Will Ryman, and Ethan Greenbaum broaden the definition. In the series of 13 prints entitled Ars Magica, William Powhida continues his astute satirization of the art world by likening its practices to sorcery. In her Mother Goddess series, Turkish photographer Pinar Yolacan examines pre-neolithic deity figures that were the archetype of beauty in her geographic region thousands of years ago.

Site-specific installations include a first-time collaboration between Ethan Greenbaum and Adam Krueger; a dynamic wall-length installation in which a tree violently emerges from a Hudson River School painting by Valerie Hegarty; Virginia Overton's minimal trompe l'oeil construction using only an eight-foot 2 x 4 and two sheets of mirrored plexiglas; Vlatka Horvat's repurposed ceiling fan and aluminum ladder; and individual projects by Wade Kavanagh and Stephen B. Nguyen whose monumental collaborative installation White Stag, 2010 is currently on view at Mass MoCA.

Also in the exhibition will be Rashaad Newsome: Video and Performance, 2005-2010, an intimate retrospective of the artist's multi-media work exploring innovative forms of communication and expression in contemporary African American urban culture. This work was recently featured in the 2010 Whitney Biennial and in Greater New York 2010 at the PS1 Contemporary Arts Center, Long Island City, NY.

Read a review!

From the Studio to the Salon
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In collaboration with The Dahesh Museum of Art and the Syracuse University Art Galleries, students enrolled in the Advanced Curatorship course in the Graduate Program in Museum Studies have worked together to present a drawing exhibition that highlights some of the prominent themes and techniques of 19th-century Academic Art. The exhibition will present over 40 drawings on loan from The Dahesh Museum of Art, as well as selected Academic paintings drawn from the Syracuse University Art Collection.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available, the attendant will direct you to the nearest lot.

Bill Viola Video Art
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson was the first museum to collect video art, beginning in the early 1970s. Bill Viola, now one of the world's leading video artists, studied at Syracuse University and began his career at the Everson. A selection of historic videos by Bill Viola from the Everson's pioneering video collection will be shown in the Rosamond Gifford Sculpture Court in conjunction with the Urban Video Project (UVP), which will also be featuring Viola this fall.

Jules Olitski: An Inside View
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

One of America's pre-eminent painters, Jules Olitski (1922-2007) is celebrated for his large-format, lyrical abstractions that shimmer with color. Less well-known are his smaller, more intimate prints in a variety of media, which both parallel and depart from the abstract imagery of his paintings.

"An Inside View" includes 40 prints in a variety of media—intaglio, silkscreen, lithograph, and monotype—spanning the artist's career of more than five decades.

Read a review!

Haudenosaunee: Elements
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The act of creating works of art is embedded in the Haudenosaunee way of life and has been for centuries. This exhibition presents works by contemporary Haudenosaunee artists from the six nations of the Iroquois Confederacy—Onondaga, Oneida, Mohawk, Seneca, Cayuga and Tuscarora. The artists range from those with well established careers to new and notable talents. Among those exhibiting are Jay Carrier, Harold Farmer, Katsitsionni Fox and Ed Burnam, Ronni-Leigh Goeman, Stonehorse Goeman, Tom Huff, Frank Buffalo Hyde, Ada Jacques, G. Peter Jemison, Peter B. Jones, Linley Logan, Shelley Niro, Aweñheeyoh Powless, Jolene Rickard, Clint Shenandoah, Leah Shenandoah, Natasha Smoke Santiago, Smiley Summers, Tammy Tarbell-Boehing, and Tracy Thomas.

"Haudenosaunee: Elements" does not attempt to provide a survey of contemporary art—the talented artists working in our region are too numerous to be represented in this exhibition—but rather to introduce viewers to the broad range of media and art forms by which contemporary artists continue to create their own individual visual language while never straying far from their cultural heritage.

Read a review!

Yui Kugimiya: Live Paintings
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Brooklyn-based artist Yui Kugimiya presents "live paintings" for the final installment of the 2010 Edge of Art: New York State Artist Series. Kugimiya creates stop-motion animation using expressionistic paintings and actual objects typically found in the home as shown here in her most recent work, Breakfast. This video animation involves the use of paintings in conjunction with a variety of kitchen utensils and vegetables mixed with sound recorded directly from the live action. The artist states, "The animation parallels the psychological space, reveals the thoughts of making, and unfolds the inspiration of the daily-life-mundane."

The video animations are lighthearted and playful with a hint of dark drama. For each frame, a scene is painted on the canvas with fluid, gestural brush strokes loaded with rich color, captured on video and then the scene disappears before one's eyes as the next phase of the narrative unfolds. The exhibition includes new video work as well as a selection of paintings in the creative process so viewers can experience the richness of Kugimiya's paintings alongside her enlivening video works.

Read a review!

Engineering for the Developing World: From Crisis to Development
University Lectures
Featuring Bernard Amadei

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Bernard Amadei has focused on transforming the field of engineering by revamping traditional models and establishing professional standards to integrate the field of engineering more closely with pressing global issues and needs, such as redevelopment efforts in earthquake-devastated Haiti. He is the founding president of Engineers Without Borders—USA and co-founder of the Engineers Without Borders international network. Amadei directs the Mortenson Center in Engineering for Developing Communities, and leads its overall mission to educate globally responsible engineering students and professionals who can offer sustainable and appropriate solutions to the endemic problems faced by developing communities worldwide.

Amadei's goal is to promote sustainable development, appropriate technology, service learning, and system thinking in the curriculum and research of civil and environmental engineering programs at U.S. universities. Among other distinctions, Amadei is the 2007 co-recipient of the Heinz Award for the Environment, the recipient of the 2008 ENR Award of Excellence, and an elected member of the U.S. National Academy of Engineering. He was elected an Ashoka-Knight Fellow in 2010. Amadei is currently at work on a book entitled "Engineering With Soul." The lecture is co-sponsored by the L.C. Smith College of Engineering and Computer Science and the SU Humanities Center.

Reduced-rate parking for the event is available in the Irving Avenue parking garage.

Legally Blonde
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Read a review!

Wednesday, November 17, 2010

Silk: Photographs by Courtney Rile
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Marcus Acevedo Exhibit
Onondaga Community College

Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist's Statement: The duality of man, the potential to be both divine and carnal beings, has always interested me. There is a struggle with the expectations associated with these opposing forces: the potential for greatness always present on one hand, and weaknesses inescapable on the other. My work exists to inspire the question of what is the nature of heroes, legends and Gods, and how different is that from the nature of man. My work goes beyond self-analysis and introspection. I use myself as the archetype for the experiences that connect us. I want to explore not only the greatness of man, but the weakness as well. My work demonstrates that we are powerful and that there is no contradiction that this great power can manifest itself in a person that is inadequate, fearful and weak. In my work I am actor and director, puppet and puppet master, mortal and God. I am free to explore all of these relationships, to be whomever and what ever I desire.

The Silent Scream: Conflict in Novels Without Words
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

The Special Collections Research Center at Syracuse University Library has always had a keen interest in all forms of book illustration, and not surprisingly, novels without words became a significant collecting area. Over time, we have amassed a considerable number of the classic specimens in the genre, and the main practitioners of the art form are well represented within our holdings. We developed this exhibition in keeping with the Syracuse Symposium theme for the coming year, "conflict." The artists upon whom we focused are William Gropper, Laurence Hyde, Frans Masereel, Giacomo Patri, John Vassos, and Lynd Ward.

In addition to conflict, novels without words often portray a quest on the part of the individual. This may assume the form of a journey or a saga about the search for self-fulfillment in artistic or purely personal terms, or the quest may have as its primary objective achieving social justice in a particular context. Because of the historical period in which many of these wordless novels were born, they often depict a struggle between the individual and the industrialized world. Industrialization and, by extension, capitalism, may be seen as forces that are fundamentally antagonistic to the interests of the individual and of society in general. Similarly, the law, the police, and the armed forces may all be viewed as instruments of repression in novels without words.

The creators of novels without words also tend to scrutinize the brutal forms of war and tyranny that are made possible by industrialization. In truth, any injustice may become the subject of such works, and perhaps just the cruel nature of our existential struggle to survive in an inherently hostile environment is all the background that is needed to provide the inspiration for the creation of a novel without words.

Visual Trips, No Passport Required
Westcott Community Art Gallery
The Syracuse Photographers Association

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

"Visual Trips, No Passport Required" is a collection of works by members of The Syracuse Photographers Association, and "Partially Abandoned Factory," a solo show within the show, is by the group's organizer and founding member, Mindy Lee Tarry. Color and creativity abounds and many of the framed ink jet prints are for sale, to help raise money for the WCC.

The "Visual Trips, No Passport Required" collection showcases a rich variety of creative viewpoints ranging from stunning landscape prints to ornate and fascinating interior location shots. Viewing this collection will reinforce the fact that there is no shortage of imagination or scenes which inspire members to create wonderful photographic art. The "Partially Abandoned Factory" series narrows the focus with visually engaging interior and exterior studies of a captivating ramshackle former factory. Six of these images are currently featured in COLOR magazine November issue #10.

Resin*ating Metal: Arlene Abend Retrospective
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

The sculpture of Arlene Abend, representing over 30 years of creating in resin, bronze, and steel

Read a Review!

Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Dogs in Transition: Pit Bulls and Mill Dogs
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Cyrus Mejia's art focuses on activism and reflects the ideals of kindness and compassion while shining a light on "speciesism, ignorance and cruelty." Mejia is also co-founder of Best Friends Animal Society, which operates the nation's largest sanctuary for homeless animals near the town of Kanab, Utah. Best Friends is especially known for rehabilitating 22 of the pit bulls rescued from NFL quarterback Michael Vick.

"Pits and Perception" is the first series on view, which portrays pit bulls in a manner that challenges modern-day perceptions of the breed. With increased attention toward dog fighting in the media, many view the pit bull as a vicious and aggressive dog. Through his paintings, Mejia challenges these beliefs by forcing the observer to take a closer look and question public perception.

The second collection, "Mill Dogs Revenge," features dogs rescued from commercial breeding facilities, colloquially known as "puppy mills." Victims of physical abuse, emotional trauma and neglect, these dogs are often subjected to cruel conditions because of human greed for profit. Mejia hopes to raise awareness of the cruelty of puppy mills through his art.

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

Read a review!

Diane Banks and Adam Francey Recent Works
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Diane Banks' specimen series sculptures and drawings are inspired by the fragileness of nature and the delicate balance between vulnerability and strength. Her sculptures are created through the combination of organic and found plastic materials. Through the use of these materials, Banks reveals her fascination how nature protects itself from physical harm caused by man's intrusion, and the many ways it contorts itself to survive.

Working with related and unrelated imagery, Adam Francey layers and edits his paintings until an abstracted composition emerges. These are not works about a concrete idea; rather they provide an opportunity for unlimited readings, depending on point-of-view or frame of reference. Snippets from overheard conversations are peppered in the compositions. These works alternate between toughness and humor, with vibrant colors that appear at any moment, ready to leap off of the surface.

Toys from the 1970s
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

This year's version will feature toys from the 1970s. Do you remember playing Pong on Atari, getting your first Luke Skywalker figure, or just wishing to have your own Malibu Barbie? Then you won't want to miss this journey into the decade of Charlie's Angels, Richard Nixon and a gallon of gasoline at fifty cents.

Emerging Women of CNY #1
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Artwork by Taye Wright-hirry, Maria Janina Rizzo, Alexandara Crosby, and Kristie Hayes.

Read a review!

First Continuing Group Show
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Among area artists included in this show are Lauren Bristol, Sue Canizares, Vincent Fitches, Phil Parsons and James Skvarch.

56nd Annual Art Mart
Syracuse Allied Arts, Inc.

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The show and sale features paintings, pottery, jewelry, stained glass, and more. It's the perfect place to find special holiday gifts for your friends and family.

From the Studio to the Salon
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In collaboration with The Dahesh Museum of Art and the Syracuse University Art Galleries, students enrolled in the Advanced Curatorship course in the Graduate Program in Museum Studies have worked together to present a drawing exhibition that highlights some of the prominent themes and techniques of 19th-century Academic Art. The exhibition will present over 40 drawings on loan from The Dahesh Museum of Art, as well as selected Academic paintings drawn from the Syracuse University Art Collection.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available, the attendant will direct you to the nearest lot.

Run and Tell That! New Work from New York
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Run and Tell That! New Work from New York presents, for the first time in Syracuse, recent and new work by 21 young New York City artists. Included in the exhibition's wide array of media are several installation pieces created specifically for the SUArt Galleries. Co-curated by SU alumnus Eric Gleason, Sales Director at Marlborough Chelsea, and David Prince, Associate Director at the SUArt Galleries, the show illustrates conceptual and aesthetic trends in contemporary art.

Synonymous with "spread the word," Run and Tell That! is a phrase attributed to Antoine Dodson of Huntsville, AL, whose flamboyant July 28, 2010 television interview following the attempted sexual assault on his sister, quickly became an internet sensation. The phrase has since been integrated into contemporary vernacular; a phenomenon that could only happen now, in a time when information is digested and distributed constantly via the internet. The artists in Run and Tell That! take advantage of this wide spectrum of media to develop a conceptual focus that characterizes this younger generation.

Painters Kamrooz Aram, Steven Charles, Inka Essenhigh, Aaron Johnson, Liz Markus, Tom Sanford, Ryan Schneider and Aya Uekawa use personal experience, art history, abstraction, and social commentary to keep the medium fresh and relevant. Sculpture becomes a widely encompassing term as pieces by Robert Lazzarini, Diana Al-Hadid, Will Ryman, and Ethan Greenbaum broaden the definition. In the series of 13 prints entitled Ars Magica, William Powhida continues his astute satirization of the art world by likening its practices to sorcery. In her Mother Goddess series, Turkish photographer Pinar Yolacan examines pre-neolithic deity figures that were the archetype of beauty in her geographic region thousands of years ago.

Site-specific installations include a first-time collaboration between Ethan Greenbaum and Adam Krueger; a dynamic wall-length installation in which a tree violently emerges from a Hudson River School painting by Valerie Hegarty; Virginia Overton's minimal trompe l'oeil construction using only an eight-foot 2 x 4 and two sheets of mirrored plexiglas; Vlatka Horvat's repurposed ceiling fan and aluminum ladder; and individual projects by Wade Kavanagh and Stephen B. Nguyen whose monumental collaborative installation White Stag, 2010 is currently on view at Mass MoCA.

Also in the exhibition will be Rashaad Newsome: Video and Performance, 2005-2010, an intimate retrospective of the artist's multi-media work exploring innovative forms of communication and expression in contemporary African American urban culture. This work was recently featured in the 2010 Whitney Biennial and in Greater New York 2010 at the PS1 Contemporary Arts Center, Long Island City, NY.

Read a review!

Yui Kugimiya: Live Paintings
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Brooklyn-based artist Yui Kugimiya presents "live paintings" for the final installment of the 2010 Edge of Art: New York State Artist Series. Kugimiya creates stop-motion animation using expressionistic paintings and actual objects typically found in the home as shown here in her most recent work, Breakfast. This video animation involves the use of paintings in conjunction with a variety of kitchen utensils and vegetables mixed with sound recorded directly from the live action. The artist states, "The animation parallels the psychological space, reveals the thoughts of making, and unfolds the inspiration of the daily-life-mundane."

The video animations are lighthearted and playful with a hint of dark drama. For each frame, a scene is painted on the canvas with fluid, gestural brush strokes loaded with rich color, captured on video and then the scene disappears before one's eyes as the next phase of the narrative unfolds. The exhibition includes new video work as well as a selection of paintings in the creative process so viewers can experience the richness of Kugimiya's paintings alongside her enlivening video works.

Read a review!

Haudenosaunee: Elements
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The act of creating works of art is embedded in the Haudenosaunee way of life and has been for centuries. This exhibition presents works by contemporary Haudenosaunee artists from the six nations of the Iroquois Confederacy—Onondaga, Oneida, Mohawk, Seneca, Cayuga and Tuscarora. The artists range from those with well established careers to new and notable talents. Among those exhibiting are Jay Carrier, Harold Farmer, Katsitsionni Fox and Ed Burnam, Ronni-Leigh Goeman, Stonehorse Goeman, Tom Huff, Frank Buffalo Hyde, Ada Jacques, G. Peter Jemison, Peter B. Jones, Linley Logan, Shelley Niro, Aweñheeyoh Powless, Jolene Rickard, Clint Shenandoah, Leah Shenandoah, Natasha Smoke Santiago, Smiley Summers, Tammy Tarbell-Boehing, and Tracy Thomas.

"Haudenosaunee: Elements" does not attempt to provide a survey of contemporary art—the talented artists working in our region are too numerous to be represented in this exhibition—but rather to introduce viewers to the broad range of media and art forms by which contemporary artists continue to create their own individual visual language while never straying far from their cultural heritage.

Read a review!

Jules Olitski: An Inside View
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

One of America's pre-eminent painters, Jules Olitski (1922-2007) is celebrated for his large-format, lyrical abstractions that shimmer with color. Less well-known are his smaller, more intimate prints in a variety of media, which both parallel and depart from the abstract imagery of his paintings.

"An Inside View" includes 40 prints in a variety of media—intaglio, silkscreen, lithograph, and monotype—spanning the artist's career of more than five decades.

Read a review!

Bill Viola Video Art
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson was the first museum to collect video art, beginning in the early 1970s. Bill Viola, now one of the world's leading video artists, studied at Syracuse University and began his career at the Everson. A selection of historic videos by Bill Viola from the Everson's pioneering video collection will be shown in the Rosamond Gifford Sculpture Court in conjunction with the Urban Video Project (UVP), which will also be featuring Viola this fall.

VPA Faculty Show
Syracuse University School of Art and Design

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

An exhibition featuring work by faculty in Syracuse University's College of Visual and Performing Arts.

For more information, phone 315-442-2542 during gallery hours.

Tonto Revisited: Native American Stereotypes
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

What do Land 'o Lakes, Argo Cornstarch and Syracuse minor league baseball have in common? Stereotyped images of Native Americans. This exhibit is curated by Tom Huff, a Seneca/Cayuga artist living and working in his sculpture studio on the Onondaga Nation. It exposes the cultural mythology surrounding Native Americans. The images and objects associated with "Indians" are dictated and defined by the dominant non-Indian culture. Many of the resulting representations are culturally and socially incorrect, even racist, with exaggerated misrepresentations of Native Americans.

Huff's collection of portrayals of menacing warriors wielding tomahawks, knives, and bows and arrows found in posters, advertisements, toys, sports logos and more will be on display. He has been collecting "Indian Kitsch" for over 25 years. While many may not think of them individually as destructive, this exhibit helps to illustrate how these pervasive negative preconceptions trivialize the tragedy wrought on indigenous peoples everywhere. We hope to both dispel the myths surrounding Native Americans and to encourage a new understanding of native peoples.

Pipo Nguyen-duy Lecture
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Lecture by Pipo Nguyen-duy in conjunction with his exhibition, "East of Eden: Vietnam."

Dreams and Dances
Civic Morning Musicals
Featuring Martha Grener, flute; Maryna Mazhukhova, piano

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Mmusic of Debussy, Caliendo, Karg-Elert, Morelock, and Jolivet.

Seneca String Quartet

Price: Free (donations accepted)
Temple Society of Concord
910 Madison St., Syracuse

Formed in 1987, the group has performed regularly throughout Central and Northern New York for weddings, receptions, benefits, and in recital. This performance is part of the Regina F. Goldenberg Cultural Series at Temple Concord.

Contemporary Directions Ensemble
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Parking is available in the Irving Garage.

Maile Chapman, fiction
Raymond Carver Reading Series

Price: Free
Gifford Auditorium, Huntington Beard Crouse Hall
Syracuse University, Syracuse

The reading will be preceded by a question and answer session from 3:45-4:30. The public is welcome.

Legally Blonde
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Read a review!

Jungalbook
Syracuse University Drama Department
Felix Ivanov, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

By Edward Mast, based on The Jungle Books by Rudyard Kipling

Take an excursion into a playground full of imagination and physical dexterity. Adapted from Rudyard Kipling's books and poems, these intertwined tales of Mowgli, the "mancub," get a contemporary spin as Kipling's great characters spring to life. The familiar story of Mowgli—raised by Akela the wolf, tutored by Baloo the bear, and protected by Bagheera the panther—climaxes in the final showdown with Sherakhan the tiger. Along the way, Mowgli learns the laws of the jungle and the price paid for breaking them. Unlike some popular film versions, this adaptation adheres closely to Kipling's stories and captures the poetic spirit of the original tales.

Mast is a Seattle-based playwright whose adaptations of The Jungle Books and The Hobbit allow contemporary audiences to access dated but important stories. After Jungalbook's New York premiere in August 2006, it has been performed around the U.S. for audiences of all ages. Previously for the department, Ivanov directed Aesop's Fables in the Black Box Theatre. He is a graduate of the prestigious Schukin Theatre School at the Vakhtangov Academy Theatre and the Stasov Musical School (violin) in Moscow, Russia.

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Thursday, November 18, 2010

Windows Project: Oil is Why
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Native American Tom Huff will present an installation on Leonard Peltier consisting of a mural and sculptural elements that relate to the main gallery's exhibition about Peltier by Rigo 23: Taté Wikikuwa Museum: North America. Public programming has been organized in conjunction with the Everson Museum of Art and ArtRage Gallery.

Silk: Photographs by Courtney Rile
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Marcus Acevedo Exhibit
Onondaga Community College

Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist's Statement: The duality of man, the potential to be both divine and carnal beings, has always interested me. There is a struggle with the expectations associated with these opposing forces: the potential for greatness always present on one hand, and weaknesses inescapable on the other. My work exists to inspire the question of what is the nature of heroes, legends and Gods, and how different is that from the nature of man. My work goes beyond self-analysis and introspection. I use myself as the archetype for the experiences that connect us. I want to explore not only the greatness of man, but the weakness as well. My work demonstrates that we are powerful and that there is no contradiction that this great power can manifest itself in a person that is inadequate, fearful and weak. In my work I am actor and director, puppet and puppet master, mortal and God. I am free to explore all of these relationships, to be whomever and what ever I desire.

Recent Work by Michael Flanagan and Tyrone Johnson-Neuland
SUNY Oswego Metro Center at the Atrium

Price: Free
SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

There will be an opening reception this evening 5:00-7:00 pm as part of Th3, the Third Thursday citywide art open house.

The exhibit showcases a series of mixed media works.

The Silent Scream: Conflict in Novels Without Words
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

The Special Collections Research Center at Syracuse University Library has always had a keen interest in all forms of book illustration, and not surprisingly, novels without words became a significant collecting area. Over time, we have amassed a considerable number of the classic specimens in the genre, and the main practitioners of the art form are well represented within our holdings. We developed this exhibition in keeping with the Syracuse Symposium theme for the coming year, "conflict." The artists upon whom we focused are William Gropper, Laurence Hyde, Frans Masereel, Giacomo Patri, John Vassos, and Lynd Ward.

In addition to conflict, novels without words often portray a quest on the part of the individual. This may assume the form of a journey or a saga about the search for self-fulfillment in artistic or purely personal terms, or the quest may have as its primary objective achieving social justice in a particular context. Because of the historical period in which many of these wordless novels were born, they often depict a struggle between the individual and the industrialized world. Industrialization and, by extension, capitalism, may be seen as forces that are fundamentally antagonistic to the interests of the individual and of society in general. Similarly, the law, the police, and the armed forces may all be viewed as instruments of repression in novels without words.

The creators of novels without words also tend to scrutinize the brutal forms of war and tyranny that are made possible by industrialization. In truth, any injustice may become the subject of such works, and perhaps just the cruel nature of our existential struggle to survive in an inherently hostile environment is all the background that is needed to provide the inspiration for the creation of a novel without words.

Visual Trips, No Passport Required
Westcott Community Art Gallery
The Syracuse Photographers Association

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Meet the founders of the Syracuse Photographers Association tonight, in conjunction with Th3, the Third Thursday citywide art open house.

"Visual Trips, No Passport Required" is a collection of works by members of The Syracuse Photographers Association, and "Partially Abandoned Factory," a solo show within the show, is by the group's organizer and founding member, Mindy Lee Tarry. Color and creativity abounds and many of the framed ink jet prints are for sale, to help raise money for the WCC.

The "Visual Trips, No Passport Required" collection showcases a rich variety of creative viewpoints ranging from stunning landscape prints to ornate and fascinating interior location shots. Viewing this collection will reinforce the fact that there is no shortage of imagination or scenes which inspire members to create wonderful photographic art. The "Partially Abandoned Factory" series narrows the focus with visually engaging interior and exterior studies of a captivating ramshackle former factory. Six of these images are currently featured in COLOR magazine November issue #10.

Resin*ating Metal: Arlene Abend Retrospective
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

The sculpture of Arlene Abend, representing over 30 years of creating in resin, bronze, and steel

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Invitational with Carl Hoffner
Associated Artists of Central New York

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Dogs in Transition: Pit Bulls and Mill Dogs
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

Cyrus Mejia's art focuses on activism and reflects the ideals of kindness and compassion while shining a light on "speciesism, ignorance and cruelty." Mejia is also co-founder of Best Friends Animal Society, which operates the nation's largest sanctuary for homeless animals near the town of Kanab, Utah. Best Friends is especially known for rehabilitating 22 of the pit bulls rescued from NFL quarterback Michael Vick.

"Pits and Perception" is the first series on view, which portrays pit bulls in a manner that challenges modern-day perceptions of the breed. With increased attention toward dog fighting in the media, many view the pit bull as a vicious and aggressive dog. Through his paintings, Mejia challenges these beliefs by forcing the observer to take a closer look and question public perception.

The second collection, "Mill Dogs Revenge," features dogs rescued from commercial breeding facilities, colloquially known as "puppy mills." Victims of physical abuse, emotional trauma and neglect, these dogs are often subjected to cruel conditions because of human greed for profit. Mejia hopes to raise awareness of the cruelty of puppy mills through his art.

Art Gone Wild: Prints and Paintings by the Animals of the Rosamond Gifford Zoo
Everson Museum of Art

Rosamond Gifford Zoo
One Conservation Place, Syracuse

Striking and extraordinary works of art created by the creatures of the Rosamond Gifford Zoo illustrate the depth of keeper care and behavioral enrichment vital in maintaining healthy and engaged animals. The Everson will be displaying a selection of these animal created artworks in a satellite exhibition. Art Gone Wild! concludes with an art auction on November 20 at the Rosamond Gifford Zoo. Presented by the Rosamond Gifford Zoo chapter of the American Association of Zoo Keepers (AAZK).

Works of Michael DiGiorgio
Imagine

Imagine
38 E. Genesee St., Skaneateles

Nationally recognized nature artist Michael DiGiorgio is known for bird paintings that emphasize the character of the bird and its relationship to the environment. DiGiorgio, of Madison, CT, has been painting birds since the age of 5. His paintings and drawings have appeared in a variety of nature books and journals, including "Wildlife Conservation Society Birds of Brazil: The Pantanal and Cerrado of Central Brazil," "The Breeding Bird Atlas of Connecticut and of New York," "“Master's Guide to Birding," "Audubon Field Guide to Birds (Eastern and Western Regions)," Audubon Magazine, and Audubon Nature Yearbook.

He also has painted numerous covers for Bird Watcher's Digest and has been featured in Sanctuary magazine, a Massachusetts Audubon publication. Currently, he is illustrating bird plates for "The Birds of South America, Vol. III," with Robert Ridgely and Guy Tudor.

DiGiorgio won the first-ever endowment award from the Academy of Natural Sciences, in 2004, in recognition of his bird illustration work. The award was given in memory of Don Eckelberry, under whom he studied. DiGiorgio, whose style reflects his keen observations in the field, is committed to painting from life. He has traveled extensively to create field sketches of birds, plants and habitat from Central America, the West Indies, Trinidad and the Outer Islands of Britain. In addition, numerous trips to the western United States and national parks have allowed him to record a full range of American birdlife.

Archipelago: Works by Yolanda del Amo
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Powerful forces deep below the surface of the earth form archipelagos, which are chains or clusters of individual islands. In her series Archipelago, artist Yolanda del Amo depicts the powerful forces between people—their conflicting needs for intimacy and connection, independence and individuality. In Archipelago, these competing needs seem to have reached a peaceful if temporary stasis. These beautiful images show people who, although in the presence of another, appear surrounded on all sides not by water but by silence.

Del Amo leaves the relationships of her subjects to each other deliberately vague, which makes her images all the more universal and compelling. Each photograph represents a fragile time in any relationship when two people—whether they are mother and son, husband and wife, or simply friends—momentarily live alone, together.

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