Monday, May 12, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

OCC Architecture and Interior Design Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student show.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

The 39 Steps
Syracuse Cinephile Society

Price: $3 non-members, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

The 39 Steps, Alfred Hitchcock's classic from 1935 about an innocent man framed for murder. Robert Donat is the accused, with Madeleine Carroll as his romantic interest.

Tuesday, May 13, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

OCC Architecture and Interior Design Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student show.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

The Gathering
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Patrice Downes Centore: still life and landscape watercolors
Lauren Bristol: sculptural basketry
Diane Menzies: naturalistic oil paintings

Read a review!

36th Annual Teenage Competitive Art Show
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Teen artists of African American, Native American, Hispanic American and Asian American heritage will display their work in the exhibition.

The Annual Teenage Competitive Art Exhibition is the longest running collaborative exhibition in the Greater Syracuse area that features the work of underrepresented teen artists. Prizes are awarded to winners in two-dimensional and three-dimensional categories. A panel of professional local artists serve as judges for the exhibition. Participating students attend Syracuse City High Schools as well as suburban Onondaga County High Schools.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith
The Warehouse Gallery
Community Folk Art Center

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith is artist Terry Adkins' multi-media tribute to Smith, known as the Empress of the Blues. Working with a variety of materials Adkins weaves sculpture into a narrative installation that is both a tribute to and a lament for the transformative power of Smith's vocal artistry.

In an essay that accompanies the exhibition Dr. Kheli R. Willetts, academic director of CFAC and assistant professor in the department of African American Studies at Syracuse University writes, "Adkins' work creates an environment which challenges us to engage with Smith beyond her status as a legendary musical performer. He has resurrected her as a creative deity whose stage has now become a temple and the viewers are transformed into her devotees as they enter the space."

Smith is regarded as one of the greatest blues singers of all time. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African American recording artist before her. Yet in her adopted home of Philadelphia she remains unsung and even her grave remained unmarked until 1970.

Adkins commutes regularly from New York to Philadelphia where he teaches in the Art Department at the University of Pennsylvania. This exhibition is a continued exploration of his use of figures in history whose contributions to society are overlooked, under appreciated, or just not given the stature that he believes they should have in society. Although Adkins work emanates from an activist position, it evolves from abstract forms with the intent of educating the public about historical figures through ways that are not image based or narrative-based but that challenge the viewer to think abstractly in relating to the stories of the lives of the people concerned.

Terry Adkins has been exhibiting internationally since 1980. He is Associate Professor of Fine Art at the University of Pennsylvania where he recently installed Darkwater: A Recital in Four Dominions, a tribute to W. E. B. Du Bois at the Arthur Ross Gallery. Adkins has published numerous essays and has completed several significant public commissions. In addition to being a highly respected artist and sought after guest lecturer, his artworks have been placed in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Hirshhorn Museum and Sculpture Garden, among other significant museums and collections. He received his B.S. from Fisk University and his M.F.A from the University of Kentucky.

Read a review!

Black & White & Deb All Over
May Memorial Unitarian Society

May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

A photographic exhibit by Deborah Stearns.

Action News
Spark Contemporary Art Space
Small Change Screenings

Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

A program of experimental films and videos and music videos from Philadelphia. Fantastical deteriorating video narratives, metaphysical workout videos, music videos, Wu-Tang, TGIF nostalgia, and experimental animations and documentaries by Philadelphia artists including Ryan Trecartin, Sarah Christman, Dave Dunn, Ted Passon, Andrew Jeffrey Wright, Chris Ward, and Michael Robinson.

The Small Change film screening series has spent the last four and half years bringing the best experimental work from around the world to Philadelphia and now is hitting the road to bring the best experimental work of Philadelphia to the rest of the world.

Michael Ondaatje
Friends of the Central Library Author Series

Price: $25
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The English Patient, Ondaatje's most famous book, has been made into an Academy Award-winning film. Like many of his other works, it explores the intersection of diverse cultures. Born in Sri Lanka and now a Canadian citizen, Ondaatje writes novels, poetry and memoir and is the recipient of the Booker Prize, the English Commonwealth's highest literary honor. His most recent novel is Divisadero.

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

Wednesday, May 14, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

OCC Architecture and Interior Design Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student show.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

The Gathering
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Patrice Downes Centore: still life and landscape watercolors
Lauren Bristol: sculptural basketry
Diane Menzies: naturalistic oil paintings

Read a review!

36th Annual Teenage Competitive Art Show
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Teen artists of African American, Native American, Hispanic American and Asian American heritage will display their work in the exhibition.

The Annual Teenage Competitive Art Exhibition is the longest running collaborative exhibition in the Greater Syracuse area that features the work of underrepresented teen artists. Prizes are awarded to winners in two-dimensional and three-dimensional categories. A panel of professional local artists serve as judges for the exhibition. Participating students attend Syracuse City High Schools as well as suburban Onondaga County High Schools.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith
The Warehouse Gallery
Community Folk Art Center

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith is artist Terry Adkins' multi-media tribute to Smith, known as the Empress of the Blues. Working with a variety of materials Adkins weaves sculpture into a narrative installation that is both a tribute to and a lament for the transformative power of Smith's vocal artistry.

In an essay that accompanies the exhibition Dr. Kheli R. Willetts, academic director of CFAC and assistant professor in the department of African American Studies at Syracuse University writes, "Adkins' work creates an environment which challenges us to engage with Smith beyond her status as a legendary musical performer. He has resurrected her as a creative deity whose stage has now become a temple and the viewers are transformed into her devotees as they enter the space."

Smith is regarded as one of the greatest blues singers of all time. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African American recording artist before her. Yet in her adopted home of Philadelphia she remains unsung and even her grave remained unmarked until 1970.

Adkins commutes regularly from New York to Philadelphia where he teaches in the Art Department at the University of Pennsylvania. This exhibition is a continued exploration of his use of figures in history whose contributions to society are overlooked, under appreciated, or just not given the stature that he believes they should have in society. Although Adkins work emanates from an activist position, it evolves from abstract forms with the intent of educating the public about historical figures through ways that are not image based or narrative-based but that challenge the viewer to think abstractly in relating to the stories of the lives of the people concerned.

Terry Adkins has been exhibiting internationally since 1980. He is Associate Professor of Fine Art at the University of Pennsylvania where he recently installed Darkwater: A Recital in Four Dominions, a tribute to W. E. B. Du Bois at the Arthur Ross Gallery. Adkins has published numerous essays and has completed several significant public commissions. In addition to being a highly respected artist and sought after guest lecturer, his artworks have been placed in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Hirshhorn Museum and Sculpture Garden, among other significant museums and collections. He received his B.S. from Fisk University and his M.F.A from the University of Kentucky.

Read a review!

Civic Morning Musicals
Featuring Susan Crocker, piano

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Music of Bach, Brahms, and Chopin.

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

Thursday, May 15, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

OCC Architecture and Interior Design Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student show.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Join us at gallerY from 5:00-7:00pm for a reading and reception for this month's TH3 night. We'll celebrate the work of artist Maria Grazia Facchinetti, and hear from several local writers who wrote poems or stories in response to her work and the theme of color.

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

The Gathering
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Patrice Downes Centore: still life and landscape watercolors
Lauren Bristol: sculptural basketry
Diane Menzies: naturalistic oil paintings

Read a review!

36th Annual Teenage Competitive Art Show
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Teen artists of African American, Native American, Hispanic American and Asian American heritage will display their work in the exhibition.

The Annual Teenage Competitive Art Exhibition is the longest running collaborative exhibition in the Greater Syracuse area that features the work of underrepresented teen artists. Prizes are awarded to winners in two-dimensional and three-dimensional categories. A panel of professional local artists serve as judges for the exhibition. Participating students attend Syracuse City High Schools as well as suburban Onondaga County High Schools.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Bedtime Stories
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Open reception and video screening tonight in conjunction with Th3.

Bedtime Stories began as an exhibition focusing on the indeterminate space of the bedroom as a site for innocence, play, sexuality, deviant behavior, convalescence and death.

Artists Derrick Adams, Yasser Aggour, and Anna Tsouhlarakis explore identity and race, but not in a direct way. Each of these artists' work is more complex, more subversive, difficult, and harder at times to pin down, but it gets the job done by exposing the underpinnings of the dominant culture.

Exhibit curated by Arjan Zazueta.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith
The Warehouse Gallery
Community Folk Art Center

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith is artist Terry Adkins' multi-media tribute to Smith, known as the Empress of the Blues. Working with a variety of materials Adkins weaves sculpture into a narrative installation that is both a tribute to and a lament for the transformative power of Smith's vocal artistry.

In an essay that accompanies the exhibition Dr. Kheli R. Willetts, academic director of CFAC and assistant professor in the department of African American Studies at Syracuse University writes, "Adkins' work creates an environment which challenges us to engage with Smith beyond her status as a legendary musical performer. He has resurrected her as a creative deity whose stage has now become a temple and the viewers are transformed into her devotees as they enter the space."

Smith is regarded as one of the greatest blues singers of all time. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African American recording artist before her. Yet in her adopted home of Philadelphia she remains unsung and even her grave remained unmarked until 1970.

Adkins commutes regularly from New York to Philadelphia where he teaches in the Art Department at the University of Pennsylvania. This exhibition is a continued exploration of his use of figures in history whose contributions to society are overlooked, under appreciated, or just not given the stature that he believes they should have in society. Although Adkins work emanates from an activist position, it evolves from abstract forms with the intent of educating the public about historical figures through ways that are not image based or narrative-based but that challenge the viewer to think abstractly in relating to the stories of the lives of the people concerned.

Terry Adkins has been exhibiting internationally since 1980. He is Associate Professor of Fine Art at the University of Pennsylvania where he recently installed Darkwater: A Recital in Four Dominions, a tribute to W. E. B. Du Bois at the Arthur Ross Gallery. Adkins has published numerous essays and has completed several significant public commissions. In addition to being a highly respected artist and sought after guest lecturer, his artworks have been placed in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Hirshhorn Museum and Sculpture Garden, among other significant museums and collections. He received his B.S. from Fisk University and his M.F.A from the University of Kentucky.

Read a review!

Black & White & Deb All Over
May Memorial Unitarian Society

May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

A photographic exhibit by Deborah Stearns.

Selected Work from Area Artists
Delavan Art Gallery

Price: Free
Delavan Art Gallery
501 W. Fayette St., Syracuse

Hip Hop Colony
Community Folk Art Center

Price: $5 regular; $3 student
Community Folk Art Center
805 E. Genesee St., Syracuse

This award-winning documentary chronicles producer/director Michael Wanguhu's intimate exploration of the emergence of Kenyan Hip Hop culture and it's struggles to gain legitimacy.

Kenyan hip-hop, initially regarded as a passing fad and dismissed by media outlets, has firmly established its roots amongst the local citizens. The fusion of traditional Kenyan and American hip hop music result in a thumping, rhythmic product that is both familiar in sound but distinctly Kenyan thematically. This synergetic mix has ultimately led to a new entity-the birth of Genge Music.

Genge means music for the people. Genge in Swahili, means a large crowd of people. Artists combine Benga music - which is the original Kenyan sound from the 60's with African Jazz, rumba rhythms of Congolese pop and American hip hop beats. Kenyan rappers flow in Sheng, English, Kiswahili - reflecting the rich linguistic diversity of the country. (Run Time: 96 minutes)

Death Takes a Bow
Acme Mystery Company

Price: $35.95 plus tax and gratuities (includes meal and show)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive mystery dinner theater.

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

Friday, May 16, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

OCC Architecture and Interior Design Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student show.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

A reception will be held from 5:00-7:00 PM.

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

The Gathering
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Patrice Downes Centore: still life and landscape watercolors
Lauren Bristol: sculptural basketry
Diane Menzies: naturalistic oil paintings

Read a review!

36th Annual Teenage Competitive Art Show
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Teen artists of African American, Native American, Hispanic American and Asian American heritage will display their work in the exhibition.

The Annual Teenage Competitive Art Exhibition is the longest running collaborative exhibition in the Greater Syracuse area that features the work of underrepresented teen artists. Prizes are awarded to winners in two-dimensional and three-dimensional categories. A panel of professional local artists serve as judges for the exhibition. Participating students attend Syracuse City High Schools as well as suburban Onondaga County High Schools.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Bedtime Stories
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Bedtime Stories began as an exhibition focusing on the indeterminate space of the bedroom as a site for innocence, play, sexuality, deviant behavior, convalescence and death.

Artists Derrick Adams, Yasser Aggour, and Anna Tsouhlarakis explore identity and race, but not in a direct way. Each of these artists' work is more complex, more subversive, difficult, and harder at times to pin down, but it gets the job done by exposing the underpinnings of the dominant culture.

Exhibit curated by Arjan Zazueta.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith
The Warehouse Gallery
Community Folk Art Center

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith is artist Terry Adkins' multi-media tribute to Smith, known as the Empress of the Blues. Working with a variety of materials Adkins weaves sculpture into a narrative installation that is both a tribute to and a lament for the transformative power of Smith's vocal artistry.

In an essay that accompanies the exhibition Dr. Kheli R. Willetts, academic director of CFAC and assistant professor in the department of African American Studies at Syracuse University writes, "Adkins' work creates an environment which challenges us to engage with Smith beyond her status as a legendary musical performer. He has resurrected her as a creative deity whose stage has now become a temple and the viewers are transformed into her devotees as they enter the space."

Smith is regarded as one of the greatest blues singers of all time. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African American recording artist before her. Yet in her adopted home of Philadelphia she remains unsung and even her grave remained unmarked until 1970.

Adkins commutes regularly from New York to Philadelphia where he teaches in the Art Department at the University of Pennsylvania. This exhibition is a continued exploration of his use of figures in history whose contributions to society are overlooked, under appreciated, or just not given the stature that he believes they should have in society. Although Adkins work emanates from an activist position, it evolves from abstract forms with the intent of educating the public about historical figures through ways that are not image based or narrative-based but that challenge the viewer to think abstractly in relating to the stories of the lives of the people concerned.

Terry Adkins has been exhibiting internationally since 1980. He is Associate Professor of Fine Art at the University of Pennsylvania where he recently installed Darkwater: A Recital in Four Dominions, a tribute to W. E. B. Du Bois at the Arthur Ross Gallery. Adkins has published numerous essays and has completed several significant public commissions. In addition to being a highly respected artist and sought after guest lecturer, his artworks have been placed in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Hirshhorn Museum and Sculpture Garden, among other significant museums and collections. He received his B.S. from Fisk University and his M.F.A from the University of Kentucky.

Read a review!

Casual Being: MFA Thesis Exhibition by Frank McCauley
Spark Contemporary Art Space

Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

Christal Brown, dancer and choreographer

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Christal Brown, artistic director of INSPIRIT, a dance company in New York City, will present an informal lecture and demonstration. The talk will be followed by a reception.

Christal Brown has toured with Chuck Davis' African-American Dance Ensemble and Andrea E. Woods/Soul Work. Brown has also performed with and managed the Gesel Mason Performance Project while apprenticing with the Liz Lerman Dance Exchange just outside of Washington, DC. Upon relocating to New York City, Brown apprenticed with the Bill T. Jones/Arnie Zane Dance Company before finding a home with Urban Bush Women where she spent three seasons as a principle performer, community specialist, and apprentice program coordinator.

Additionally, Ms. Brown will offer a series of master classes to middle school dancers involved in the Kuumba Project on Wednesday through Friday. The Kuumba Project: An Urban Arts Education Program was designed by the Syracuse University South Side Initiative office in collaboration with the Community Folk Art Center as a pre-professional after-school training program for artistically gifted children. Kuumba provides scholarships and is the only program of its kind in the city. Syracuse City School District youth between the ages of 11 and 13 auditioned and were selected in the areas of dance, music, visual art, writing, and theater. The objective is for the students to continue in the program until they graduate from high school (providing funding is secured). The Kuumba Project enables them to be prepared to compete for admission in the best conservatories and visual and performing arts colleges in the country.

Brown's visit is part of The Hyphenated Artist Series, a collaboration between Partnership for Arts Education and Imagining America: Artists and Scholars in Public Life. This project is the first phase of a larger initiative to incubate new opportunities with those in the arts and cultural sector.

Admission is free, but pre-registration is appreciated. To attend, please call Imagining America at 315-443-8590.

Big Band Jazz Concert

Price: $5 regular, students free
Sophistications Jazz Cafe
441 S. Salina St., Syracuse

Information: 315-436-5654.

Bob Franke
Folkus Project

Price: $12
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Bob Franke is at the peak of his considerable craft, brimming with the wise and spiritually generous songs for which he is best known. His are the kind of songs that really do have the power to change the world by being taken into the lives of people. Franke often deals with political and personal themes, touching hearts with his emotionally driven, yet understated songs. He also excels at inspirational tunes that carry a strong message without being preachy. The deep compassion and humility of Franke's songwriting makes him a moving performer.

Classics Series: Strauss's Journey: A Hero's Life
Syracuse Symphony Orchestra
Syracuse Children's Chorus
Daniel Hege, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Bartok Children's Choruses
Mozart Symphony No. 36 in C major, K. 425
Strauss Ein Heldenleben (A Hero's Life)

**CANCELLED** Cruizin' thru the '50s, 60s, and 70s

Price: $25
Empire Theater
New York State Fairgrounds, Geddes

All performances have been cancelled and will not be rescheduled.

The Musical Comedy Murders of 1940
Appleseed Productions
Jon Wilson, director

Price: $15 regular; $12 students/seniors (price includes dessert and beverage at intermission)
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious "Stage Door Slasher") assemble for a backer's audition of their new show at the Westchester estate of a wealthy "angel." The house is replete with sliding panels, secret passageways and a German maid who is apparently four different people -- all of which figure diabolically in the comic mayhem which follows when the infamous Slasher makes his reappearance and strikes again -- and again. As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the Slasher unmasked -- but not before the audience has been treated to a sidesplitting good time and a generous serving of author John Bishop's biting, satiric and refreshingly irreverent wit.

Read a Review!

Lovesong
Redhouse
Peter Moller, director

Price: $38 regular; $35 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

New York premiere of John Kolvenbach's off beat, romantic comedy about the infectious effects of love.

Read a review!

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

What the Butler Saw
Salt City Center for the Performing Arts

Empire Theater
New York State Fairgrounds, Geddes

Read a review!

Saturday, May 17, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

The Gathering
Edgewood Gallery

Price: Free
Edgewood Gallery
216 Tecumseh Rd., Syracuse

Patrice Downes Centore: still life and landscape watercolors
Lauren Bristol: sculptural basketry
Diane Menzies: naturalistic oil paintings

Read a review!

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

36th Annual Teenage Competitive Art Show
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Teen artists of African American, Native American, Hispanic American and Asian American heritage will display their work in the exhibition.

The Annual Teenage Competitive Art Exhibition is the longest running collaborative exhibition in the Greater Syracuse area that features the work of underrepresented teen artists. Prizes are awarded to winners in two-dimensional and three-dimensional categories. A panel of professional local artists serve as judges for the exhibition. Participating students attend Syracuse City High Schools as well as suburban Onondaga County High Schools.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith
The Warehouse Gallery
Community Folk Art Center

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Songs of Hearth and Valor, Recital in 8 Dominions, After Bessie Smith is artist Terry Adkins' multi-media tribute to Smith, known as the Empress of the Blues. Working with a variety of materials Adkins weaves sculpture into a narrative installation that is both a tribute to and a lament for the transformative power of Smith's vocal artistry.

In an essay that accompanies the exhibition Dr. Kheli R. Willetts, academic director of CFAC and assistant professor in the department of African American Studies at Syracuse University writes, "Adkins' work creates an environment which challenges us to engage with Smith beyond her status as a legendary musical performer. He has resurrected her as a creative deity whose stage has now become a temple and the viewers are transformed into her devotees as they enter the space."

Smith is regarded as one of the greatest blues singers of all time. She was the highest-paid black performer of her day and arguably reached a level of success greater than that of any African American recording artist before her. Yet in her adopted home of Philadelphia she remains unsung and even her grave remained unmarked until 1970.

Adkins commutes regularly from New York to Philadelphia where he teaches in the Art Department at the University of Pennsylvania. This exhibition is a continued exploration of his use of figures in history whose contributions to society are overlooked, under appreciated, or just not given the stature that he believes they should have in society. Although Adkins work emanates from an activist position, it evolves from abstract forms with the intent of educating the public about historical figures through ways that are not image based or narrative-based but that challenge the viewer to think abstractly in relating to the stories of the lives of the people concerned.

Terry Adkins has been exhibiting internationally since 1980. He is Associate Professor of Fine Art at the University of Pennsylvania where he recently installed Darkwater: A Recital in Four Dominions, a tribute to W. E. B. Du Bois at the Arthur Ross Gallery. Adkins has published numerous essays and has completed several significant public commissions. In addition to being a highly respected artist and sought after guest lecturer, his artworks have been placed in the permanent collections of the Museum of Modern Art, the Metropolitan Museum of Art, and the Hirshhorn Museum and Sculpture Garden, among other significant museums and collections. He received his B.S. from Fisk University and his M.F.A from the University of Kentucky.

Read a review!

Art Auction
Beyond Boundaries

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Beyond Boundaries (BB) will host their 15th Annual Multicultural Art Auction. Get to CFAC early with pens poised for action to claim that "have-to-have" trinket. This year's list of auction items boast a multitude of goodies from area artists.

Beyond Boundaries, founded in 1993, is a grassroots organization based in Syracuse which encourages cross-cultural understanding and self-awareness. Beyond Boundaries hopes to build in Central New York, in the United States, and abroad, modest but lasting and just relationships across cultural and class boundaries. To do so, they select projects in local, national, and international places. At present, BB focuses on West African, African-American, Puerto Rican and Native cultures.

Contributing Artists include Kathye Edwina Arrington, Ellen Blalock, Michael Akuamoah-Boateng, Wilson Akuamoah-Boateng, Alanda Bolden, Aduke Branch, Cynthia Cameron, Ann Canastra, Denise Cole, Jakobine Cordes, Stephanie Cross, Matthew Davis, Susanne Harris, Barbara A. Floch, Michael Greenlar, Karen Hall, LaVergne Harden, John Heard, Carole Horan, Vanessa Johnson, Diane Lansing, David MacDonald, Jacquelyn Maye, Nnamdi Muuhammad, Karen Patton, Stephen Perrone, Kelly Ryan, Lauren Ritchie, Dale Sherman, Alex Sherman Cross, Sharon Bottle Souva, Mardea Warner.

Featuring Ulisses Rocha, guitar

Price: $20 regular, $15 members of the Guitar Society of Upstate New York
Syracuse Center for the Performing Arts
728 E. Genesee St., Syracuse

Brazilian classical guitarist, also plays jazz and Brazilian pop.

Syracuse University Brass Ensemble's pops concert
Syracuse University Brass Ensemble

Price: $8 regular, 6 childeren
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Information: 315-637-3899.

SVE After Hours
Syracuse Vocal Ensemble

Price: $35
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Join us for this season extra and fundraiser for the Syracuse Vocal Ensemble. For this festive event, the singers will break from the traditional concert format to entertain with solos, duets and small ensembles from the lighter repertoire of comic opera, operetta and Broadway. The performance will take place in a cabaret-style setting where light snacks, wine and other refreshments will be served. Get your tickets early for this fun-filled event!

Everything Might Be Different
Featuring Gina Lamparella

Price: $10
Jazz Central
441 E. Washington St., Syracuse

Baldwinsville native Gina Lamparella has appeared in six Broadway shows (Les Miserables, Jane Eyre, Imaginary Friends, Gypsy starring Bernadette Peters, Fiddler on the Roof starring Alfred Molina and Rosie O'Donnell, and Dirty Rotten Scoundrels starring John Lithgow), several TV shows, concerts, tours, solo cabaret acts and other live theater. Everything Might Be Different is her latest one-hour cabaret act featuring music from a variety of genres including musical theater, pop and jazz; and also some stories about life in show business.

For reservations or more information, contact ginalamp@gmail.com.

Classics Series: Strauss's Journey: A Hero's Life
Syracuse Symphony Orchestra
Syracuse Children's Chorus
Daniel Hege, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Bartok Children's Choruses
Mozart Symphony No. 36 in C major, K. 425
Strauss Ein Heldenleben (A Hero's Life)

Alice in Wonderland
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive family performance.

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

**CANCELLED** Cruizin' thru the '50s, 60s, and 70s

Price: $25
Empire Theater
New York State Fairgrounds, Geddes

All performances have been cancelled and will not be rescheduled.

The Musical Comedy Murders of 1940
Appleseed Productions
Jon Wilson, director

Price: $15 regular; $12 students/seniors (price includes dessert and beverage at intermission)
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The creative team responsible for a recent Broadway flop (in which three chorus girls were murdered by the mysterious "Stage Door Slasher") assemble for a backer's audition of their new show at the Westchester estate of a wealthy "angel." The house is replete with sliding panels, secret passageways and a German maid who is apparently four different people -- all of which figure diabolically in the comic mayhem which follows when the infamous Slasher makes his reappearance and strikes again -- and again. As the composer, lyricist, actors and director prepare their performance, and a blizzard cuts off any possible retreat, bodies start to drop in plain sight, knives spring out of nowhere, masked figures drag their victims behind swiveling bookcases, and accusing fingers point in all directions. However, and with no thanks to the bumbling police inspector who snowshoes in to investigate, the mystery is solved in the nick of time and the Slasher unmasked -- but not before the audience has been treated to a sidesplitting good time and a generous serving of author John Bishop's biting, satiric and refreshingly irreverent wit.

Read a Review!

Lovesong
Redhouse
Peter Moller, director

Price: $38 regular; $35 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

New York premiere of John Kolvenbach's off beat, romantic comedy about the infectious effects of love.

Read a review!

The Fantasticks
Syracuse Stage
Peter Amster, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

New York City's longest running musical (more than 17,000 performances off-Broadway), The Fantasticks is charming, funny, and a celebration of the bloom of first love. A girl and a boy grow up next door to each other. They are perfect for each other and they fall in love. To ensure the success of their romance, their oh-so-sly fathers devise every scheme to keep them apart. Filled with delightful songs.

Read a Review!

What the Butler Saw
Salt City Center for the Performing Arts

Empire Theater
New York State Fairgrounds, Geddes

Read a review!

Sunday, May 18, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

Icons

Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

Harp and Piano Recital

Price: Free
Franciscan Center
2500 Grant Blvd., Syracuse

Information: 315-488-0744.

Syracuse Liederverien concert

Price: $6 regular, $3 students and children
Trinity Lutheran Church
140 Swansea Dr., Syracuse

Classical and folk melodies.

Information: 315-622-2658 or 315-676-7798.

MPH Jazz Fest V
Featuring Jazz vocalist Nancy Kelly with Jimmy Johns, Peter Chwazik, and Dino Losito

Price: $25 regular; $15 student
Manlius Pebble Hill School
5300 Jamesville Rd., Dewitt

Performing will be the MPH Jazz Winds, The Four Elements, the MPH Women in Jazz Trio, The Young Lions of Central New York premiering Noah Kellman's ASCAP Award tune Get Lost

Special collaboration with Nancy Kelly and national award winning MPH students Noah Kellman on keyboards and Nick Frenay on trumpet.

For tickets or more information, contact Cherie Bisnett at 315-446-2452 ext. 120, or cbisnett@mph.net.

Heavenly Handel
NYS Baroque

Price: $20 regular, $15 student/senior
Church of the Saviour
437 James St., Syracuse

Soprano Laura Heimes performs Handel's delightful, recently-discovered Gloria and the intense and dramatic cantata "Dunque sarà pur vero" (Agrippina), HWV 110. Virtuoso harpsichordist Avi Stein takes center stage for J.S. Bach's A Major Harpsichord Concerto, BWV 1055. NYS Baroque's original concertmaster Dana Maiben returns to lead the NYS Baroque period instrument orchestra.

Sweet hour of sound

Price: Free
Franciscan Center
2500 Grant Blvd., Syracuse

TK99 Soundcheck Live
Redhouse
Erika DeSocio Band and Blue Sky Mission Club

Price: $5
Former Redhouse Theater
219 S. West St., Syracuse

**CANCELLED** Cruizin' thru the '50s, 60s, and 70s

Price: $25
Empire Theater
New York State Fairgrounds, Geddes

All performances have been cancelled and will not be rescheduled.

Lovesong
Redhouse
Peter Moller, director

Price: $38 regular; $35 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

New York premiere of John Kolvenbach's off beat, romantic comedy about the infectious effects of love.

A talk-back session will follow this performance.

Read a review!

What the Butler Saw
Salt City Center for the Performing Arts

Empire Theater
New York State Fairgrounds, Geddes

Read a review!

Monday, May 19, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Kewpie Karma/80
The Warehouse Gallery

Price: Free
The Warehouse Windows Gallery
350 W. Fayette St., Syracuse

What does a Kewpie doll have to offer the world? If anything has karma, why not a Kewpie doll?

Yoshiko Miki's work addresses issues of death and rebirth. The death of her mother three years ago caused Miki to search for answers as to why some people leave life at such a young age. She found that the only way to address this was to disregard the idea of life having an ending point and instead to view life as a continuation. Influenced by her Buddhist background, Miki wondered who her mother might have been re-born as: "A man? Or a woman?" and where she could be: "Here in America with me? Or back in Japan with my father and my little sister?"

In reincarnation, the karma of a person continues into the next life; no matter what form they are reborn. Miki depicts her mother's reincarnation through Kewpie dolls -- an iconic image of happiness and love, words that also describe her mother's approach to life. The subject of rebirth is reinforced by the infantile nature of the dolls and by their number. The 80 dolls signify the importance of the numbers 8 and 0 which represent endless life; when drawn out, there is no beginning or ending point for either number. Significantly, when the number 8 is rotated 90 degrees in either direction, it becomes a symbol for infinity. Kewpie Karma/80 deals with themes of death, rebirth and karma through an iconic medium.

Yoshiko Miki (1987) was born in Ichinomiya, Aichi, Japan. At the age of 16 she moved to the United States and lived in Lancaster, PA and would remain there for a year before moving to Syracuse. She graduated from Manlius Pebble Hill School in DeWitt and currently is enrolled at the Pratt Institute at Munson-Williams-Proctor in Utica where she is studying fine arts with a concentration in sculpture.

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Orange Line Gallery
106 Montgomery St., Syracuse

Artists include Father Andrew Szebenyi, digitally manipulated images; Meg Gentile, acrylic on canvas; Dustin Angell, photography; Sarah Reale, Sharpie portraits on canvas; Mick Mather, monotype, monotype with linocut, tempera with linocut, and watercolor; Eddie Colelli, photography; Kevin Lucas, acrylic on canvas; David McKenney, photography.

Onondaga Art Guild Spring Show

Price: Free
Hospice of Central New York
990 Seventh North St., Liverpool

For more information, phone 315-449-2240.

The Materials of Color: Paintings by Italian artist Maria Grazia Facchinetti
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Invasion! The Culture of Fear in America
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

This student-curated exhibition illustrates the concept of fear in the United States. The students, members of the Renee Crown University Honors Program taking the Spring 2008 course American Fear, felt that the theme of "invasion" underlies many of our historical anxieties relating to race, religion, gender, sexual orientation and a host of other issues. The idea that different people, aliens or even epidemics, like the AIDS virus during the 1980s, might infiltrate society and bring about sweeping change has been cause for extreme fear in the American experience. The exhibition raises questions of identity, and the class hopes that visitors will "understand their differences and be less discriminating in their actions."

Among the exhibited works that illuminate the roots of our culture of fear are a 1651 edition of Thomas Hobbes' "Leviathan," Cotton Mather's 1693 account of the Salem Witch trials, the literature of the Red Scare, a variety of pulp science fiction magazines and Werner Pfeiffer's sculptural tribute to the victims of 9/11 "Out of the Sky."

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Works of Kathleen Schneider, Teresa Vitale, and Dee Ann VonHunke
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Works by artists Kathleen Schneider (watercolors), Teresa Vitale (painting) and Dee Ann VonHunke (jewelry)

We're Not Married
Syracuse Cinephile Society

Price: $3 non-members, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

We're Not Married, a 1952 comedy involving five couples who discover their marriages are invalid. Stars include Ginger Rogers, Fred Allen, Paul Douglas, Eve Arden and Mitzi Gaynor.