Saturday, October 11, 2014

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

Character & Collaboration: Maria Marrero Costume Design Retrospective
914Works

Price: Free
914Works
914 E. Genesee St., Syracuse

Costume designer Maria Marrero, a professor of theater design and technology in the Department of Drama, has taught at Syracuse University for more than 30 years. She has designed costumes for productions at leading professional and regional theaters throughout the United States, including the Apollo Theater in Chicago, Actors Theater of Louisville, the Berkshire Theater Festival, Burt Reynolds Jupiter Theater, Delaware Theater Company, ESIPA "The Egg" in Albany, Playmakers Repertory Theater, Florida Studio Theater, Indiana Repertory Theater, Rochester's GEVA Theater and Buffalo Studio Arena, the Vineyard Theater and the Baroque Opera Company in New York City.

Marrero has designed regional and national tours, including the premiere production of "Handy Dandy" and "Of Mice and Men." She was a founding member and resident costumer/designer of the second Florida State Regional Theater, Players State Theater at Miami's Coconut Grove Playhouse. Her designs for "A Flea in Her Ear" won the Best Costume Design award from the Miami Critics Circle. Her designs for "Life with Father"and for "A Christmas Carol," both at the Coconut Grove, were nominated for Carbonell Awards in the category of Best Costume Design.

The resident costumer/designer at Syracuse Stage for 12 years, Marrero designed costumes for 36 productions, including "Putting It Together"and "The Fantasticks." She was a draper at Eaves-Brooks Costume Company in New York City and has worked on film and television projects for PBS and independent companies.

The exhibition, which will include costumes and sketches, is presented in recognition of Hispanic Heritage Month.

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

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Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

On My Own Time was initiated in 1974 to help local businesses identify, celebrate and promote creativity among their employees. Over the years the program has uncovered thousands of artists, creating countless rewards for the employees and their sponsoring companies. This unique program is a recipient of the Private Sector Initiative Commendation awarded by The President of the United States.

On My Own Time's popularity and success has spread across the country, to cities where it has been replicated, name and all. On My Own Time is a program that makes artistic talents that might otherwise go unnoticed visible. It recognizes a most precious gift - creativity.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

The Art of Re-Memory: Alumni Artists 1965-2012
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

In collaboration with SU Office of Program Development, Community Folk Art Center will be displaying the artwork of 20 alumni artists. The exhibition is part of the Black and Latino Homecoming Weekend, Coming Back Together, sponsored by The Office of Program Development. This exhibition will be curated by alumna Dr. Redell R. Hearn, museologist.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Snowy Splendor: Winter Scenes of Onondaga County
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An artwork exhibit highlighting winter scenes throughout Onondaga County. "Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and drawings of winter scenes of Onondaga County from area artists and photographers. The 30 scenes include downtown Syracuse, rural vistas, Oakwood and Rose Hill Cemeteries, and woodland settings. The imagery is varied; sometimes stark, sometimes colorful, yet all evocative of a season we love and hate.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

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OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

Improv Comedy Night: Costume Show
Don't Feed the Actors

Price: $20 dinner and show, $10 show only
CNY Playhouse
Shoppingtown Mall, Entrance No. 4 (adjacent to parking garage), Dewitt

DFtA specializes in audience interactive improv and is one of the longest-running improv troupes in Central New York. Having toured all over the area, their large stable of theatrically trained actors rotate in and out of each show, ensuring a unique experience each time. Come enjoy an evening of improv in the style of "Whose Line Is It Anyway?" and Drew Carey's "Improvaganza."

The performance will be preceded by dinner at 6:30 pm.

Film From India: Fashion
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

The story of the fashion industry from the inside. The film won Priyanka Chopra and Kangana Ranaut the Best Actress and Best Supporting Actress awards, respectively, at the 2009 National Film Awards in India.

Directed by Madhur Bhandarkar (2008, 167 minutes)

Honoring Nick Cassavetes: She's So Lovely
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

Directed by Nick Cassavetes (1997, 100 minutes)

Honoring Nick Cassavetes: Alpha Dog
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

Directed by Nick Cassavetes (2006, 122 minutes), with special guest, actor Ben Foster.

SU Alumni Return Home: Sam Lloyd and Paul Perry
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

Selected screenings from Scrubs

Little Red Riding Hood
Everson Museum of Art
Syracuse Opera

Price: $10 each, or $25 for a family of four or more
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Enjoy a special performance by Syracuse Opera, just for families. See the story of Little Red Riding Hood brought to life through song.

Stop by before the performance for hands-on art making! Use your creativity to transform yourself into characters from the show by making your very own mask of Little Red Riding Hood or the big bad wolf.

Tickets available at syracuseopera.com.

JPR3 Trio: Jeffrey Pepper Rodgers, Josh Dekaney, Wendy Ramsay
Steeple Coffee House

Price: $10 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Acoustic rock originals and creative covers and new CD release.

Cabaret Concert
Syracuse Orchestra (formerly Symphoria)
Syracuse Pops Chorus
Travis Newton, conductor

Price: $20 regular, $18 seniors, $5 student with college ID, kids 18 and under free
Temple Adeth Yeshurun
450 Kimber Rd., DeWitt

The Syracuse Pops Chorus joins Symphoria to perform selections from Pirates of Penzance, Gone with the Wind, Guys and Dolls, Fiddler on the Roof, and more! Light refreshments will be available.

Second Saturday Series: Westcott Sessions, and Alison & Zoe
Westcott Community Center

Price: $10
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

The Westcott Sessions are local musicians who meet regularly to run through a vast repertoire of Appalachian-style fiddle tunes and other traditional music (much of it dating back to Ireland and Scotland); lately, they've been seen on Monday nights in the courtyard of the Beer Belly Deli. For this show, they are fine-tuning some of their best arrangements and making a concert for us. You'll hear a mix of fiddles, banjos, guitars, bass, dulcimers, and other instruments ... and, alongside the traditional material, a few newer compositions played in the older style.

Alison and Zoe are sisters, Irish-born, who now live in Central New York and perform together as harmonizing singer-songwriters. As is often the case with siblings, their harmonies are never less than beautiful, and often other-worldly. They appeared at the Folkus member event in June and again at our Barnes & Noble book fair in September, and charmed us both times. Double-billed with the Sessions, they offer a musical experience we encourage you not to miss.

Enter The Haggis Final Show
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Monkey Business
Open Hand Theater

Price: $10 adults, $6 children
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

The puppet stage unfolds, engaging children in an interactive performance of the well-loved story "Caps for Sale" by Siberian born children's author Esphyr Slobodkina. We'll try out several adapted versions of the story with puppets, a chorus of vowel sounds, and some new twists and turns. This performance is ideal for toddlers and young readers.

Based on a folktale, the story follows the life of a mustachioed cap salesman who wears his entire stock of caps on his head--seventeen in all (including his own cap). He strolls through towns and villages chanting, "Caps! Caps for sale! Fifty cents a cap!" One day, the peddler sits down under a tree to take a nap, with all his wares still on his head. When he awakens, all the caps but his own are gone--stolen by a troop of monkeys, who now sit in the tree wearing them. Children can try out their own monkey sounds, movements and ideas for the story's end.

New this fall: Up Close -- A Look Inside the Story
Join us at 10:00 am for a hands-on story hour suitable for children as young as 3 years (with an accompanying parent) and anyone who wants a more in-depth exploration of the upcoming performance. Cost is an additional $5 per child, accompanying adult is free.

Little Red Riding Hood
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive retelling of the children's classic.

Vanya and Sonia and Masha and Spike
Syracuse Stage
Marcela Lorca, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

2013 Tony Award, Best Play. This raucous comedy by Christopher Durang smashes together Chekhov's classic themes of loss and longing with really impressive abs, Disney's Snow White, and a prophetic housekeeper. Sonia and Vanya have frittered their lives away in the family farmhouse. Enter their sister, self-absorbed movie star Masha, with her 20-something boy toy Spike, and the stage is set for a weekend of hilarity.

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La Muñeca Negra
Community Folk Art Center
Spanish Action League's La Joven Guardia Del Teatro Latino

Price: $5
Community Folk Art Center
805 E. Genesee St., Syracuse

La Muñeca Negra (The Black Doll) is a story written by Cuban National poet Jose Marti. The story one of many on his book series La Edad de Oro (The Golden Age). The authors's idea behind La Edad de Oro was to instill in children ethical and moral values. In La Muñeca Negra, the main character, Piedad, is the daughter of a white wealthy family. She establishes a very strong bond with her black and worn doll, Leonor. On her birthday, Piedad's parents give her a beautiful new porcelain doll as gift to replace her old one. Yet, she rejects it and prefers her old and black doll. At the end of the story she explains her choice by saying: "I love you because they do not." This story demonstrates Jose Marti's compassion for blacks and his desire to accept those who were not accepted by others.

Please plan to arrive 15 minutes early in respect to the performers.

Die Mommie Die
Rarely Done Productions

Jazz Central
441 E. Washington St., Syracuse

Retired singing star, Angela Arden heads a dysfunctional family. Her husband, filmmaker Sol Sussman, hates her and has a kissy relationship with his nubile daughter, Edith. Angela carries on an affair with Tony Parker, a tennis instructor, who sleeps with both Edith and her brother, Lance, but not before Angela plots to murder Sol when he cuts off her allowance. Bootsie Carp, the family maid loyal to Sol, is on to Angela, but the diva works quickly and poisons Sol. Edith suspects foul play and wants Lance's help in proving mom's guilt. Lance, who loves his mother deeply, is conflicted. Will Edith succeed? Does love lurk somewhere? And what about Angela's long dead sister, Barbara?

If you liked last season's Vampire Lesbians of Sodom (also by Charles Busch), then you'll love the murder, intrigue and craziness that is Die Mommie Die!

Mature themes -- no children admitted.

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Fiddler on the Roof
Salt City Center for the Performing Arts
Cathleen O'Brien Brown, director

Price: $30
Empire Theater
New York State Fairgrounds, Geddes

Celebrating the 50th anniversary of the original Broadway production, Fiddler tells the story of a poor Russian dairyman trying to raise his family of five daughters while he struggles to find a balance between their beloved Jewish traditions and adapt to an ever-changing world around him. Come relive the Tradition!

Starring Bob Brown as Tevye, with music direction by Abel Searor, and choreography by Cathleen O'Brien Brown and Jennifer Fricano.

For tickets, phone 315-727-5494.

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Vanya and Sonia and Masha and Spike
Syracuse Stage
Marcela Lorca, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

2013 Tony Award, Best Play. This raucous comedy by Christopher Durang smashes together Chekhov's classic themes of loss and longing with really impressive abs, Disney's Snow White, and a prophetic housekeeper. Sonia and Vanya have frittered their lives away in the family farmhouse. Enter their sister, self-absorbed movie star Masha, with her 20-something boy toy Spike, and the stage is set for a weekend of hilarity.

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Opening: Parade
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Daring, innovative, and bold, Parade won well-earned Tony Awards for Best Book and Best Score in 2000. The tragic, true story of Leo Frank, a Jewish man wrongly accused of murder in 1913 Georgia, serves as the basis for a tender love story. As Frank seethes with the injustice of his conviction, his wife Lucille finds untapped reserves of love and strength to become his greatest champion. A passionate and powerful work of musical theater. Musical direction by Brian Cimmet, choreography by Andrea Leigh-Smith.

Book by Alfred Uhry, music by Jason Robert Brown, co-conceived by Harold Prince.

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Sunday, October 12, 2014

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Snowy Splendor: Winter Scenes of Onondaga County
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An artwork exhibit highlighting winter scenes throughout Onondaga County. "Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and drawings of winter scenes of Onondaga County from area artists and photographers. The 30 scenes include downtown Syracuse, rural vistas, Oakwood and Rose Hill Cemeteries, and woodland settings. The imagery is varied; sometimes stark, sometimes colorful, yet all evocative of a season we love and hate.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

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On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

On My Own Time was initiated in 1974 to help local businesses identify, celebrate and promote creativity among their employees. Over the years the program has uncovered thousands of artists, creating countless rewards for the employees and their sponsoring companies. This unique program is a recipient of the Private Sector Initiative Commendation awarded by The President of the United States.

On My Own Time's popularity and success has spread across the country, to cities where it has been replicated, name and all. On My Own Time is a program that makes artistic talents that might otherwise go unnoticed visible. It recognizes a most precious gift - creativity.

Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

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Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Special Encore Presentation: Made in Syracuse: Is That You?
Syracuse International Film Festival

Price: $12 (SU and LeMoyne students free with ID)
Landmark Theatre
362 S. Salina St., Syracuse

Dani Menkin, a noted Israeli filmmaker will be back in town to show us his final cut of Is That You. This film was locally made and features many local actors and participants. The film was nominated for Film of the Year at the Israeli Film Festival, and had a recent showing at the Montreal International Film Festival.

Follow the road trip of Ronnie as he seeks the long-lost love of his life. Is it ever too late to rekindle that first love? Dani will join us for the screening and to talk about his art. (2015, 84 minutes)

Imaging Disability in Film
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Little World, directed by Marcel Barrena (2012, 83 minutes)
Fixing Luka (2010, 11 minutes)
My Brother Navneet (2013, 1 minute)

New Filmmakers Showcase
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Old Soldier (2014, 19 minutes)
Alive (2014, 11 minutes)
Psych-Drama (2014, 11 minutes)
Sisiter Sister (2014, 25 minutes)
The Tourist (2014, 6 minutes)
Walking in the Dark (2014, 4 minutes)
Floating Signifier (2014, 3 minutes)
The Golden (2014, 24 minutes)
Fig (2014, 8 minutes)
A Slow Boat to America (2014, 27 minutes)

Imaging Disability in Film: Ship of Theseus
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

Ship of Theseus is a 2013 Indian drama written and directed by Festival guest, Anand Ghandi. The film explores "questions of identity, justice, beauty, meaning and death, through the stories of an experimental photographer, an ailing monk, and an enterprising stockbroker."

This debut feature film won the National Film Award for Best Picture, which is considered India's equivalent of the Best Picture Oscar.

Gandhi began writing daily soap operas as that genre gained popularity in India in the early part of this century. Kyunki and Kahaani Ghar Ghar Kii, for which he wrote, are the longest-running TV shows in the history of Indian television

Ship of Theseus, set in Cairo, Stockholm and Mumbai, premiered at the 2012 Toronto International Film Festival, where it was discovered as the "hidden gem of the year."

Honoring Nick Cassavetes: Yellow!
Syracuse International Film Festival

Price: $12 ($75 full festival pass)
Landmark Theatre
362 S. Salina St., Syracuse

We are pleased to announce that our finale program for this year's festival will be Mr. Nick Cassavetes with his film, "Yellow!" He will be accompanied by actor Ben Foster.

Jazz Alum Concert
Syracuse University Setnor School of Music

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Additional parking is available in Irving Garage. Campus parking availability is subject to change, so please call 315-443-2191 for current information.

Four Pillars of the High Renaissance
Schola Cantorum of Syracuse
Barry Torres, conductor

Price: $15 regular, $10 students/seniors
Pebble Hill Presbyterian Church
5299 Jamesville Rd., Dewitt

A capella choral works of "The Big Four" of High Renaissance music: Palestrina, Lasso, Byrd and Victoria. When we think of the Classical era, the names that immediately come to mind are Mozart, Haydn, Beethoven, and Schubert. For the late 16th century, those names are Palestrina, Lasso, Byrd and Victoria.

Poor Man's Whiskey
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

La Muñeca Negra
Community Folk Art Center
Spanish Action League's La Joven Guardia Del Teatro Latino

Price: $5
Community Folk Art Center
805 E. Genesee St., Syracuse

La Muñeca Negra (The Black Doll) is a story written by Cuban National poet Jose Marti. The story one of many on his book series La Edad de Oro (The Golden Age). The authors's idea behind La Edad de Oro was to instill in children ethical and moral values. In La Muñeca Negra, the main character, Piedad, is the daughter of a white wealthy family. She establishes a very strong bond with her black and worn doll, Leonor. On her birthday, Piedad's parents give her a beautiful new porcelain doll as gift to replace her old one. Yet, she rejects it and prefers her old and black doll. At the end of the story she explains her choice by saying: "I love you because they do not." This story demonstrates Jose Marti's compassion for blacks and his desire to accept those who were not accepted by others.

Please plan to arrive 15 minutes early in respect to the performers.

Vanya and Sonia and Masha and Spike
Syracuse Stage
Marcela Lorca, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

2013 Tony Award, Best Play. This raucous comedy by Christopher Durang smashes together Chekhov's classic themes of loss and longing with really impressive abs, Disney's Snow White, and a prophetic housekeeper. Sonia and Vanya have frittered their lives away in the family farmhouse. Enter their sister, self-absorbed movie star Masha, with her 20-something boy toy Spike, and the stage is set for a weekend of hilarity.

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Parade
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Daring, innovative, and bold, Parade won well-earned Tony Awards for Best Book and Best Score in 2000. The tragic, true story of Leo Frank, a Jewish man wrongly accused of murder in 1913 Georgia, serves as the basis for a tender love story. As Frank seethes with the injustice of his conviction, his wife Lucille finds untapped reserves of love and strength to become his greatest champion. A passionate and powerful work of musical theater. Musical direction by Brian Cimmet, choreography by Andrea Leigh-Smith.

Book by Alfred Uhry, music by Jason Robert Brown, co-conceived by Harold Prince.

Read a Review!

Monday, October 13, 2014

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: James A. Ridlon, A Day in the Garden
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist Statement:
When constructing my college paintings, I focus on capturing the element of time by painting color and light shifts at different times of the day. In order to record hourly atmospheric changes, I complete a vast assortment of paintings on paper during three different time periods: morning, midday, and evening. I then cut these paintings into small pieces, which I use as my pallet for each garden scene. I collage these smaller pieces into one, large cohesive work that is an all-inclusive reflection of "A Day in the Garden."

James A. Ridlon, artist/athlete, has achieved fame in both these pursuits. He played in the NFL eight years--six with the San Francisco 49ers and two with the Dallas Cowboys, being named All-Pro as defensive safety with the latter team in 1964. After retiring from pro football he returned to Syracuse University, his alma mater, to complete graduate studies and coach defensive backs on the football team. He is now a professor in the College of Visual and Performing Arts at Syracuse.

Ridlon has completed many sports-related commissions, including large assemblages for ABC Television to commemorate Monday Night Football and Wide World of Sports. He also fashioned the Outland Trophy, awarded each year to the premier college football lineman. He was named "Sport Artist of the Year" for 1989 by the U.S. Sports Academy.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

Character & Collaboration: Maria Marrero Costume Design Retrospective
914Works

Price: Free
914Works
914 E. Genesee St., Syracuse

Costume designer Maria Marrero, a professor of theater design and technology in the Department of Drama, has taught at Syracuse University for more than 30 years. She has designed costumes for productions at leading professional and regional theaters throughout the United States, including the Apollo Theater in Chicago, Actors Theater of Louisville, the Berkshire Theater Festival, Burt Reynolds Jupiter Theater, Delaware Theater Company, ESIPA "The Egg" in Albany, Playmakers Repertory Theater, Florida Studio Theater, Indiana Repertory Theater, Rochester's GEVA Theater and Buffalo Studio Arena, the Vineyard Theater and the Baroque Opera Company in New York City.

Marrero has designed regional and national tours, including the premiere production of "Handy Dandy" and "Of Mice and Men." She was a founding member and resident costumer/designer of the second Florida State Regional Theater, Players State Theater at Miami's Coconut Grove Playhouse. Her designs for "A Flea in Her Ear" won the Best Costume Design award from the Miami Critics Circle. Her designs for "Life with Father"and for "A Christmas Carol," both at the Coconut Grove, were nominated for Carbonell Awards in the category of Best Costume Design.

The resident costumer/designer at Syracuse Stage for 12 years, Marrero designed costumes for 36 productions, including "Putting It Together"and "The Fantasticks." She was a draper at Eaves-Brooks Costume Company in New York City and has worked on film and television projects for PBS and independent companies.

The exhibition, which will include costumes and sketches, is presented in recognition of Hispanic Heritage Month.

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

Flashback Mondays: Natural Born Killers
Palace Theatre

Price: $5
Palace Theater
2384 James St., Syracuse

Tuesday, October 14, 2014

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: James A. Ridlon, A Day in the Garden
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist Statement:
When constructing my college paintings, I focus on capturing the element of time by painting color and light shifts at different times of the day. In order to record hourly atmospheric changes, I complete a vast assortment of paintings on paper during three different time periods: morning, midday, and evening. I then cut these paintings into small pieces, which I use as my pallet for each garden scene. I collage these smaller pieces into one, large cohesive work that is an all-inclusive reflection of "A Day in the Garden."

James A. Ridlon, artist/athlete, has achieved fame in both these pursuits. He played in the NFL eight years--six with the San Francisco 49ers and two with the Dallas Cowboys, being named All-Pro as defensive safety with the latter team in 1964. After retiring from pro football he returned to Syracuse University, his alma mater, to complete graduate studies and coach defensive backs on the football team. He is now a professor in the College of Visual and Performing Arts at Syracuse.

Ridlon has completed many sports-related commissions, including large assemblages for ABC Television to commemorate Monday Night Football and Wide World of Sports. He also fashioned the Outland Trophy, awarded each year to the premier college football lineman. He was named "Sport Artist of the Year" for 1989 by the U.S. Sports Academy.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Character & Collaboration: Maria Marrero Costume Design Retrospective
914Works

Price: Free
914Works
914 E. Genesee St., Syracuse

There will be a closing reception this evening 6:00-8:00 pm.

Costume designer Maria Marrero, a professor of theater design and technology in the Department of Drama, has taught at Syracuse University for more than 30 years. She has designed costumes for productions at leading professional and regional theaters throughout the United States, including the Apollo Theater in Chicago, Actors Theater of Louisville, the Berkshire Theater Festival, Burt Reynolds Jupiter Theater, Delaware Theater Company, ESIPA "The Egg" in Albany, Playmakers Repertory Theater, Florida Studio Theater, Indiana Repertory Theater, Rochester's GEVA Theater and Buffalo Studio Arena, the Vineyard Theater and the Baroque Opera Company in New York City.

Marrero has designed regional and national tours, including the premiere production of "Handy Dandy" and "Of Mice and Men." She was a founding member and resident costumer/designer of the second Florida State Regional Theater, Players State Theater at Miami's Coconut Grove Playhouse. Her designs for "A Flea in Her Ear" won the Best Costume Design award from the Miami Critics Circle. Her designs for "Life with Father"and for "A Christmas Carol," both at the Coconut Grove, were nominated for Carbonell Awards in the category of Best Costume Design.

The resident costumer/designer at Syracuse Stage for 12 years, Marrero designed costumes for 36 productions, including "Putting It Together"and "The Fantasticks." She was a draper at Eaves-Brooks Costume Company in New York City and has worked on film and television projects for PBS and independent companies.

The exhibition, which will include costumes and sketches, is presented in recognition of Hispanic Heritage Month.

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

Scott Simon
Friends of the Central Library Author Series

Price: $55, $40, $35, $30 adults, $10 students with ID
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Author of Windy City and host of National Public Radio's "Weekend Edition."

The Power of Music: Ethan Bortnick, with Damian McGinty
Creative Concerts

Palace Theater
2384 James St., Syracuse

Ensemble Series: SU Symphony Band
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Additional parking is available in Irving Garage. Campus parking availability is subject to change, so please call 315-443-2191 for current information.

Wednesday, October 15, 2014

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: James A. Ridlon, A Day in the Garden
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist Statement:
When constructing my college paintings, I focus on capturing the element of time by painting color and light shifts at different times of the day. In order to record hourly atmospheric changes, I complete a vast assortment of paintings on paper during three different time periods: morning, midday, and evening. I then cut these paintings into small pieces, which I use as my pallet for each garden scene. I collage these smaller pieces into one, large cohesive work that is an all-inclusive reflection of "A Day in the Garden."

James A. Ridlon, artist/athlete, has achieved fame in both these pursuits. He played in the NFL eight years--six with the San Francisco 49ers and two with the Dallas Cowboys, being named All-Pro as defensive safety with the latter team in 1964. After retiring from pro football he returned to Syracuse University, his alma mater, to complete graduate studies and coach defensive backs on the football team. He is now a professor in the College of Visual and Performing Arts at Syracuse.

Ridlon has completed many sports-related commissions, including large assemblages for ABC Television to commemorate Monday Night Football and Wide World of Sports. He also fashioned the Outland Trophy, awarded each year to the premier college football lineman. He was named "Sport Artist of the Year" for 1989 by the U.S. Sports Academy.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Snowy Splendor: Winter Scenes of Onondaga County
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An artwork exhibit highlighting winter scenes throughout Onondaga County. "Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and drawings of winter scenes of Onondaga County from area artists and photographers. The 30 scenes include downtown Syracuse, rural vistas, Oakwood and Rose Hill Cemeteries, and woodland settings. The imagery is varied; sometimes stark, sometimes colorful, yet all evocative of a season we love and hate.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

Read a review!

Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

On My Own Time was initiated in 1974 to help local businesses identify, celebrate and promote creativity among their employees. Over the years the program has uncovered thousands of artists, creating countless rewards for the employees and their sponsoring companies. This unique program is a recipient of the Private Sector Initiative Commendation awarded by The President of the United States.

On My Own Time's popularity and success has spread across the country, to cities where it has been replicated, name and all. On My Own Time is a program that makes artistic talents that might otherwise go unnoticed visible. It recognizes a most precious gift - creativity.

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

Read a review!

In The Body of Justice
University Lectures
Featuring Eve Ensler

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Tony Award-winning playwright, performer, and activist Eve Ensler's work The Vagina Monologues has been translated into over 48 languages, performed in over 140 countries, including sold-out runs at both Off-Broadway's Westside Theater and on London's West End (2002 Olivier Award nomination, Best Entertainment), and has run for 10 years in Mexico City and Paris. Her experience performing The Vagina Monologues inspired her to create V-Day, a global activist movement to stop violence against women and girls which raises funds and awareness through benefit productions and other artistic works. To date, the V-Day movement has raised over $90 million and educated millions. Ensler has devoted her life to stopping violence, envisioning a planet in which women and girls will be free to thrive, rather than merely survive. V-Day's newest campaign, ONE BILLION RISING launched in February 2012, and has been active on the Syracuse University campus through the student group Students Advocating Sexual Safety and Empowerment (SASSE).

Ensler travelled to Eastern Democratic Republic of Congo in 2007 to meet with and learn from women survivors of violence. It was these women who birthed the idea of the City of Joy, a place to live in community so that they could heal. V-Day opened the City of Joy with a high-profile ceremony in February 2011 and the first class of women began in June 2011.

Bartok's Bluebeard's Castle
Civic Morning Musicals
Megan Nielson, soprano; Zachary James, bass; Jonathan Rose, piano

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

One-act opera.

SU Faculty Recital Series: Steve Heyman, piano; Harumi Rhodes, violin
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

For most events, free and accessible concert parking is available on campus in the Q-1 lot, located behind Crouse College. Additional parking is available in Irving Garage. Campus parking availability is subject to change, so please call 315-443-2191 for current information.

Papadosio, with Twiddle
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Parade
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Daring, innovative, and bold, Parade won well-earned Tony Awards for Best Book and Best Score in 2000. The tragic, true story of Leo Frank, a Jewish man wrongly accused of murder in 1913 Georgia, serves as the basis for a tender love story. As Frank seethes with the injustice of his conviction, his wife Lucille finds untapped reserves of love and strength to become his greatest champion. A passionate and powerful work of musical theater. Musical direction by Brian Cimmet, choreography by Andrea Leigh-Smith.

Book by Alfred Uhry, music by Jason Robert Brown, co-conceived by Harold Prince.

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Thursday, October 16, 2014

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: James A. Ridlon, A Day in the Garden
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist Statement:
When constructing my college paintings, I focus on capturing the element of time by painting color and light shifts at different times of the day. In order to record hourly atmospheric changes, I complete a vast assortment of paintings on paper during three different time periods: morning, midday, and evening. I then cut these paintings into small pieces, which I use as my pallet for each garden scene. I collage these smaller pieces into one, large cohesive work that is an all-inclusive reflection of "A Day in the Garden."

James A. Ridlon, artist/athlete, has achieved fame in both these pursuits. He played in the NFL eight years--six with the San Francisco 49ers and two with the Dallas Cowboys, being named All-Pro as defensive safety with the latter team in 1964. After retiring from pro football he returned to Syracuse University, his alma mater, to complete graduate studies and coach defensive backs on the football team. He is now a professor in the College of Visual and Performing Arts at Syracuse.

Ridlon has completed many sports-related commissions, including large assemblages for ABC Television to commemorate Monday Night Football and Wide World of Sports. He also fashioned the Outland Trophy, awarded each year to the premier college football lineman. He was named "Sport Artist of the Year" for 1989 by the U.S. Sports Academy.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Snowy Splendor: Winter Scenes of Onondaga County
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An artwork exhibit highlighting winter scenes throughout Onondaga County. "Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and drawings of winter scenes of Onondaga County from area artists and photographers. The 30 scenes include downtown Syracuse, rural vistas, Oakwood and Rose Hill Cemeteries, and woodland settings. The imagery is varied; sometimes stark, sometimes colorful, yet all evocative of a season we love and hate.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

On My Own Time was initiated in 1974 to help local businesses identify, celebrate and promote creativity among their employees. Over the years the program has uncovered thousands of artists, creating countless rewards for the employees and their sponsoring companies. This unique program is a recipient of the Private Sector Initiative Commendation awarded by The President of the United States.

On My Own Time's popularity and success has spread across the country, to cities where it has been replicated, name and all. On My Own Time is a program that makes artistic talents that might otherwise go unnoticed visible. It recognizes a most precious gift - creativity.

Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

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Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.

Balcon Criollo
La Casita Cultural Center

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

Inspired by the work of Puerto Rican artist Pepón Osorio, this gallery-wide installation of meaningful memorabilia pays special tribute to the valiant contributions of Hispanic soldiers in active duty and veterans of the U.S. Armed Forces. All the memorabilia, photographs and other meaningful objects in view are loaned and contributed for the show by members of the Hispanic communities of Syracuse University, the City of Syracuse and Hispanic American families statewide.

Among the honored veterans, this program especially recognizes the troops of the 65th Infantry Regiment known as the "Borinqueneers", the only segregated all-Hispanic battalion in the history of the U.S. Army. The legendary Borinqueneers gallantly served their country in World War I, WWII, and the Korean War. A former Borinqueneer and Korean War veteran, Eugenio Quevedo, was the guest of honor at the opening reception of the Balcón Criollo.

GLOBALissues. CLIMATEmatters. SocialCHANGE.
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

G.C.C. is the first juried exhibition hosted by the ArtRage Gallery. The submission process was open to all contemporary artists, including Central New York artists, who are creating work that fits the ArtRage mission to inspire resistance, promote social awareness, support social justice, challenge preconceptions, and encourage cultural change. The result is an exhibition of the work of 24 artists, one-third of whom are from Central New York, that reveals their diverse talent and demonstrates the range of social and environmental issues that concern many of today's artists. The exhibition had three jurors: Mary Murray, the curator of Modern and Contemporary Art at the Munson-Williams Proctor Arts Institute; Debora Ryan, an independent curator whose more than two decades of museum experience include 13 years as the curator at the Everson Museum of Art; and Rose Viviano, ArtRage Gallery's curator and director.

Exhibiting artists include Ben Altman, Marlena Buczek Smith, Christine Chin, Paula Everitt, Justyne Fischer, Aaron Greiner, Kathe A. Harrington, Ruth A. Keitz, Mollie Kellogg, Robert Knight, Stephen Koharian, Pam McLaughlin, Richard Meyer, Bobbette M. Morgan, Andrew Oritz, Paul W. Pearce, Jim Ridlon, Elizabeth S. Riker, Stone Riley, Debra Roach, Justin Wayne Shaw, James Skvarch and Katelyn Tudi.

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Ruth Putter: A Photography Retrospective
Petit Branch Library

Petit Branch Library
105 Victoria Pl., Syracuse

There will be an opening reception this evening 5:00-8:00 as part of Th3, the Third Thursday citywide art walk.

Ruth Putter (1919-2014) was a talented photographer, committed social justice activist and feminist. As a young photographer living in New York City, Ruth was influenced by the "Decisive Moment" work of Henri Cartier Bresson, and she joined the progressive Photo League.

In Syracuse, she worked with Fred Demarest of Syracuse University. Her photographs have been published in national photography and feminist publications, and she is the co-author of "The Women's Encampment for a Future of Peace and Justice." Her body of work documents more than 70 years of peace and social justice movements, civil rights and feminism.

Shining Water's Eastern Shore: Oil Paintings by Bob Niedzwiecki
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

This exhibition is a series of paintings inspired by 30 years of observation of the beauty, variety and magic of the Eastern Shore of Lake Ontario.

Moments of Place: Photos by Gwenn Thomas
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

There will be an opening reception this evening 6:00-8:00, as part of Th3, the Third Thursday citywide art walk.

Gwenn Thomas's photographs of doors and windows are embedded within sculptural frames in ways that question perceptions of photographic imagery, and our experience of lived space. Her photographs of window frames, exterior and interior architectural spaces initiate portholes into the spaces within. These irregularly shaped photographic objects construct the illusion of actual windows, recalling Marcel Duchamp's window of 1920. The illusion is assisted by the absence of glass in the framing, opening the window of the photo from the perspective of the viewer. The photograph with the frame are the windows themselves.

Her earlier works from this series began with an exploration into the play between the two-dimensional image and the three-dimensional object frame in a 1980 exhibition at John Weber Gallery. Starting with the architectural subject matter of the photograph itself, Thomas interlinks the image with the structure of its presentational frame, which is initiated by the image itself.

Continuing into the present, the artist's newest works are framed laminated photographs of the same window taken at various times of day: morning, late afternoon and dusk. These works are inspired in part by the documentary photos of the house that the philosopher Wittgenstein designed for his sister in 1926, in Vienna.

Thomas's photographic objects reveal complex spatial relationships, within and outside of the two-dimensional plane, taking into account each available axis of space.

Isaac Julien: Western Union: Small Boats (The Leopard)
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Urban Video Project (UVP) is pleased to announce the opening of the 2014-15 programming year with this exhibition by world-renowned visual artist and filmmaker Isaac Julien. Video projection begins at dusk.

This exhibition marks the beginning of "Celestial Navigation: a year into the afro future", a year-long program of exhibitions and events at Urban Video Project and partner organizations that takes afrofuturism as its point of departure.

"Western Union: Small Boats (The Leopard)" concerns journeys made across the seas of the Mediterranean by so-called "clandestines" who leave Libya, escaping wars and famines. They can be seen as economic migrant workers, along with certain Europeans--"Angels" in Walter Benjamin's terms--who bear witness to modernity's failed hopes and dreams, and who now travel across oceanic spaces some never to arrive or return.

Isaac Julien (b. 1960) lives and works in London. He first rose to prominence for his feature-length and short-form films. He received a Special Teddy at the Berlin International Film Festival for his film on Derek Jarman, called "Derek" (2008), created in collaboration with Tilda Swinton. Julien's most recent work has focused on immersive single- and multi-channel video installations. His work was part of Documenta XI (2002), and he has had solo shows at the Pompidou Centre in Paris (2005), MOCA Miami (2005) and most recently at SESC Pompeia in Brazil (2012), among others. Julien is represented in both public and private collections, including the Museum of Modern Art, New York; Tate Modern; Centre Pompidou; Guggenheim Collection; and the Hirshhorn Collection. He has taught at Harvard University and Goldsmiths College, University of London, and is currently a faculty member at the Whitney Museum of American Arts, professor of media art at Staatliche Hochschule für Gestaltung Karlsruhe, Germany, and Chair of Global Art at University of the Arts London.

An Evening with David Sedaris

Price: $38-$53
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The celebrated NPR humorist comes Syracuse for an evening of cutting wit, social satire, and riveting conversation, including a question and answer session. In celebration of his latest bestselling New York Times release Let's Explore Diabetes with Owls, experience live the hilarious brilliance that created the national bestsellers Naked, Me Talk Pretty One Day, Dress Your Family in Corduroy and Denim, When Your Are Engulfed in Flames and Squirrel Seeks Chipmunk.

Tickets are available at the Oncenter Box Office (760 S. State St.), by phone at 315-435-2121, or online at ticketmaster.com.

Sound Remedy, with Dasiii, DG, DJ Dezz
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Murder Most Faire
Acme Mystery Company

Price: $32.50 (includes meal, show, tax and gratuities)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Henry King the Eighth is experiencing a royal pain. His Sperling Renaissance Faire is failing and with it his family fortune. Ye Goode Olde Days seem gone for good but his scheming lawyer has come up with a knavish plan that just might save him. He now must match wits with a fortune teller in search of fortune, a queen who will do anything to keep her throne, and a preening knight with a serious case of lance envy. Drink deeply from your mead and hang onto your codpiece. The affairs of this Faire may soon turn deadly.

The Last Five Years
Encore Presentations

Price: $14 regular, $12 students/seniors
St. Clare Auditorium
Lodi and Isabella Streets, Syracuse

Jason Robert Brown's Drama Desk winner The Last Five Years has been translated into a handful of languages and was named one of Time Magazine's 10 best shows of 2001. A testament to the show's longevity and spurred by the show's regional popularity, The Last Five Years enjoyed an Off-Broadway revival at Second Stage in 2013.

An emotionally powerful and intimate musical about two New Yorkers in their twenties who fall in and out of love over the course of five years. The show's unconventional structure consists of Cathy, the woman, telling her story backwards while Jamie, the man, tells his story chronologically; the two characters only meet once, at their wedding in the middle of the show.

For more information, phone 315-455-8654.

Parade
Syracuse University Drama Department
Marie Kemp, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Daring, innovative, and bold, Parade won well-earned Tony Awards for Best Book and Best Score in 2000. The tragic, true story of Leo Frank, a Jewish man wrongly accused of murder in 1913 Georgia, serves as the basis for a tender love story. As Frank seethes with the injustice of his conviction, his wife Lucille finds untapped reserves of love and strength to become his greatest champion. A passionate and powerful work of musical theater. Musical direction by Brian Cimmet, choreography by Andrea Leigh-Smith.

Book by Alfred Uhry, music by Jason Robert Brown, co-conceived by Harold Prince.

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Friday, October 17, 2014

Robert Hofmann: A View of the Middle East (1914-1928)
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

An exhibit of Robert Hofmann's paintings, pastels and sketches from World War I and after. Hofmann's work, consisting of paintings and drawings, provides viewers with dramatic visual representations of the personalities and landscapes of the Middle East in the early 20th century.

Robert Hofmann studied art at the Vienna Academy after serving in the Austrian and Ottoman armies during World War I. After completing his training he returned to the Middle East further developing his unique body of work. Following a career that took him from Vienna, to London and Australia, Hoffman subsequently settled in Syracuse in the 1950s where he maintained a studio and taught painting until his passing in the 1980s.

A Dialogue with Nature: Works by Adriana Meiss and Maureen Barcza
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Costa-Rican born Adriana Meiss says that she finds inspiration in nature and the way that man has changed the environment, with her favorite subjects being landscapes and flowers. She most often works on location, having to work quickly because of changes in light, and then all from memory, she completes the work in her studio.

Maureen Barcza, like Meiss, prefers working directly from life and on site when something catches her interest. Feelings conveyed in the painting are also of paramount importance. She believes that she has the best of both worlds, i.e. working directly from nature when weather permits and indulging her love of still life and portraiture when confined to the studio.

Although generally open to the public, the program room is occasionally used for nature-themed classes and private parties. Those interested in the gallery may wish to call before their visit to be sure that the program room will not be in use when they arrive.

Gallery Exhibit: James A. Ridlon, A Day in the Garden
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Artist Statement:
When constructing my college paintings, I focus on capturing the element of time by painting color and light shifts at different times of the day. In order to record hourly atmospheric changes, I complete a vast assortment of paintings on paper during three different time periods: morning, midday, and evening. I then cut these paintings into small pieces, which I use as my pallet for each garden scene. I collage these smaller pieces into one, large cohesive work that is an all-inclusive reflection of "A Day in the Garden."

James A. Ridlon, artist/athlete, has achieved fame in both these pursuits. He played in the NFL eight years--six with the San Francisco 49ers and two with the Dallas Cowboys, being named All-Pro as defensive safety with the latter team in 1964. After retiring from pro football he returned to Syracuse University, his alma mater, to complete graduate studies and coach defensive backs on the football team. He is now a professor in the College of Visual and Performing Arts at Syracuse.

Ridlon has completed many sports-related commissions, including large assemblages for ABC Television to commemorate Monday Night Football and Wide World of Sports. He also fashioned the Outland Trophy, awarded each year to the premier college football lineman. He was named "Sport Artist of the Year" for 1989 by the U.S. Sports Academy.

Context: Reading the Photography of Margaret Bourke-White
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Margaret Bourke-White (1904-1971) was a celebrity behind, and in front of, the camera. As a photographer for Life magazine from the 1930s through the 1950s, she documented unforgettable moments--African-American flood victims in Louisville, KY, standing in a bread line beneath a banner that reads almost mockingly "There's No Way Like the American Way"; just-liberated survivors of the Buchenwald Concentration Camp returning the camera's gaze under an eerily cinematic light; Mahatma Gandhi sitting cross-legged on the floor reading, spinning wheel in the foreground. Bourke-White's photographs helped shape the way millions of Americans experienced the Great Depression, the Second World War, and the world that followed.

In front of the camera she cultivated an image of herself as fearless, undaunted in pursuit of her "shot," and fashionable, donning fine clothes and a coquettish smile.

After three decades in the public eye Bourke-White began to write her memoirs in the early 1950s. When Portrait of Myself finally appeared in 1963, she had already published ten books, countless essays, and been the subject of many interviews. In fact, but for the occasional gallery exhibition, text had always surrounded Bourke-White's photographs. This exhibition explores how text "framed" the photography of Margaret Bourke-White and, ultimately, how she sought to transcend the limits of the medium that made her famous.

Color of Light
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

John Fitzsimmons: skyscape oil paintings contemplating issues of mortality
Rob Glisson: landscape oil paintings portraying abstract realism through poetic strokes of color
John Lombardi: abstracted figurative stone sculpture
Heather Hennigan: mixed media jewelry

Common Planes: The Metalwork of Arlene Abend and Todd Conover
Dalton's American Decorative Arts

Dalton's American Decorative Arts
1931 James St., Syracuse

An exhibit of jewelry and sculpture.

Arlene Abend's career creating sculpture spans decades. Abend works in bronze, sheet steel, and other mediums. Her work can be found in public, corporate, and private collections. Abend has exhibited in over 15 shows, some group and some one-woman shows. "When I create a sculpture to communicate an idea or a feeling, I also find myself expressing the character of the material as well...be it bronze whose molten liquid flows into cavities or sheet steel that can be sheared and bent. The use of different material is both exciting and challenging. The exploration leads to new forms and directions and offers me a far greater range of expression."

Todd Conover's passion for collecting early 20th century American Arts & Crafts Period metalwork led to his obsession with learning long-lost metalworking techniques. He quickly set out producing unique work of his own. Conover has been in fashion design for over 25 years so it was an obvious marriage to transition his metalwork to jewelry where he focuses most of his design work and energy. With a mix of unexpected yet related materials, his jewelry tends to be overtly bold with inspiration harnessed from natural forms that will highlight surface and materials. Conover is professor of Design/Chair: Fashion Design, Syracuse University School of Design, College of Visual and Performing Arts.

Against the Grain: Works in Wood by Fred Weisskopf
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Alison Rossiter: Revive
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Alison Rossiter makes photographs without using a camera. Captivated by the mechanics and materials of pre-digital photography, she collects decades-expired photographic paper—the oldest dating to 1900—which she develops in her darkroom, coaxing out of each sheet the gorgeous composition of lights and shades it holds within. Though Rossiter has used a camera, and has made photograms of books and light drawings of horses, she focuses on her experiments with expired paper. Her intimate compositions often resemble moody landscapes or Abstract Expressionist paintings. With titles like Eastern Kodak Royal Bromide, expired March 1919, processed in 2010, Rossiter documents the paper she uses and its expiration and processing dates, emphasizing its history. "It's time travelling," she explains. "I can hold a Fuji paper that I know was made between the wars and I'm transported to pre-World War II Japan."

2014 Light Work Grants: Trevor Clement, Sebastian Collett, Dan Wetmore
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The BCA Project: Portraits of Breast Cancer Survivors
Maxwell Memorial Library

Price: Free
Maxwell Memorial Library
14 Genesee St., Camillus

A.E. André, co-owner of Aesthetica Salon Spa in Camillus, talented stylist, colorist, and photographer, has created an exhibit of local breast cancer survivors. Whether cured, in remission, or still undergoing treatment, the participants in The BCA Project have shared amazing and inspiring stories about their fight against breast cancer.

Culture of the Cocktail Hour
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The story of cocktail fashions has several associations with local history. This exhibit will discover some of those people, places and events, including Syracuse's most famous cocktail lounges of days gone by. Cocktails also conjure up the exciting era of the Roaring Twenties, when speakeasies flourished during the decade of Prohibition. Displays will include the story of one of the most famous local speakeasies, located just a few hundred feet from the OH Museum, including a menu of its libations, and the tale of the police raid that shut it down. Also on exhibit, along with other documents and artifacts of the era will be an original federal court ledger listing arrests and convictions across the state for Prohibition violations and a local brewery's recipes for "near beer" and flavored sodas, which helped keep them in business through the infamous "dry" years when America famously tried unsuccessfully to eliminate intoxicating beverages from its culture.

It's in Our Very Name: The Italian Heritage of Syracuse
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

As a crossroads for many immigrants from around the world, Syracuse became the home for Italians who were looking to build a better life. In turn, these immigrants changed Syracuse both physically, by helping with different architectural and infrastructure projects, and culturally, by importing new foods and customs to our community and by participation at all levels in the Syracuse economy.

The exhibit will focus on the history and influence of Italian culture in Syracuse beginning with the name given to this village in 1825, which was adopted when John Wilkinson was inspired by a poem about Siracusa, Sicily. By the 1880s, an increasing number of Italian immigrants began to arrive to take advantage of the thriving Syracuse economy and other opportunities that were available. Some artifacts that will be highlighted include a wine press, a set of wooden bocce balls, and purses made at the Resnick purse factory.

Snowy Splendor: Winter Scenes of Onondaga County
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An artwork exhibit highlighting winter scenes throughout Onondaga County. "Snowy Splendor: Winter Scenes of Onondaga County" features oil, acrylic, and watercolor paintings, photographs, and drawings of winter scenes of Onondaga County from area artists and photographers. The 30 scenes include downtown Syracuse, rural vistas, Oakwood and Rose Hill Cemeteries, and woodland settings. The imagery is varied; sometimes stark, sometimes colorful, yet all evocative of a season we love and hate.

Watercolor Memories: The Artistic Legacy of Betty Munro
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An exhibit featuring the watercolors of the late Betty Munro, a local artist who could be seen painting in downtown Syracuse throughout the 1970s to the early 1990s. Located in the first floor main gallery, the exhibit will focus on Betty's artistic diversity through watercolor paints. Betty is best known for her architectural scenes and cityscapes, and while guests will see some of those, they also will be treated to other, perhaps lesser-known subjects such as human figures, swans, barns, the beach in Florida, and other colorful themes. All paintings in the exhibit will be for sale.

Early American Decorative Arts
The Art Store Gallery

Price: Free
The Art Store/Commercial Art Supply
935 Erie Blvd. E., Syracuse

The Historical Society of Early American Decoration (HSEAD) holds an exhibition of Early American Decorative Arts. You can see the spectacular early-American decoration these artists have created on tins, trays, glass panels, boxes, and more! There will also be an artist demonstration presented during the reception, so you can witness the skill and techniques used in creating these beautiful pieces.

Taking Turns: New Work by Chandra DeBuse and Tommy Frank
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Chandra DeBuse and Tommy Frank are both ceramic artist based in Kansas City, MO.

Debuse's functional pottery incorporates narrative imagery, pattern, and "candy colors" and explores worlds of imagination with determined characters and landscapes of leisure. Her aim is to "amuse and delight the user, imparting a sense of play." She is a full-time studio potter and educator, and received a MFA from the University of Florida in 2010.

Frank's work combines "humor, function and a love of ceramic materiality" and often "satirizes the state of the American economy." It is inspired by George Orwell's classic novel Animal Farm, with the different characters exposing our own place in the socio-economic narrative. He earned a MFA from Bowling Green State University and currently works for Red Star Studios in Kansas City.

Margaret Bourke-White: Moments in History 1930-1945
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

SU Art Galleries, in collaboration with the SU Libraries' Special Collections Research Center, presents an exhibition of over 180 vintage photographs taken in the Soviet Union, Czechoslovakia, Germany, England and Italy in the 1930s and 40s. The exhibition will also feature original Life and Fortune magazines, in addition to correspondence related to Bourke-White's photography and projects. This is the first of a series of exhibitions celebrating women in the arts.

In the male-dominated world of early 20th-century photojournalism, Margaret Bourke-White (1904-1971) was a striking exception to the rule. She was the first woman to work for Fortune and Life magazine. In Russia, she photographed a smiling Stalin and in Georgia the aged mother of the dictator. In 1941, when the first German bombs fell on Moscow, Bourke-White was the only foreign photojournalist in the city. Many of her images are unforgettable, like the ones she took following the liberation of the Buchenwald concentration camp by American troops.

Margaret Bourke-White was not just a passionate and gifted photographer; she was, above all, the 'eye' of her time. She was prepared to do whatever it took to capture current events and she photographed the most remarkable moments in 20th century history. As a young photographer, she barely survived a German torpedo attack, shot pictures from Allied bombers and teetered on a projecting roof-top ledge to photograph New York from the dizzy heights of the Chrysler Building.

This exhibition was curated by Oliva María Rubio of La Fábrica, Spain, and is a co-production by the Hague Museum of Photography, La Fábrica (Spain), Martin-Gropius-Bau (Germany), Preus-Museum (Norway), and Syracuse University Libraries (United States). The Syracuse University Art Galleries is the closing venue for this monumental exhibition that has toured throughout Europe for the past two years.

Tammy Renée Brackett: Dear Deer
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by SUArt Galleries Associate Director and Curator of Collections David L. Prince, Brackett's recent work combines the digital and natural world to explore humans' relationship with animals. The exhibition focuses on the white-tailed deer, posing questions about population control, loss of habitat, and mortality. Presented concurrently with the exhibition "Margaret Bourke-White: Moments in History 1930-1945," this exhibition is the first in a series of presentations that celebrate women and the arts at the Syracuse University Art Galleries.

Brackett took a doe in her second season as a hunter and learned from a neighbor how to stretch and tan the hide. She then designed small light silhouettes that replicated running deer. Using computer software, Brackett multiplied the silhouettes into virtual herds, running in place on the tanned deer skin. An accompanying audio soundtrack describes the many manmade sounds heard by wildlife in the woods. Bracket's soundtrack raises the question of who, humans or deer, has a larger environmental impact.

Enduring Gift: Chinese Ceramics from the Cloud Wampler Collection
Everson Museum of Art

Price: Suggested donation: $5
Everson Museum of Art
401 Harrison St., Syracuse

For nine years, beginning in 1960, Cloud Wampler donated some 170 Asian works to the Everson Museum. The collection is dominated by a particularly strong core of Chinese ceramics. Spanning nearly 2,000 years, from the Han Dynasty in 200 BCE to the Ching Dynasty that ended in 1912, this selection offers a survey of forms, styles and glazes that are considered still today to be the pinnacle of aesthetic and technical achievements.

Shadows: Fernando Orellana
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The interactive artworks found in Shadows are designed to be used posthumously. Inspired by paranormal research, spiritualism, and ghost folklore, these machines continuously search for the dead, attempting to allow the departed continued use of their worldly possessions. Extracted from recent estate sales, the personal objects found in these techno-effigies are in a constant state of potential energy, awaiting their owner's return. By monitoring sudden fluctuations in temperature, infrared, and electromagnetic readings, the machines try to open a channel or doorway into the neither world. By this, each machine gives the dead an opportunity or proxy to continue interacting in this world and the next.

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Performing Media: Works by Signal Culture Artists in Residence
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition highlights work which was made through a performative process with media art. Artists Benton-C Bainbridge, Pat Cain, Jax Deluca & Kyle Marler, Andrew Deutsch, Colleen Keough, LoVid, and Eric Souther are featured with single channel videos, installations, and live performances. All were artists in residence at Signal Culture in Owego, NY.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

On My Own Time was initiated in 1974 to help local businesses identify, celebrate and promote creativity among their employees. Over the years the program has uncovered thousands of artists, creating countless rewards for the employees and their sponsoring companies. This unique program is a recipient of the Private Sector Initiative Commendation awarded by The President of the United States.

On My Own Time's popularity and success has spread across the country, to cities where it has been replicated, name and all. On My Own Time is a program that makes artistic talents that might otherwise go unnoticed visible. It recognizes a most precious gift - creativity.

Salt City Clay: Selected Works by Syracuse Ceramics Guild
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

This exhibition, juried by Chandra Debuse and Tommy Frank, presents new work by members of the Syracuse Ceramic Guild. The Syracuse Ceramic Guild, established in 1947, is a not-for-profit organization of potters dedicated to the promotion of awareness and understanding of the ceramic medium.

OnLine/OffLine
Gallery 4040

Gallery 4040
4040 New Court Ave (off Midler), Syracuse

A contemporary drawing show featuring works by Anne Novado, Donalee Peden Wesley, Elena Peteva, and Melissa Zarem.

This exhibition focuses on some of the different approaches artists have in the practice of drawing. At times the immediacy of the mark made by drawing material is enough to convey a response, thought or idea, whereas other times the artist becomes absorbed in the process of layering, adding and subtracting to arrive at the image they were compelled to find. What is so fascinating is even with all the technology around us, the practice of drawing is still very fresh and ongoing.