Friday, October 7, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

My Mother Is ...
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Recent work by Amy Bartell and Cynthia Clabough, with special guest KayCie Simmons. Also featuring works in collaboration with Emma Bourque, Nate Bourque, Maddie Carlone, Alyssa Lunka, Aaron Roe and Sara Roe. The exhibition explores our relationship to our mothers.

Furnished: Syracuse Architecture Faculty Exhibition
Syracuse University School of Architecture

Price: Free
Slocum Hall Gallery
Syracuse University campus, Syracuse

An exhibition of furniture and objects designed by Ramona Albert, Sarosh Anklesaria and Lior Galili, Larry Bowne, Sekou Cooke, Jonathan Lott, Ryan Ludwig, Michael Pelken, Brett Snyder, Timothy Stenson, Robert Svetz, Vasilena Vassilev

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Works of Elena Peteva and Donalee Peden Wesley
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Elena Peteva's show, "Passages", features drawings and mixed media work that stand as symbolic representations of our individual and societal states. In her intimate drawings, Peteva's figures or objects function as an allegorical vehicle to depict the coexistence of vulnerability and power, uncertainty and conviction, depravity and elevation in the individual or society.

Donalee Peden Wesley's show, "Linearis", explores the scope of human/animal relationship through large scale drawings that reflect the undercurrents of archetypal emotions, internal and external struggles, and their effects on us and the animals that share our environments. Due to the open-ended relationship nature of her imagery, Peden's work invites individual reflection based on the interpretation by each viewer.

Edifice
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Mexican-born, New York City-based artists Gabriela Alva C. and Natalia Porter present their collaborative project, Edifice. Curated by Pedro Cuperman, the show features Alva and Porter in response to the work of Boston artist Andrew Witkin's writings.

Having partnered in previous projects as curator/artist and as co-curators, Porter and Alva now team up as artists for the first time. For this exhibit, they employ a series of texts and diagrams by Boston-based Andrew Witkin to serve as a bridge, from written word to spatial arrangement, and from artist to writer to curator, warping the term collaboration to be more and more dynamic. Witkin's writings, which can be read as lists, are accumulations of thoughts that suggest a sense of order, but still remain abstract. They are organized in an undefined way and yet are quite concrete. They repeat, are rhythmic and include a sense of time and space. Both Porter and Alva respond to the juxtaposition of order and abstraction, as well as to the visual composition of Witkin's publications. Working collectively and individually, these artists push the means, methods and roles of an exhibition and its participants, seeking and constantly finding new points of contact.

Self Expressed: Works of Mary Fragapane
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Fragapane is best known for her enigmatic female figures that seek to capture the intangibles of joy, passion, and the beauty of the human spirit. Working in an expressive style on un-gessoed canvas, she uses a layering process incorporating acrylic paints, chalk and oil pastels, pencil, and water.

Fragapane has exhibited extensively in Manhattan and throughout New York, Cleveland, California and internationally on the Island of Curacao. In addition to her solo shows, she has been commissioned for numerous Public Art projects.

In the Abstract
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

There will be an artist reception this evening 5:00-8:00 pm.

Szozda Gallery ushers in the fall with an engaging show featuring four noted artists who reveal meaning in their abstract works created through different pathways. "In The Abstract" is the kind of exhibition that compels interaction between artist and viewer to look beyond beauty of color and structure for a relationship to one's very existence in the world in which we live. Artists Roscha Folger, Linda Bigness, Lauren Bristol, and Kwangpyo (Steve) Koh offer insights into the realm of abstractionism in their works of mixed media, paintings, fiber art, and hand carved sculptures.

Photography on the Edge: Between Realism and Abstraction
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

The show features photographs by Central New York artists that address the relationship between realistic representation and abstract concepts. Participating artists include Willson Cummer, Bob Gates, Elisabeth Groat, Peter Mahan, Yolanda Tooley, Jeanann Wieners, Diana Whiting, and Jamie Young.

The co-curators, Jen Gandee and Syracuse-area photographer, Bob Gates, in selecting work for this show, were looking for images that are true to the perennial conflict in the history of photography between representational and non-representational images. The same conflicting impulses that have shaped other forms of art--realism, impressionism, expressionism, abstraction, surrealism--have had their adherents among photographers. The works in this exhibit show how some photographers in Central New York respond to or participate in that complex history.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

Colorfornia: New Forms in West Coast Street Art: Apex, Chor Boogie, and Jet Martinez
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

California-based street artists Apex, Chor Boogie, and Jet Martinez will create new temporary murals inside the Warehouse Gallery. The work is based on improvisation, collaboration, and the notion that how and what they paint is recognizably Californian in its focus on strong colors, patterns, forms, and nature.

Their language consists of colorful abstract forms pertaining to optical illusions and movement, faces, evoking real and imaginary urban settings, and tropical imaginary landscapes. All three of them have significantly contributed to public art in San Francisco, San Diego, and other major cities within (Minneapolis; Washington, DC) and outside of the United States (Beijing, Dubai, Oaxaca, Sydney, Tokyo, Zurich) through their use of spray (Apex, Chor) and traditional paint (Jet Martinez) to achieve elaborate compositions with high attention to detail.

Read a Review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Inner Gravitas
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

Mixed media installation by Alexey Vs and Michael John.

The Machine/La Maquina: The Art of Favianna Rodriguez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The work of Favianna Rodriguez embodies an art and cultural practice that gives voices to disenfranchised people all over the world, transforming it into a tool for agitation, inspiration, and action. The exhibition, The Machine/La Maquina will feature some of Favianna's newest works. Favianna's composites reflect literal and imaginative migration, global community, and interdependence. Whether her subjects are immigrant youth in the USA, land workers fighting for their survival, or her own abstract self portraits, Rodriguez brings new audiences into the art world by refocusing the cultural lens.

Nathaniel Sullivan: On the Way to the Theatre, We Egged a Trans-am
Urban Video Project

Syracuse Stage
820 E. Genesee St., Syracuse

In this 1 minute-23 second video, Sullivan depicts the pressures brought to bear in teenage boys--most of which are pressures to be pleased, injunctions to enjoy. While at first glance this looks like an easy row to hoe, the work makes it clear that in fact there are consequences to taking one's pleasures liberally, without reserve. As Plato said, pleasure deranges as efficiently as pain.

Nathaniel Sullivan is an artist and writer. He received his MFA degree from the Transmedia Department at Syracuse University in Spring 2011. His practice is a balance of artwork, critical writing, and curating. His work has been shown in exhibitions and screenings in Syracuse, New York City, and widely across Canada. In 2006, he was awarded a Special Mention from the prestigious Montreal Film Festival.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Anais Mitchell
Folkus Project

May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Back by popular demand after a too-long Folkus absence. What separates Mitchell from other singer/songwriters with political leanings is that she delivers the message without compromising the song; everything fits together naturally and her thoughts are expressed in lyrical and subtle ways.

Poet Charles Martin
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Charles Martin is the author of six books of poems, including Starting from Sleep: New and Selected Poems (2002), which was nominated for the Pulitzer Prize and was a finalist for the Lenore Marshall Award, and Signs and Wonders (Johns Hopkins University Press, 2011). Metamorphoses (Norton, 2003), his acclaimed verse translation of the original work by Ovid, received the 2004 Harold Morton Landon Translation Award. Among other honors, he has received an Academy Award in Literature from the American Academy and Institute of Arts and Letters, a Bess Hokin Award from Poetry magazine, a Pushcart Prize, and fellowships from the Ingram Merrill Foundation and the National Endowment for the Arts.

From Cuba to 'Cuse
Community Folk Art Center
Featuring Jose Miguel Hernandez Hurtado

Price: $10
CFAC Black Box Theater
805 E. Genesee St., Syracuse

Jose Miguel Hernandez Hurtado will present his one-man autobiographical production From Cuba to 'Cuse. His story tells of immigration to the United States from Cuba and the culture clashes he encountered when he arrived.

Disenchanted: Bitches of the Kingdom
Rarely Done Productions
Dan Tursi, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

Happ'ly ever after can be a royal pain in the ass! A riotous new musical-comedy revue featuring the original storybook princesses comically kvetching about the exploitation they've suffered in the Disney movies and theme parks. Snow White and her angry band of warbling royal friends musically storm the castle in this hilariously clever take on the princesses!

Disenchanted! is the winner of the 2010 New Jersey Playwrights Contest.

Musical Director Michael Stephan. Music, lyrics, book by Dennis T. Giacino; additional lyrics by Fiely A. Matias.

This show is intended for mature audiences only.

Read a Review!

Red Light Series: Radio Star
Redhouse

Price: $20 regular, $15 members
Former Redhouse Theater
219 S. West St., Syracuse

Radio Star, written and performed by Tanya O'Debra with original music by Andrew Mauriello, is a 1940s radio detective spoof where audience can watch (but mainly listen) as Nick McKittrick, Private Dick, hilariously solves a murder in "The Case of the Long-Distance Lover." Miss O'Debra lends her voice to roughly 10 characters while her soundman stages silly sound effects. Radio Star was nominated for three New York Innovative Theatre Awards: Outstanding Full Length Script, Outstanding Actress in a Lead Role, and Outstanding Original Music.

Most recently Radio Star was a huge hit at the Montreal Fringe Festival where it was nominated for Best English Language Production and Just For Laugh's Best Comedy. O'Debra's play opened at The Glasslands Gallery before running at the Edinburgh Festival Fringe in 2009. Radio Star was recently awarded Best of the San Francisco Fringe Festival.

Tanya O'Debra, formerly of the comic sister duo the O'Debra Twins, has been a mainstay of the New York underground theatre/comedy scene since the dawn of time. As a twin and otherwise, she's written numerous comedy sketches and short films, and performed at venues such as Joe's Pub, Ars Nova, The Cutting Room, Comix, CSV, PS 122, and The Ohio Theatre.

The show is appropriate for ages 18 and up.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

Read a Review!

The Cradle Will Rock
Syracuse University Drama Department
Rodney Hudson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Here's how Marc Blitzstein described his 1937 musical: "a labor opera composed in a style that falls somewhere between realism, romance, vaudeville, comic strip, Gilbert & Sullivan, Brecht, and agitprop." In other words, it has great laughs, terrific songs and plenty of bite. Unabashedly unionist in outlook, The Cradle Will Rock was the first American musical told from the point of view of the working class. Set in Steeltown, U.S.A., the play pits the union organizing efforts of Larry Foreman against the manipulations and machinations of town boss Mr. Mister. With a cast of characters that could be found on any number of TV "news" programs, Cradle's relevance to modern day America is both amazing and disturbing.

Read a Review!

Broadway Rocks
Twist Cabaret Theatre

Price: $20
Twist Ultra Lounge
252 W. Genesee St., Syracuse

Created by Josh Smith and Shawn Forster, featuring selections from recent Broadway hits, performed by local favorites. For reservations, phone 315-479-7469.

Saturday, October 8, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Inner Gravitas
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

Mixed media installation by Alexey Vs and Michael John.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Works of Elena Peteva and Donalee Peden Wesley
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Elena Peteva's show, "Passages", features drawings and mixed media work that stand as symbolic representations of our individual and societal states. In her intimate drawings, Peteva's figures or objects function as an allegorical vehicle to depict the coexistence of vulnerability and power, uncertainty and conviction, depravity and elevation in the individual or society.

Donalee Peden Wesley's show, "Linearis", explores the scope of human/animal relationship through large scale drawings that reflect the undercurrents of archetypal emotions, internal and external struggles, and their effects on us and the animals that share our environments. Due to the open-ended relationship nature of her imagery, Peden's work invites individual reflection based on the interpretation by each viewer.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

In the Abstract
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Szozda Gallery ushers in the fall with an engaging show featuring four noted artists who reveal meaning in their abstract works created through different pathways. "In The Abstract" is the kind of exhibition that compels interaction between artist and viewer to look beyond beauty of color and structure for a relationship to one's very existence in the world in which we live. Artists Roscha Folger, Linda Bigness, Lauren Bristol, and Kwangpyo (Steve) Koh offer insights into the realm of abstractionism in their works of mixed media, paintings, fiber art, and hand carved sculptures.

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

Photography on the Edge: Between Realism and Abstraction
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

The show features photographs by Central New York artists that address the relationship between realistic representation and abstract concepts. Participating artists include Willson Cummer, Bob Gates, Elisabeth Groat, Peter Mahan, Yolanda Tooley, Jeanann Wieners, Diana Whiting, and Jamie Young.

The co-curators, Jen Gandee and Syracuse-area photographer, Bob Gates, in selecting work for this show, were looking for images that are true to the perennial conflict in the history of photography between representational and non-representational images. The same conflicting impulses that have shaped other forms of art--realism, impressionism, expressionism, abstraction, surrealism--have had their adherents among photographers. The works in this exhibit show how some photographers in Central New York respond to or participate in that complex history.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

The Machine/La Maquina: The Art of Favianna Rodriguez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The work of Favianna Rodriguez embodies an art and cultural practice that gives voices to disenfranchised people all over the world, transforming it into a tool for agitation, inspiration, and action. The exhibition, The Machine/La Maquina will feature some of Favianna's newest works. Favianna's composites reflect literal and imaginative migration, global community, and interdependence. Whether her subjects are immigrant youth in the USA, land workers fighting for their survival, or her own abstract self portraits, Rodriguez brings new audiences into the art world by refocusing the cultural lens.

Colorfornia: New Forms in West Coast Street Art: Apex, Chor Boogie, and Jet Martinez
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

California-based street artists Apex, Chor Boogie, and Jet Martinez will create new temporary murals inside the Warehouse Gallery. The work is based on improvisation, collaboration, and the notion that how and what they paint is recognizably Californian in its focus on strong colors, patterns, forms, and nature.

Their language consists of colorful abstract forms pertaining to optical illusions and movement, faces, evoking real and imaginary urban settings, and tropical imaginary landscapes. All three of them have significantly contributed to public art in San Francisco, San Diego, and other major cities within (Minneapolis; Washington, DC) and outside of the United States (Beijing, Dubai, Oaxaca, Sydney, Tokyo, Zurich) through their use of spray (Apex, Chor) and traditional paint (Jet Martinez) to achieve elaborate compositions with high attention to detail.

Read a Review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Nathaniel Sullivan: On the Way to the Theatre, We Egged a Trans-am
Urban Video Project

Syracuse Stage
820 E. Genesee St., Syracuse

In this 1 minute-23 second video, Sullivan depicts the pressures brought to bear in teenage boys--most of which are pressures to be pleased, injunctions to enjoy. While at first glance this looks like an easy row to hoe, the work makes it clear that in fact there are consequences to taking one's pleasures liberally, without reserve. As Plato said, pleasure deranges as efficiently as pain.

Nathaniel Sullivan is an artist and writer. He received his MFA degree from the Transmedia Department at Syracuse University in Spring 2011. His practice is a balance of artwork, critical writing, and curating. His work has been shown in exhibitions and screenings in Syracuse, New York City, and widely across Canada. In 2006, he was awarded a Special Mention from the prestigious Montreal Film Festival.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

There will be an artist reception this evening 7:00-9:00 pm.

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Hitch Fest: Rear Window
ArtRage Gallery

Price: $5 suggested donation
ArtRage Gallery
505 Hawley Ave., Syracuse

In tribute to the Master of Suspense, ArtRage is screening Alfred Hitchcock films every Saturday night in October.

Rear Window (1954), starring James Stewart. Grace Kelly, and Thelma Ritter
Laid up with a broken leg, a photographer takes to spying on his backyard neighbors -- with shocking results.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Mini Musical Festival
Steeple Coffeehouse

Price: $10 includes dessert and beverage
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Popular, folk, and acoustic music, featuring songwriters John Cadley, Michael Gordon, Rick Pallatto, Mark Zane.

Jeffrey Pepper Rodgers Trio with Josh Dekaney & Wendy Ramsay
Kellish Hill Farm

Price: $10
Kellish Hill Farm
3192 Pompey Center Rd., Pompey

Jeffrey Pepper Rodgers has been pursuing his twin passions for words and music since he was a teenager. After a stint as a freelance editor and writer for San Francisco Chronicle, Psychology Today, and other publications, he became the founding editor of Acoustic Guitar magazine in 1990. Come hear the magic that these three fine musicians can make.

Tenor Madness: Hanna Richardson & Phil Flanagan
Westcott Community Center

Price: $15 regular, $12 WCC members, $10 students
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Internationally renowned jazz musicians Hanna Richardson (tenor guitar and vocals) and Phil Flanagan (upright bass) Are joined by Ithaca's Brian Earle on clarinet for an evening of swinging jazz.

Tom Knight Puppets: Library Boogie
Open Hand Theater

Price: $8 adults, $6 children
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

The Princess and the Pea
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive retelling of the children's classic story.

The Cradle Will Rock
Syracuse University Drama Department
Rodney Hudson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Here's how Marc Blitzstein described his 1937 musical: "a labor opera composed in a style that falls somewhere between realism, romance, vaudeville, comic strip, Gilbert & Sullivan, Brecht, and agitprop." In other words, it has great laughs, terrific songs and plenty of bite. Unabashedly unionist in outlook, The Cradle Will Rock was the first American musical told from the point of view of the working class. Set in Steeltown, U.S.A., the play pits the union organizing efforts of Larry Foreman against the manipulations and machinations of town boss Mr. Mister. With a cast of characters that could be found on any number of TV "news" programs, Cradle's relevance to modern day America is both amazing and disturbing.

Read a Review!

From Cuba to 'Cuse
Community Folk Art Center
Featuring Jose Miguel Hernandez Hurtado

Price: $10
CFAC Black Box Theater
805 E. Genesee St., Syracuse

Jose Miguel Hernandez Hurtado will present his one-man autobiographical production From Cuba to 'Cuse. His story tells of immigration to the United States from Cuba and the culture clashes he encountered when he arrived.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

Read a Review!

Disenchanted: Bitches of the Kingdom
Rarely Done Productions
Dan Tursi, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

Happ'ly ever after can be a royal pain in the ass! A riotous new musical-comedy revue featuring the original storybook princesses comically kvetching about the exploitation they've suffered in the Disney movies and theme parks. Snow White and her angry band of warbling royal friends musically storm the castle in this hilariously clever take on the princesses!

Disenchanted! is the winner of the 2010 New Jersey Playwrights Contest.

Musical Director Michael Stephan. Music, lyrics, book by Dennis T. Giacino; additional lyrics by Fiely A. Matias.

This show is intended for mature audiences only.

Read a Review!

Red Light Series: Radio Star
Redhouse

Price: $20 regular, $15 members
Former Redhouse Theater
219 S. West St., Syracuse

Radio Star, written and performed by Tanya O'Debra with original music by Andrew Mauriello, is a 1940s radio detective spoof where audience can watch (but mainly listen) as Nick McKittrick, Private Dick, hilariously solves a murder in "The Case of the Long-Distance Lover." Miss O'Debra lends her voice to roughly 10 characters while her soundman stages silly sound effects. Radio Star was nominated for three New York Innovative Theatre Awards: Outstanding Full Length Script, Outstanding Actress in a Lead Role, and Outstanding Original Music.

Most recently Radio Star was a huge hit at the Montreal Fringe Festival where it was nominated for Best English Language Production and Just For Laugh's Best Comedy. O'Debra's play opened at The Glasslands Gallery before running at the Edinburgh Festival Fringe in 2009. Radio Star was recently awarded Best of the San Francisco Fringe Festival.

Tanya O'Debra, formerly of the comic sister duo the O'Debra Twins, has been a mainstay of the New York underground theatre/comedy scene since the dawn of time. As a twin and otherwise, she's written numerous comedy sketches and short films, and performed at venues such as Joe's Pub, Ars Nova, The Cutting Room, Comix, CSV, PS 122, and The Ohio Theatre.

The show is appropriate for ages 18 and up.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

Read a Review!

The Cradle Will Rock
Syracuse University Drama Department
Rodney Hudson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Here's how Marc Blitzstein described his 1937 musical: "a labor opera composed in a style that falls somewhere between realism, romance, vaudeville, comic strip, Gilbert & Sullivan, Brecht, and agitprop." In other words, it has great laughs, terrific songs and plenty of bite. Unabashedly unionist in outlook, The Cradle Will Rock was the first American musical told from the point of view of the working class. Set in Steeltown, U.S.A., the play pits the union organizing efforts of Larry Foreman against the manipulations and machinations of town boss Mr. Mister. With a cast of characters that could be found on any number of TV "news" programs, Cradle's relevance to modern day America is both amazing and disturbing.

Read a Review!

Broadway Rocks
Twist Cabaret Theatre

Price: $20
Twist Ultra Lounge
252 W. Genesee St., Syracuse

Created by Josh Smith and Shawn Forster, featuring selections from recent Broadway hits, performed by local favorites. For reservations, phone 315-479-7469.

Sunday, October 9, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

In the Abstract
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Szozda Gallery ushers in the fall with an engaging show featuring four noted artists who reveal meaning in their abstract works created through different pathways. "In The Abstract" is the kind of exhibition that compels interaction between artist and viewer to look beyond beauty of color and structure for a relationship to one's very existence in the world in which we live. Artists Roscha Folger, Linda Bigness, Lauren Bristol, and Kwangpyo (Steve) Koh offer insights into the realm of abstractionism in their works of mixed media, paintings, fiber art, and hand carved sculptures.

Photography on the Edge: Between Realism and Abstraction
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

The show features photographs by Central New York artists that address the relationship between realistic representation and abstract concepts. Participating artists include Willson Cummer, Bob Gates, Elisabeth Groat, Peter Mahan, Yolanda Tooley, Jeanann Wieners, Diana Whiting, and Jamie Young.

The co-curators, Jen Gandee and Syracuse-area photographer, Bob Gates, in selecting work for this show, were looking for images that are true to the perennial conflict in the history of photography between representational and non-representational images. The same conflicting impulses that have shaped other forms of art--realism, impressionism, expressionism, abstraction, surrealism--have had their adherents among photographers. The works in this exhibit show how some photographers in Central New York respond to or participate in that complex history.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Nathaniel Sullivan: On the Way to the Theatre, We Egged a Trans-am
Urban Video Project

Syracuse Stage
820 E. Genesee St., Syracuse

In this 1 minute-23 second video, Sullivan depicts the pressures brought to bear in teenage boys--most of which are pressures to be pleased, injunctions to enjoy. While at first glance this looks like an easy row to hoe, the work makes it clear that in fact there are consequences to taking one's pleasures liberally, without reserve. As Plato said, pleasure deranges as efficiently as pain.

Nathaniel Sullivan is an artist and writer. He received his MFA degree from the Transmedia Department at Syracuse University in Spring 2011. His practice is a balance of artwork, critical writing, and curating. His work has been shown in exhibitions and screenings in Syracuse, New York City, and widely across Canada. In 2006, he was awarded a Special Mention from the prestigious Montreal Film Festival.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

October Concert with Elmar Oliveira, violin
Syracuse Orchestra (formerly Symphoria)
Stewart Robertson, conductor

Price: $15-$50 regular, $10 with student ID, 10% discount for seniors
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Dmitri Shostakovich Festive Overture
Camille Saint-Saëns Violin Concerto No. 3
Beethoven Symphony No. 7

Elmar Oliveira, considered one of the outstanding interpreters of our time, maintains a vigorous international concert and recording career, performing diverse repertoire in recital and with the world's leading orchestras. Scottish conductor Stewart Robertson is best known to Central New Yorkers as the former Music Director of Glimmerglass Opera in Cooperstown where he has been named Music Director Emeritus. He recently completed a 13-year tenure as music director of the Florida Grand Opera.

Credo
Schola Cantorum of Syracuse
Barry Torres, conductor

Price: $15 regular, $10 students/seniors
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Credo: Stirring statements of faith in prose and poetry matched by music both eloquent and powerful. Words of Petrarch, Machaut, and Savonarola set to music by Palestrina, de Rore, DuFay (Vergine bella), Clemens non papa, Machaut (Le lay de la fonteinne) and Byrd (Infelix ego)

New Play Reading: Melagrana
Armory Square Playwrights

Price: $7 regular, $5 students/seniors
Jazz Central
441 E. Washington St., Syracuse

A staged reading of a new play, Melagrana, by Len Fonte.

When American college student Margie Cameron arrives at an archeological dig in Sicily, she revels in the freedom that suburban America can’t provide, but soon learns that she’s also unleashed a passion she can’t control. Inspired by the murder case that riveted the world, Melagrana  exposes a tangled web of  lies and love in the shadow of Mt. Etna.
 
Playwright Len Fonte has written "Werewolf," produced by Rarely Done Productions, and "Wasted Bread," produced by Armory Square Playhouse. Len co-wrote Hip/Shake for Syracuse Stage Backstory, and “Alchemist of Light," at the NY Fringe Festival. Len directed the Armory Square Playhouse production of Jeff Kramer's "Lowdown Lies," and will direct Kramer's new Play "Reaching For Marsby," for its March premiere. Currently, Len is an adjunct instructor at the Syracuse University Drama Department. 

A talkback with the author will follow the play.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

Read a Review!

Broadway Rocks
Twist Cabaret Theatre

Price: $20
Twist Ultra Lounge
252 W. Genesee St., Syracuse

Created by Josh Smith and Shawn Forster, featuring selections from recent Broadway hits, performed by local favorites. For reservations, phone 315-479-7469.

Monday, October 10, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

Furnished: Syracuse Architecture Faculty Exhibition
Syracuse University School of Architecture

Price: Free
Slocum Hall Gallery
Syracuse University campus, Syracuse

An exhibition of furniture and objects designed by Ramona Albert, Sarosh Anklesaria and Lior Galili, Larry Bowne, Sekou Cooke, Jonathan Lott, Ryan Ludwig, Michael Pelken, Brett Snyder, Timothy Stenson, Robert Svetz, Vasilena Vassilev

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Edifice
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Mexican-born, New York City-based artists Gabriela Alva C. and Natalia Porter present their collaborative project, Edifice. Curated by Pedro Cuperman, the show features Alva and Porter in response to the work of Boston artist Andrew Witkin's writings.

Having partnered in previous projects as curator/artist and as co-curators, Porter and Alva now team up as artists for the first time. For this exhibit, they employ a series of texts and diagrams by Boston-based Andrew Witkin to serve as a bridge, from written word to spatial arrangement, and from artist to writer to curator, warping the term collaboration to be more and more dynamic. Witkin's writings, which can be read as lists, are accumulations of thoughts that suggest a sense of order, but still remain abstract. They are organized in an undefined way and yet are quite concrete. They repeat, are rhythmic and include a sense of time and space. Both Porter and Alva respond to the juxtaposition of order and abstraction, as well as to the visual composition of Witkin's publications. Working collectively and individually, these artists push the means, methods and roles of an exhibition and its participants, seeking and constantly finding new points of contact.

Self Expressed: Works of Mary Fragapane
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Fragapane is best known for her enigmatic female figures that seek to capture the intangibles of joy, passion, and the beauty of the human spirit. Working in an expressive style on un-gessoed canvas, she uses a layering process incorporating acrylic paints, chalk and oil pastels, pencil, and water.

Fragapane has exhibited extensively in Manhattan and throughout New York, Cleveland, California and internationally on the Island of Curacao. In addition to her solo shows, she has been commissioned for numerous Public Art projects.

"What If...?" Film Series: Concrete, Steel and Paint
Gifford Foundation

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Concrete, Steel and Paint is a film about crime, restoration and healing. When men in a prison art class agree to collaborate with victims of crime to design a mural about healing, their views on punishment, remorse, and forgiveness collide. At times, the divide seems too wide to bridge. But as the participants begin to work together, mistrust gives way to genuine moments of human contact and shared purpose. Their struggle to find creative common ground raises challenging questions about punishment, justice and reconciliation. This award-winning documentary dramatically illustrates the value of restorative justice and how art can facilitate dialogue about difficult issues.

Robert Koehler writes in the Huffington Post that Concrete, Steel and Paint is "an extraordinary documentary...[that] takes us on a journey of transformation -- and it goes the long way, the honest way, through the shoals of anger and mistrust that separate social opposites."

Concrete, Steel and Paint is being presented in partnership with the Center for Community Alternatives, whose mission is to promote reintegrative justice and a reduced reliance on incarceration through advocacy, services and public policy development in pursuit of civil and human rights.

This Gun for Hire (1942)
Syracuse Cinephile Society

Price: $3.50 non-members, $3 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Directed by Frank Tuttle. Cast includes Alan Ladd, Veronica Lake, Robert Preston, Laird Cregar, Tully Marshall, Marc Lawrence, Frank Ferguson.
Memorable film-noir classic which catapulted Alan Ladd and Veronica Lake to stardom. Clever story concerns Lake, the girlfriend of detective Preston, who gets involved with a professional killer (Ladd) who is double-crossed by his employer (the always enjoyable Laird Cregar). Look fast for a young Yvonne DeCarlo as a nightclub dancer. Based on Graham Green’s novel "A Gun For Sale."

Tuesday, October 11, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

Furnished: Syracuse Architecture Faculty Exhibition
Syracuse University School of Architecture

Price: Free
Slocum Hall Gallery
Syracuse University campus, Syracuse

An exhibition of furniture and objects designed by Ramona Albert, Sarosh Anklesaria and Lior Galili, Larry Bowne, Sekou Cooke, Jonathan Lott, Ryan Ludwig, Michael Pelken, Brett Snyder, Timothy Stenson, Robert Svetz, Vasilena Vassilev

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Works of Elena Peteva and Donalee Peden Wesley
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Elena Peteva's show, "Passages", features drawings and mixed media work that stand as symbolic representations of our individual and societal states. In her intimate drawings, Peteva's figures or objects function as an allegorical vehicle to depict the coexistence of vulnerability and power, uncertainty and conviction, depravity and elevation in the individual or society.

Donalee Peden Wesley's show, "Linearis", explores the scope of human/animal relationship through large scale drawings that reflect the undercurrents of archetypal emotions, internal and external struggles, and their effects on us and the animals that share our environments. Due to the open-ended relationship nature of her imagery, Peden's work invites individual reflection based on the interpretation by each viewer.

Edifice
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Mexican-born, New York City-based artists Gabriela Alva C. and Natalia Porter present their collaborative project, Edifice. Curated by Pedro Cuperman, the show features Alva and Porter in response to the work of Boston artist Andrew Witkin's writings.

Having partnered in previous projects as curator/artist and as co-curators, Porter and Alva now team up as artists for the first time. For this exhibit, they employ a series of texts and diagrams by Boston-based Andrew Witkin to serve as a bridge, from written word to spatial arrangement, and from artist to writer to curator, warping the term collaboration to be more and more dynamic. Witkin's writings, which can be read as lists, are accumulations of thoughts that suggest a sense of order, but still remain abstract. They are organized in an undefined way and yet are quite concrete. They repeat, are rhythmic and include a sense of time and space. Both Porter and Alva respond to the juxtaposition of order and abstraction, as well as to the visual composition of Witkin's publications. Working collectively and individually, these artists push the means, methods and roles of an exhibition and its participants, seeking and constantly finding new points of contact.

Self Expressed: Works of Mary Fragapane
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Fragapane is best known for her enigmatic female figures that seek to capture the intangibles of joy, passion, and the beauty of the human spirit. Working in an expressive style on un-gessoed canvas, she uses a layering process incorporating acrylic paints, chalk and oil pastels, pencil, and water.

Fragapane has exhibited extensively in Manhattan and throughout New York, Cleveland, California and internationally on the Island of Curacao. In addition to her solo shows, she has been commissioned for numerous Public Art projects.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Colorfornia: New Forms in West Coast Street Art: Apex, Chor Boogie, and Jet Martinez
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

California-based street artists Apex, Chor Boogie, and Jet Martinez will create new temporary murals inside the Warehouse Gallery. The work is based on improvisation, collaboration, and the notion that how and what they paint is recognizably Californian in its focus on strong colors, patterns, forms, and nature.

Their language consists of colorful abstract forms pertaining to optical illusions and movement, faces, evoking real and imaginary urban settings, and tropical imaginary landscapes. All three of them have significantly contributed to public art in San Francisco, San Diego, and other major cities within (Minneapolis; Washington, DC) and outside of the United States (Beijing, Dubai, Oaxaca, Sydney, Tokyo, Zurich) through their use of spray (Apex, Chor) and traditional paint (Jet Martinez) to achieve elaborate compositions with high attention to detail.

Read a Review!

Unsung Heroes Documentary Series: Pressure Cooker
Redhouse

Price: $8 regular, $5 members
Former Redhouse Theater
219 S. West St., Syracuse

Unorthodox Culinary Arts teacher Mrs. Stephenson is a tyrant known throughout her Philly public high school for her hoarse rebukes of her students' creations. She may be disarmingly blunt, but three seniors at Philadelphia's Frankford High School find her an unlikely champion in the kitchen. A legend in the school system, Mrs. Stephenson's hilariously blunt boot-camp method of teaching Culinary Arts is validated by years of scholarship success. Against the backdrop of the row homes of working-class Philadelphia, she has helped countless students reach the top culinary schools in the country. And under her fierce direction, the usual distractions of high school are swept aside as Erica, Dudley and Fatoumata prepare to achieve beyond what anyone else expects from them.

Village Voice describes the film as "A reminder of what the right teacher can mean to a kid looking for a way out." Pressure Cooker has received awards from numerous film festivals including Los Angeles Film Festival, Aspen Film Festival, Philadelphia Film Festival and Portland International Film Festival.

An Evening with David Sedaris
University Lectures

Price: Free
Goldstein Auditorium, Schine Student Center
Syracuse University, Syracuse

David Sedaris is one of America's preeminent humor writers. The great skill with which he slices through cultural euphemisms and political correctness proves that Sedaris is a master of satire and one of the most observant writers addressing the human condition today.

Free tickets available at Schine Box Office, limit 2 per person. Ticket holders MUST be in seat by 5:30; tickets will be invalid after 5:30 and doors will be open for general seating, no ticket required.

Jonathan Franzen
Friends of the Central Library Author Series

Price: $25
Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Jonathan Franzen is the author of a bestselling collection of essays, How to Be Alone, and the memoir The Discomfort Zone. He is well-known for his books The Corrections and, most recently, Freedom. His short stories and his essays, including political journalism, have most recently appeared in The New Yorker, The Best American Essays, The New York Times, and The Guardian. In 2009, The Corrections was named as one of the "100 Best Books of the Decade" by The Times (London). In August 2010, Franzen was featured on the cover of TIME Magazine -- only the second time a living writer has been on the cover of this national magazine.

SU Symphony Orchestra
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Wednesday, October 12, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Works of Elena Peteva and Donalee Peden Wesley
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Elena Peteva's show, "Passages", features drawings and mixed media work that stand as symbolic representations of our individual and societal states. In her intimate drawings, Peteva's figures or objects function as an allegorical vehicle to depict the coexistence of vulnerability and power, uncertainty and conviction, depravity and elevation in the individual or society.

Donalee Peden Wesley's show, "Linearis", explores the scope of human/animal relationship through large scale drawings that reflect the undercurrents of archetypal emotions, internal and external struggles, and their effects on us and the animals that share our environments. Due to the open-ended relationship nature of her imagery, Peden's work invites individual reflection based on the interpretation by each viewer.

Edifice
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Mexican-born, New York City-based artists Gabriela Alva C. and Natalia Porter present their collaborative project, Edifice. Curated by Pedro Cuperman, the show features Alva and Porter in response to the work of Boston artist Andrew Witkin's writings.

Having partnered in previous projects as curator/artist and as co-curators, Porter and Alva now team up as artists for the first time. For this exhibit, they employ a series of texts and diagrams by Boston-based Andrew Witkin to serve as a bridge, from written word to spatial arrangement, and from artist to writer to curator, warping the term collaboration to be more and more dynamic. Witkin's writings, which can be read as lists, are accumulations of thoughts that suggest a sense of order, but still remain abstract. They are organized in an undefined way and yet are quite concrete. They repeat, are rhythmic and include a sense of time and space. Both Porter and Alva respond to the juxtaposition of order and abstraction, as well as to the visual composition of Witkin's publications. Working collectively and individually, these artists push the means, methods and roles of an exhibition and its participants, seeking and constantly finding new points of contact.

Self Expressed: Works of Mary Fragapane
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Fragapane is best known for her enigmatic female figures that seek to capture the intangibles of joy, passion, and the beauty of the human spirit. Working in an expressive style on un-gessoed canvas, she uses a layering process incorporating acrylic paints, chalk and oil pastels, pencil, and water.

Fragapane has exhibited extensively in Manhattan and throughout New York, Cleveland, California and internationally on the Island of Curacao. In addition to her solo shows, she has been commissioned for numerous Public Art projects.

In the Abstract
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Szozda Gallery ushers in the fall with an engaging show featuring four noted artists who reveal meaning in their abstract works created through different pathways. "In The Abstract" is the kind of exhibition that compels interaction between artist and viewer to look beyond beauty of color and structure for a relationship to one's very existence in the world in which we live. Artists Roscha Folger, Linda Bigness, Lauren Bristol, and Kwangpyo (Steve) Koh offer insights into the realm of abstractionism in their works of mixed media, paintings, fiber art, and hand carved sculptures.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

Colorfornia: New Forms in West Coast Street Art: Apex, Chor Boogie, and Jet Martinez
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

California-based street artists Apex, Chor Boogie, and Jet Martinez will create new temporary murals inside the Warehouse Gallery. The work is based on improvisation, collaboration, and the notion that how and what they paint is recognizably Californian in its focus on strong colors, patterns, forms, and nature.

Their language consists of colorful abstract forms pertaining to optical illusions and movement, faces, evoking real and imaginary urban settings, and tropical imaginary landscapes. All three of them have significantly contributed to public art in San Francisco, San Diego, and other major cities within (Minneapolis; Washington, DC) and outside of the United States (Beijing, Dubai, Oaxaca, Sydney, Tokyo, Zurich) through their use of spray (Apex, Chor) and traditional paint (Jet Martinez) to achieve elaborate compositions with high attention to detail.

Read a Review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

The Machine/La Maquina: The Art of Favianna Rodriguez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The work of Favianna Rodriguez embodies an art and cultural practice that gives voices to disenfranchised people all over the world, transforming it into a tool for agitation, inspiration, and action. The exhibition, The Machine/La Maquina will feature some of Favianna's newest works. Favianna's composites reflect literal and imaginative migration, global community, and interdependence. Whether her subjects are immigrant youth in the USA, land workers fighting for their survival, or her own abstract self portraits, Rodriguez brings new audiences into the art world by refocusing the cultural lens.

Special Program: Dolphin Boy
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Palace Theater
2384 James St., Syracuse

Dolphin Boy by Dani Menkin (Israel, fiction, 78 minutes)
They are standing in line to see this film in Israeli theaters. Nominated for an Ophir (Israeli Academy Award), this compelling, inspiring story is about Morad, a teenager from an Arab village, who experiences a violent attack from which he suffers Post Traumatic Syndrome. As a last resort before committing him, his father sends him to Eilat to be treated by dolphins.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Sarah Teresa Bennett, clarinet; Aliona Ghalchi, piano
Civic Morning Musicals

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Two versatile young musicians perform Saint-Saens, Tchaikovsky, selections from the Great American Songbook, and Benny Goodman.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

Read a Review!

Thursday, October 13, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Works of Elena Peteva and Donalee Peden Wesley
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Elena Peteva's show, "Passages", features drawings and mixed media work that stand as symbolic representations of our individual and societal states. In her intimate drawings, Peteva's figures or objects function as an allegorical vehicle to depict the coexistence of vulnerability and power, uncertainty and conviction, depravity and elevation in the individual or society.

Donalee Peden Wesley's show, "Linearis", explores the scope of human/animal relationship through large scale drawings that reflect the undercurrents of archetypal emotions, internal and external struggles, and their effects on us and the animals that share our environments. Due to the open-ended relationship nature of her imagery, Peden's work invites individual reflection based on the interpretation by each viewer.

Edifice
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

Mexican-born, New York City-based artists Gabriela Alva C. and Natalia Porter present their collaborative project, Edifice. Curated by Pedro Cuperman, the show features Alva and Porter in response to the work of Boston artist Andrew Witkin's writings.

Having partnered in previous projects as curator/artist and as co-curators, Porter and Alva now team up as artists for the first time. For this exhibit, they employ a series of texts and diagrams by Boston-based Andrew Witkin to serve as a bridge, from written word to spatial arrangement, and from artist to writer to curator, warping the term collaboration to be more and more dynamic. Witkin's writings, which can be read as lists, are accumulations of thoughts that suggest a sense of order, but still remain abstract. They are organized in an undefined way and yet are quite concrete. They repeat, are rhythmic and include a sense of time and space. Both Porter and Alva respond to the juxtaposition of order and abstraction, as well as to the visual composition of Witkin's publications. Working collectively and individually, these artists push the means, methods and roles of an exhibition and its participants, seeking and constantly finding new points of contact.

Self Expressed: Works of Mary Fragapane
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

Fragapane is best known for her enigmatic female figures that seek to capture the intangibles of joy, passion, and the beauty of the human spirit. Working in an expressive style on un-gessoed canvas, she uses a layering process incorporating acrylic paints, chalk and oil pastels, pencil, and water.

Fragapane has exhibited extensively in Manhattan and throughout New York, Cleveland, California and internationally on the Island of Curacao. In addition to her solo shows, she has been commissioned for numerous Public Art projects.

In the Abstract
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

Szozda Gallery ushers in the fall with an engaging show featuring four noted artists who reveal meaning in their abstract works created through different pathways. "In The Abstract" is the kind of exhibition that compels interaction between artist and viewer to look beyond beauty of color and structure for a relationship to one's very existence in the world in which we live. Artists Roscha Folger, Linda Bigness, Lauren Bristol, and Kwangpyo (Steve) Koh offer insights into the realm of abstractionism in their works of mixed media, paintings, fiber art, and hand carved sculptures.

Photography on the Edge: Between Realism and Abstraction
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

The show features photographs by Central New York artists that address the relationship between realistic representation and abstract concepts. Participating artists include Willson Cummer, Bob Gates, Elisabeth Groat, Peter Mahan, Yolanda Tooley, Jeanann Wieners, Diana Whiting, and Jamie Young.

The co-curators, Jen Gandee and Syracuse-area photographer, Bob Gates, in selecting work for this show, were looking for images that are true to the perennial conflict in the history of photography between representational and non-representational images. The same conflicting impulses that have shaped other forms of art--realism, impressionism, expressionism, abstraction, surrealism--have had their adherents among photographers. The works in this exhibit show how some photographers in Central New York respond to or participate in that complex history.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

Margie Hughto: A Fired Landscape
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Internationally renowned ceramic artist Margie Hughto presents her first site-specific museum installation entitled A Fired Landscape, a "clay painting" spanning 50 feet of gallery wall space. Inspired by the artist's spectacular backyard gardens and natural landscape just steps from her studio, The Fired Landscape installation consists of Setting Sun, a brilliantly colored ceramic wall relief displayed continuously on five angled walls. The visitor encounter is reminiscent of what one experiences when surrounded by the natural environment. Overall, Setting Sun is a ceramic abstraction, but Hughto establishes a connection to the landscape that inspired it by adding impressions of natural objects such as native ferns, marine life and fossils, into the wet clay and then coating the surfaces with brilliant color. The rich palette of burnt oranges and fiery reds evoke the sun’s glowing light and radiating warmth. Tiny pieces of glass embedded in the clay prior to firing add sparkle to the glossy green and blue glazes used to suggest the artist's lily pond.

From Here to There: Alec Soth's America
Everson Museum of Art

Price: $10 regular, $8 students/seniors/military, members and children under 5 free
Everson Museum of Art
401 Harrison St., Syracuse

"From Here to There: Alec Soth's America" provides a focused look at an extraordinary photographer whose compelling images of the American road and its unexpected turns form powerful narrative vignettes. The exhibition will be the artist's first major survey assembled in the United States, exploring over 15 years of his career, and including an extensive new body of work.

Since his inclusion in the 2004 Whitney and São Paulo biennials, Soth's reputation as one of the most interesting voices in contemporary photography has continued to grow. Though he has followed the itinerant path laid forth by photographers such as Robert Frank, William Eggleston, and Stephen Shore, Soth's is a distinct perspective, one in which the wandering, searching, and the process of telling is as resonant as the record of these remarkable encounters. When considered together, Soth's pictures probe the individualities of people, objects, and places he encounters; offer insight to broader sociologies, and in the process form a collective portrait of an unexpected America.

Featuring approximately 100 photographs made between 1994 and the present, "From Here to There" will include rarely-seen early black-and-white images as well as examples from Soth's best-known series "Sleeping by the Mississippi" and "Niagara." Interspersed throughout the exhibition will be a broad range of portraits made over the past 15 years. The exhibition will also include a new body of work the artist has been developing since 2006, exploring places of escape in America and individuals who seek to flee civilization for a life off the grid. To add insight into Soth's process, the exhibition additionally features a Library space, which includes a reading area for publications, a selection of maquettes for book and 'zine projects, short video works, and ephemera gathered on the road.

On My Own Time
Everson Museum of Art
CNY Arts

Everson Museum of Art
401 Harrison St., Syracuse

Since 1974, the Cultural Resources Council, in collaboration with the Everson, has presented On My Own Time. A celebration of artwork created by employees of local businesses on their own time, the exhibition is meant to promote creativity and artistic endeavors by those who are not full-time artists.

Colorfornia: New Forms in West Coast Street Art: Apex, Chor Boogie, and Jet Martinez
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

California-based street artists Apex, Chor Boogie, and Jet Martinez will create new temporary murals inside the Warehouse Gallery. The work is based on improvisation, collaboration, and the notion that how and what they paint is recognizably Californian in its focus on strong colors, patterns, forms, and nature.

Their language consists of colorful abstract forms pertaining to optical illusions and movement, faces, evoking real and imaginary urban settings, and tropical imaginary landscapes. All three of them have significantly contributed to public art in San Francisco, San Diego, and other major cities within (Minneapolis; Washington, DC) and outside of the United States (Beijing, Dubai, Oaxaca, Sydney, Tokyo, Zurich) through their use of spray (Apex, Chor) and traditional paint (Jet Martinez) to achieve elaborate compositions with high attention to detail.

Read a Review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

The Machine/La Maquina: The Art of Favianna Rodriguez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

The work of Favianna Rodriguez embodies an art and cultural practice that gives voices to disenfranchised people all over the world, transforming it into a tool for agitation, inspiration, and action. The exhibition, The Machine/La Maquina will feature some of Favianna's newest works. Favianna's composites reflect literal and imaginative migration, global community, and interdependence. Whether her subjects are immigrant youth in the USA, land workers fighting for their survival, or her own abstract self portraits, Rodriguez brings new audiences into the art world by refocusing the cultural lens.

Nathaniel Sullivan: On the Way to the Theatre, We Egged a Trans-am
Urban Video Project

Syracuse Stage
820 E. Genesee St., Syracuse

In this 1 minute-23 second video, Sullivan depicts the pressures brought to bear in teenage boys--most of which are pressures to be pleased, injunctions to enjoy. While at first glance this looks like an easy row to hoe, the work makes it clear that in fact there are consequences to taking one's pleasures liberally, without reserve. As Plato said, pleasure deranges as efficiently as pain.

Nathaniel Sullivan is an artist and writer. He received his MFA degree from the Transmedia Department at Syracuse University in Spring 2011. His practice is a balance of artwork, critical writing, and curating. His work has been shown in exhibitions and screenings in Syracuse, New York City, and widely across Canada. In 2006, he was awarded a Special Mention from the prestigious Montreal Film Festival.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

My Home; Saint John of Las Vegas
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Palace Theater
2384 James St., Syracuse

My Home by Four Directions Media (Oneida Indian Nation, animation, 20 minutes)

Saint John of Las Vegas by Hue Rhodes (USA, fiction, 85 minutes) (Special Program)
Steve Buscemi stars as a compulsive gambler who attempts to cure his addiction by moving from Las Vegas to Albuquerque and working at an auto insurance company, only to find old temptations cropping up once again when he's sent out to investigate a dubious car accident just outside of Sin City.

Spanish Short Films
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

El Orden De Las Cosas by Iñaki San Roman (Spain, fiction, 20 minutes)
A woman watches time pass and her family fall apart as she slowly drowns in her bathtub.

Esto Colmo by Juan Francisco Viruega (Spain, fiction, 14 minutes)
Adela has just settled in Madrid with her reclusive father, Claudio, a retired concert musician. Both teach piano to small children in a quiet, sparsely-furnished flat in the center of town.

Centripeta by Alex Mendez Giner (Venezuela, fiction, 7 minutes)
A couple drives through a rainstorm in the middle of the night and discovers what appears to be a crime scene, a man is dragging a body across the asphalt. Inventive and suspenseful.

Formol by Noelia Rodríguez Deza (Spain, documentary, 15 minutes)
In a deserted ghost village, past, present and future blend and the traces of hundreds of lives remain preserved in the pages of time.

El Paraiso De Lili by Melina Leon (Peru, fiction, 17 minutes)
In Peru, in the late 1980s a schoolgirl's early rebellion reveals how the personal sphere is also the political.

El Cortejo by Marina Seresesky (Spain, fiction, 14 minutes)
This is a sweet, wonderfully acted story about a gravedigger who falls in love with the mourning wife of a man that he buried.

Androides by María Pérez (Spain, fiction, 15 minutes)
Lonely and androgynous teen Simon spends his summer attempting to make alien contact, while a new and mysterious girl begins to steal his heart.

Ciao Cirella; Secret Garden; Family Instinct
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Jazz Central
441 E. Washington St., Syracuse

Ciao Cirella by Berthaud Christophe (Canada/France, documentary, 55 minutes)
Christopher begins a long journey in search of his family who live all across the globe in this poetic documentary.

Secret Garden by Lim Chul Min (Korea, experimental, 6 minutes)
One night, corporal Kim talks about myths in their unit to private first class Lim.

Family Instinct by Andris Gauja (Latvia, documentary, 58 minutes)
In a documentary that has all the drama of fiction young mother Zanda attempts to raise her children amidst extreme poverty, inhospitable climate, and an incestuous relationship with her imprisoned brother.

61 Years; Vortex
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Jazz Central
441 E. Washington St., Syracuse

61 Years by Holly Rodricks (USA, documentary, 25 minutes)
In this riveting work the marriage of two elderly Indian grandparents falls apart as the grandfather becomes unable to take care of himself.

Vortex by Csaba Szekeres (Hungary, documentary, 77 minutes)
This powerful and haunting social documentary shows the lives of Roma families in a small village in Hajdu-Bihar county, North-East Hungary, close to the Romania border. Unemployment is close to 100% and the isolation, poverty and discrimination against Roma create a situation in which families find it hard to live decent lives.

Park Mark; Self Referential Traverse: zeitgeist and engagement
Syracuse International Film Festival

Price: $7 regular; $5 students/seniors
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Park Mark by Baktash Abtin (Iran, documentary, 42 minutes)
Once a successful American citizen, husband, and father, Mark is now a homeless drug addict living on the streets of Tehran, sleeping in the park and stealing from donation boxes.

Self Referential Traverse: zeitgeist and engagement by Kim Sun (Korea, experimental/fiction/animation, 73 minutes)
This year's festival has many strange films, each vying for audience favorite among those looking for the next cult classic. But, none are more bizarre then this experimental narrative in which Korean police mascot Podori wants to meet his father but has no legs. He seeks to be reborn with the lower body of a combat policeman, but must fight off rats to do so.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Conversations at Setnor: Philip Rothman on Being a Professional Composer in the 21st Century
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Free parking is available in the Irving Garage; patrons should mention that they are attending the event.

Rothman is in Syracuse for the Oct. 14 premiere of his score for D.W. Griffith's 1920 silent film "Way Down East," which is being presented by the Society for New Music, Syracuse International Film Festival and Le Moyne College.

Rothman's compositions have been performed by the Utah Symphony, Indianapolis Symphony Orchestra, Buffalo Philharmonic Orchestra, North Carolina Symphony, Maryland Symphony, National Philharmonic of Lithuania, Juilliard Orchestra, New York Youth Symphony, United States Military Academy Band and numerous other ensembles. His music has been heard at major venues, including Carnegie Hall and Lincoln Center, and has been broadcast on more than 200 radio stations in America on "Performance Today," radio program "Indianapolis On-the-Air" and the McGraw-Hill Companies' Young Artists Showcase. His recent work includes orchestrations for such major feature films as "The Nanny Diaries," "Hollywoodland," "Too Big to Fail," "Taking Chance," "Teddy: In His Own Words," "You Don't Know Jack" and the PBS mini-series "Faces of America."

Rothman was a two-time participant in the Music Alive! program as composer-in-residence with the Eugene Symphony Orchestra and the Green Bay Symphony. His endeavors have earned him numerous honors, including four American Society of Composers, Authors and Publishers (ASCAP) Foundation Morton Gould Young Composer Awards, a Renée B. Fisher Foundation Award, the Brian M. Israel Prize, a fellowship from the League of American Orchestras, a Meet The Composer Fund grant, grants from the American Music Center and annual ASCAP Special Awards since 1998.

Morton B. Schiff Jazz Ensemble
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Fiddler on the Loose
Acme Mystery Company

Price: $32.50 (includes meal, show, tax and gratuities)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

The milkman, Skeevya, and his family have been forced to leave their beloved little village of Havavodka and have immigrated to America. The quaint Russian countryside has been replaced by the bright lights of New York City and the old world traditions have been replaced by the new world permissions. In fact, Skeevya now has a new job ... with the Russian Mafia. At last he is a rich man! But how long can it last? Remember: You're gonna get a little on you when you're playing in the borscht.

For reservations, phone 315-475-1807 or email syracuse@meatballs.com.

The Turn of the Screw
Syracuse Stage
Michael Barakiva, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A psychological thriller and ghost story, adapted by Jeffrey Hatcher from the story by Henry James.

Do you believe in ghosts? If you saw a ghost, would you trust your senses or run to the nearest psychiatric-Promptcare? Henry James caused quite a scandal when he published his psychological thriller The Turn of the Screw, a riveting story of a young governess and two small children set on a remote English estate. In this wildly entertaining stage adaptation, two actors bring all of James' eccentric characters and spine-tingling moments to life. What is lurking at the top of the stairs?

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Friday, October 14, 2011

Windows Project: Oscar Garces: Transcendence
The Warehouse Gallery

Price: Free
The Warehouse Gallery
350 W. Fayette St., Syracuse

Cuban-born, and Syracuse-based artist Oscar Garces' site-specific mural in the Window Projects space will offer a local echo to "Colorfornia: New Forms in West Coast Street Art". This is his first solo exhibition. Both exhibitions will be organized in conjunction with the Hispanic Heritage Month celebrations in Syracuse.

Life Blood: Women in Haudenosaunee Art
LeMoyne College

Price: Free
Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

There will be a free opening reception this afternoon 4:00-6:00 pm.

In recognition of November as Native American Heritage Month, the Wilson Art Gallery, along with the gender and women's studies program, will sponsor an exhibition of traditional and contemporary works of Haudenosaunee women artists, as well as works that honor women by other Haudenosaunee artists.

According to Tom Huff, curator and artist, "The exhibit features the contemporary mix medium works by local Haudenosaunee women who draw on traditional culture and beliefs. Tradition is the life blood of these contemporary works. These traditions extend from the oral history of the creation story that honors Mother Earth and acknowledges women's relationship with Grandmother Moon and Life Giving Sustenance, the Three Sisters. As a matrilineal society, women are held in high regard for their leadership roles within the community and family. Within the Haudenosaunee Nations, women carry the title of clan mothers who oversee ceremonies, give clan names and maintain the authority for choosing and removing chiefs within the nation’s traditional council government. Within the family, women are the center of support and the lifeline in everyday life and decision making that sustains the strength of the extended family. This exhibit honors and celebrates this continued role of women through artistic expressions, maintaining the life blood of the nations."

For more information, phone 315-445-4153.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Shane LaVancher and Clémentine Allain Photography Exhibit
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Shane LaVancher and Clementine Allain, respectively from New York and Paris are artists who consistently attempt to stretch the concepts of fashion and its aesthetics. Their images playfully nudge the lines between pop art, contemporary poetic vision, and hard-line fashion. The duo works from their intuition with the fickle fashion industry in mind. The element of presence within their images reflects their attention to contemporary fashion, but also the essence of the age we live in.

The most convenient lots for the Gallery and Storer Auditorium is Lots 2 directly behind Ferrante Hall.

Aphotic Ardor: Works by Kristie Hayes-Beaulieu
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

An exhibit of variety. Diversity. Progression. Connections. Past and present. Growth. Reclusion. Pain and suffering, as well as extreme bliss. Also view a sneak preview in one of our gallery rooms of Kristie's X-ray-inspired work that will be on display at the SUNY Health Science Center in December.

Whereas I Took the Butterfly: Works by Deloss McGraw
YMCA Arts Branch GallerY

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

This exhibit of literary "poster paintings" features Deloss McGraw's reflections/interpretations of such writers as Dickinson, Hemingway, Snodgrass and others, often using photographs of the authors, book covers, or other borrowed images.

Layers
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Lynette Blake: oil paintings on canvas
Carol Ackles: hand built and wheel thrown ceramics
Jan Navales: hand dyed, screen printed, stitched and beaded fabric wall hangings

African Diasporan Treasures: 40 Years of Community Folk Art Center
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

The exhibition will showcase pieces from CFAC's permanent collection. Featuring over 30 works by artists including Joel Gaines, Ellen Oppler, Jack White, Denise Cole and Kamiiron Pritchard, "African Diasporan Treasures" provides a rare opportunity for visitors to experience the rich artistic history of CFAC. In many cases, the pieces have not been displayed for decades. The show will also feature African art that was once part of the Smithsonian Museum's collection.

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

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