Sunday, April 6, 2008

Fine Art & Flowers 2008
Everson Museum of Art

Price: $7 regular; $5 students ages 6-18/seniors; free for children under 6
Everson Museum of Art
401 Harrison St., Syracuse

This annual event features floral arrangements inspired by art from the Everson's permanent collection.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Vision of Sound
Society for New Music

Price: $15 regular; $12 students/seniors, 18 and under free
Palace Theater
2384 James St., Syracuse

New music with dance, choreographed by the dance faculties at SUNY Brockport and the University at Buffalo.

Ping Jin Three Chinese Folksoongs, choreographer Melanie Aceto
Mark Olivieri String Trio, choreographer Anne Burnidge
Marc Mellits Tapas, choreographer Heather Roffe
Bernadette Speach My Fuchsia is small, like me, choreographer Leslie Wexler
Sam Pellman Dancing in the Dark, choreographer Ginny Skinner
Cort Lippe Music for Tap Dance and Computer, choreographer Bill Evans

Musicians include Alyssa Blount, violin; Amy Diefes, viola; Elinor Frey, cello; and Sar Shalom Strong, piano.

Film Series: The Court Jester
Everson Museum of Art

Price: $5
Everson Museum of Art
401 Harrison St., Syracuse

Watch as The Court Jester makes many surprising discoveries and stumbles through adventures along the way. Starring Danny Kaye, and directed by Norman Panama and Melvin Frank, this hilarious film was the most expensive comedy ever produced. (1956, 101 minutes)

SU Saxophone Ensemble
Arts Alive in Liverpool

Price: Free
Liverpool Public Library
310 Tulip St., Liverpool

Soprano, alto, tenor and baritone saxophones.

Searching for Light
Norma Tippett, soprano; Sandra Murphy, piano

Price: Free
Bellevue Heights United Methodist Church
2112 S. Geddes St., Syracuse

With cameo appearances by Annie Preston, trumpet and Doug Dowty, violin.

For more information, phone 315-469-3379.

Mozart Requiem
Syracuse Chorale
Warren Ottey, conductor
Featuring Nora Fleming, soprano; Jean Loftus, mezzo-soprano; Robert Allen, tenor; Jimi James, bass-baritone; and members of the Syracuse Symphony Orchestra

Price: $15 regular, $12 students/seniors, $8 children 15 and under. $3 discount for tickets purchased before March 21
Most Holy Rosary Church
111 Roberts Ave., Syracuse

Mozart's last and unfinished work will be performed with its recent completion by Harvard professor and internationally renowned Baroque specialist and concert pianist Robert Levin.

In the 1960s, Mozart's sketch for an Amen fugue was discovered, and since the 1970s, several musicologists who were dissatisfied with the Franz Sussmayr completion have attempted alternative completions of the Requiem. The completion that has gained the most credibility and respect among musicologists and conductors alike is the one by Robert Levin. His completion of the Requiem was premiered by Helmuth Rilling in August of 1991 at the European Music Festival in Stuttgart, Germany. It has since been performed worldwide and recorded numerous times. In his completion, Levin respects the performance history of the Requiem, but expands and emphasizes the spiritual and dramatic power of the Mozart fragment in a thrilling manner. It is our privilege and pleasure to perform, for its premiere in Central New York, the Robert Levin completion of Mozart's Requiem. You will not want to miss it!

Phone 315-437-1995 to order tickets.

Sway: Music of Miami!
Malmgren Concert Series
Seraphic Fire Chamber Choir

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

The concert celebrates Miami's musical roots. Under the direction of conductor and artistic director Patrick Dupré Quigley, the 16-member ensemble will perform a daring and eclectic program featuring early and contemporary choral music from Haiti, Colombia, Spain, Peru and the United States.

The program will feature the Northeast premieres of works of contemporary and early music from American, Caribbean and Latin American by composers Ingram Marshall (United States), Sydney Guillaume (Haiti) and Alvaro Bermudez (Colombia). Guillaume's Dominus Vobiscum interweaves Gregorian melodies with Creole texts and rhythms. Padre Nuestro, by Bermudez, re-envisions the pasillo (a traditional Colombian dance form) through a modern lens. The transcription of an acoustic version of Marshall's Hymnodic Delays was commissioned by Suzanne Hatcher, longtime member of Seraphic Fire and professor of vocal studies at William Jewel College in Kansas.

Free parking is available in the Quad 1 lot and adjacent lots.

Syracuse University Setnor School of Music
Kristin Bacchiocchi-Stewart, flute; Michael Zell, marimba and percussion

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

The program will feature works by Roshanne Etezady, Peter Klatzow, Gareth Farr, Toru Takemitsu, Dennis DeSantis and Astor Piazzolla.

Bacchiocchi-Stewart is pursuing her D.M.A. in flute performance at the Peabody Conservatory of Music, where she is also a flute faculty member and a chamber music coach. She is the flute professor at Frostburg State University, where she teaches woodwind methods classes and directs the flute ensemble. An active performer of contemporary music, she is also a dedicated chamber musician and a member of the group Tritonis. As an orchestral musician, she has played with the Albany Symphony Orchestra, Catskill Symphony Orchestra and the Albany Pro Musica. She has given concerts, lectures and master classes throughout the United States and has also performed in several groups throughout Europe and Japan.

Bacchiocchi-Stewart holds an A.A.S. from Onondaga Community College, a B.M. from Ithaca College and an M.M. from the University of Cincinnati College-Conservatory of Music. Her primary teachers have been Marina Piccinini, Bradley Garner, Wendy Mehne, Claudia Anderson and Selma Moore.

Zell serves as principal timpanist of the Annapolis Symphony Orchestra and is currently pursuing an M.M. at the Yale University School of Music. As a freelance percussionist, he is active throughout Maryland, having performed with the Maryland Symphony Orchestra and the Baltimore Sinfonietta. He has participated in summer festivals in Aspen, Colo., where he received the Charles Owen Memorial Scholarship, and Norfolk, Conn., as part of the Yale University School of Music Summer Program. He holds a B.Mus. from the Peabody Conservatory of Music.

Free parking is available in Irving Garage.

Little Shop of Horrors
Liverpool High School

Liverpool High School Auditorium
4338 Wetzel Rd., Liverpool

Safe Sex
Simply New Theatre

Jazz Central
441 E. Washington St., Syracuse

A comedy by Harvey Fierstein.

Read a Review!

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

Picasso at the Lapin Agile
Wit's End Players

Price: $20
Empire Theater
New York State Fairgrounds, Geddes

Famed comedian and former Saturday Night Live alum Steve Martin's Off-Broadway comedy finds Albert Einstein, Pablo Picasso and a time-traveling Elvis meeting in a Paris café (The Nimble Rabbit) in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with Cubism. Martin's brilliant script plays fast and loose with fact, fame and fortune as these three geniuses, and a zany cast of characters, muse on the century's achievements and prospects as well as other fanciful topics with infectious hilarity!

Read a Review!

Monday, April 7, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Gallery Exhibit: Carles Vives
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

An exhibit by Carles Vives, internationally renowned ceramic sculptor from Spain. Born in Barcelona, Spain in 1957, Carles Vives studied art at Massana School of Art in Barcelona. His art is on display in museums and galleries throughout Spain, Italy, Australia, Mongolia, Peru and the United States (Everson Museum of Syracuse and in Miami). In addition, Vives' art has been exhibited in Portugal, Taiwan, Korea and New Zealand.

Most recently Vives was selected to participate in the Sino-Spain Ceramic Art Residency Program in Fuping, China in June, to celebrate the addition of the new Ceramic Art Museum of Spain to the FuLe International Ceramic Art Museums of Fuping.

Onondaga art professor Andrew Schuster met Carles Vives several years ago while lecturing at a workshop in Spain. The two sculptors formed a professional relationship and have collaborated on many artistic endeavors. Professor Schuster was instrumental in securing this prominent artist's exhibit for Onondaga in what will be Vives' first visit to the United States.

Vives has worked for the last 25 years at a studio in Canovelles near Barcelona. In 2004, he received the honorary diploma of Master Craftsman by the Generalitat de Catalunya (Catalan Government Institution.)

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Paintings and Sculpture
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Artists exhibiting include Rachael Baldanza, Amber Balding, Alex Betancourt, Anna, Cinquemani, Sally Dutko, Bob Rose, Helena Cooper, Jeanne Dupre, Peg Hewitt, Nicholas Ruth, Sylvia Steen, Joan Stier, Karen Tashkovski, Leigh Yardley, Louise Woodard, and members of the North Syracuse Art Guild. Includes digital photography, mixed-media collages, art quilts, fiber compositions, and landscapes.

The Small Press and the Black Arts Movement
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Spanning the years between 1960 and 1975, the initial period of the Black Arts Movement is variously associated with the passage of the Civil Rights Act in 1964, the assassination of Malcolm X in 1965, and the subsequent rise of the Nation of Islam. Although the origin of the Black Arts Movement still generates debate among scholars, there is no doubt that it signaled the rise of a new cultural aesthetic marked by an extraordinary burst of creative energy in the literary, performing, and visual arts. Significantly, the Black Arts Movement opened the floodgates for a diversity of American voices, while offering an impressive model for the expression of minority points of view.

Because no exhibit on the Black Arts Movement would be complete without mention of one of its founding fathers, Amiri Baraka, we take this opportunity to draw attention to the printed resources that have been gathered to enhance the manuscript collection acquired by the library in the mid-1960s related to the Beat periodical Yugen, which Baraka edited from 1958 to 1962. More recently, we acquired a cache of material pertaining to Barakas arrest in 1967 in Newark, New Jersey, his defense by the writing community, and the subsequent dismissal of the charges against him.

Composed of artistic, cultural, political, and social dimensions, the Black Arts Movement was propelled by the simultaneous emergence of a number of small presses that promoted the work of black artists, dramatists, and poets. The exhibit focuses on two African American presses, the Broadside Press and the Third World Press, as well as a series of poetry pamphlets issued in London by the publisher Paul Breman. Together, these small independent presses brought to wider attention the work of Gwendolyn Brooks, Ed Bullins, Ben Caldwell, Sam Cornish, Ray Durem, Nikki Giovanni, David Henderson, Ted Jones, Etheridge Knight, Haki R. Madhubuti, Larry Neal, Sonia Sanchez, Lorenzo Thomas, Askia Touré, Marvin X, Al Young, and many others. The Black Power aesthetic of much of this literature is often reinforced by the cover art for these productions. This artwork documents the emergence of a distinctive, yet tremendously varied, graphic style.

Good for What Ails You!
Westcott Community Center

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Women healing from loss...from loss of loved ones, loss of health, loss of dreams, loss of youth. We heal ourselves. We heal others. We heal through stories, through reframing memories, through engagement in our art; we heal by redefining ourselves and rebirthing. It is a story of sadness and honesty and transformation. It is about connection and growth. Ultimately it is a story of triumph.

Paintings, mixed media, fibers, photography, ceramic sculpture, creative compuer art, and poetry by Maria Brown, Melissa DeStevens-Valensuela, Linda Esterly, Patrice Fitzsimmons, Cathy Gibbons, Vanessa Johnson, Amy Patricia Komar, Suzanne Masters, Georgia Popoff, and Elaine Quick.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

Show Business
Syracuse Cinephile Society

Price: $3 non-members, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Show Business, a 1944 musical comedy-drama starring Eddie Cantor, George Murphy and Constance Moore. Songs include It Had to Be You and Makin' Whoopee.

Tuesday, April 8, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Gallery Exhibit: Carles Vives
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

An exhibit by Carles Vives, internationally renowned ceramic sculptor from Spain. Born in Barcelona, Spain in 1957, Carles Vives studied art at Massana School of Art in Barcelona. His art is on display in museums and galleries throughout Spain, Italy, Australia, Mongolia, Peru and the United States (Everson Museum of Syracuse and in Miami). In addition, Vives' art has been exhibited in Portugal, Taiwan, Korea and New Zealand.

Most recently Vives was selected to participate in the Sino-Spain Ceramic Art Residency Program in Fuping, China in June, to celebrate the addition of the new Ceramic Art Museum of Spain to the FuLe International Ceramic Art Museums of Fuping.

Onondaga art professor Andrew Schuster met Carles Vives several years ago while lecturing at a workshop in Spain. The two sculptors formed a professional relationship and have collaborated on many artistic endeavors. Professor Schuster was instrumental in securing this prominent artist's exhibit for Onondaga in what will be Vives' first visit to the United States.

Vives has worked for the last 25 years at a studio in Canovelles near Barcelona. In 2004, he received the honorary diploma of Master Craftsman by the Generalitat de Catalunya (Catalan Government Institution.)

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Paintings and Sculpture
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Artists exhibiting include Rachael Baldanza, Amber Balding, Alex Betancourt, Anna, Cinquemani, Sally Dutko, Bob Rose, Helena Cooper, Jeanne Dupre, Peg Hewitt, Nicholas Ruth, Sylvia Steen, Joan Stier, Karen Tashkovski, Leigh Yardley, Louise Woodard, and members of the North Syracuse Art Guild. Includes digital photography, mixed-media collages, art quilts, fiber compositions, and landscapes.

The Small Press and the Black Arts Movement
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Spanning the years between 1960 and 1975, the initial period of the Black Arts Movement is variously associated with the passage of the Civil Rights Act in 1964, the assassination of Malcolm X in 1965, and the subsequent rise of the Nation of Islam. Although the origin of the Black Arts Movement still generates debate among scholars, there is no doubt that it signaled the rise of a new cultural aesthetic marked by an extraordinary burst of creative energy in the literary, performing, and visual arts. Significantly, the Black Arts Movement opened the floodgates for a diversity of American voices, while offering an impressive model for the expression of minority points of view.

Because no exhibit on the Black Arts Movement would be complete without mention of one of its founding fathers, Amiri Baraka, we take this opportunity to draw attention to the printed resources that have been gathered to enhance the manuscript collection acquired by the library in the mid-1960s related to the Beat periodical Yugen, which Baraka edited from 1958 to 1962. More recently, we acquired a cache of material pertaining to Barakas arrest in 1967 in Newark, New Jersey, his defense by the writing community, and the subsequent dismissal of the charges against him.

Composed of artistic, cultural, political, and social dimensions, the Black Arts Movement was propelled by the simultaneous emergence of a number of small presses that promoted the work of black artists, dramatists, and poets. The exhibit focuses on two African American presses, the Broadside Press and the Third World Press, as well as a series of poetry pamphlets issued in London by the publisher Paul Breman. Together, these small independent presses brought to wider attention the work of Gwendolyn Brooks, Ed Bullins, Ben Caldwell, Sam Cornish, Ray Durem, Nikki Giovanni, David Henderson, Ted Jones, Etheridge Knight, Haki R. Madhubuti, Larry Neal, Sonia Sanchez, Lorenzo Thomas, Askia Touré, Marvin X, Al Young, and many others. The Black Power aesthetic of much of this literature is often reinforced by the cover art for these productions. This artwork documents the emergence of a distinctive, yet tremendously varied, graphic style.

Good for What Ails You!
Westcott Community Center

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Women healing from loss...from loss of loved ones, loss of health, loss of dreams, loss of youth. We heal ourselves. We heal others. We heal through stories, through reframing memories, through engagement in our art; we heal by redefining ourselves and rebirthing. It is a story of sadness and honesty and transformation. It is about connection and growth. Ultimately it is a story of triumph.

Paintings, mixed media, fibers, photography, ceramic sculpture, creative compuer art, and poetry by Maria Brown, Melissa DeStevens-Valensuela, Linda Esterly, Patrice Fitzsimmons, Cathy Gibbons, Vanessa Johnson, Amy Patricia Komar, Suzanne Masters, Georgia Popoff, and Elaine Quick.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Visual Arts Showcase #63: Elements
CNY Arts

The Warehouse Link Gallery
350 W. Fayette St., Syracuse

A juried show of works created by upstate New York artists.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Self, House, Self
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

An exhibition of drawings and sculptures by Marion Wilson and Michael Burkard. Both Wilson and Burkard utilize the metaphor of "house" and "home" in the artwork.

Marion Wilson is the Director of Community Initiatives in the Visual Arts at Syracuse University's College of Visual & Performing Arts and teaches in the Sculpture Department. Wilson started MLAB, a collaborative design team of art and architecture students throughout Syracuse University, as part of her belief in the revitalization of urban life through the arts. Wilson regularly exhibits artwork both nationally and internationally including Art Basel: Miami, Exit Art, and New Museum of Contemporary Art.

Michael Burkard is an Associate Professor of English in the MFA Creative Writing Program at Syracuse University. He has published ten poetry collections. His poems have appeared in American Poetry Review, The Paris Review, Ploughshares, and many other magazines.

Video Now! 2008
Syracuse University School of Art and Design

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

An evening of original, experimental short-form video works by undergraduate and graduate students active in the Art Video program of Syracuse University's Department of Transmedia.

Featured artists include Tim Radville, Jennifer Carolin, Erikino, Peter Gollands, Stefani Quam, Louis Santoro, Ann Hirsch, Katie Micak, Dan Ramin, Tina Tesno, Sonya Pollard, Melissa Armstrong, Dave Wolfe, Thon Lorenz.

Fantastic video work, high-end large screen projection, brilliant sound, comfortable seating, refreshments...

Duke Ellington Orchestra

Price: $10 regular, $6 students/seniors
Liverpool High School Auditorium
4338 Wetzel Rd., Liverpool

Read a review!

Syracuse University Setnor School of Music
Syracuse University Brazilian Ensemble

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Samba Laranja, Syracuse University's Brazilian Ensemble, is performing its spring concert and releasing a self-titled album through Syracuse University Recordings.

The ensemble will perform percussion-based traditional batucada and samba-reggae, as well as Brazilian popular music (MPB) and folk songs. Of course, there will be plenty of drumming, and dancing in the aisles has become a tradition in and of itself at Samba Laranja performances.

The ensemble's captivating and lively music is derived from the Brazilian Escola de Samba (samba school) tradition which originated in the 1920s. These samba schools are comprised of large groups of musicians, dancers, and singers. The music and instrumentation draw heavily upon African and Western European musical traditions creating a hybrid musical culture that is uniquely Brazilian.

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

Wednesday, April 9, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Gallery Exhibit: Carles Vives
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

An exhibit by Carles Vives, internationally renowned ceramic sculptor from Spain. Born in Barcelona, Spain in 1957, Carles Vives studied art at Massana School of Art in Barcelona. His art is on display in museums and galleries throughout Spain, Italy, Australia, Mongolia, Peru and the United States (Everson Museum of Syracuse and in Miami). In addition, Vives' art has been exhibited in Portugal, Taiwan, Korea and New Zealand.

Most recently Vives was selected to participate in the Sino-Spain Ceramic Art Residency Program in Fuping, China in June, to celebrate the addition of the new Ceramic Art Museum of Spain to the FuLe International Ceramic Art Museums of Fuping.

Onondaga art professor Andrew Schuster met Carles Vives several years ago while lecturing at a workshop in Spain. The two sculptors formed a professional relationship and have collaborated on many artistic endeavors. Professor Schuster was instrumental in securing this prominent artist's exhibit for Onondaga in what will be Vives' first visit to the United States.

Vives has worked for the last 25 years at a studio in Canovelles near Barcelona. In 2004, he received the honorary diploma of Master Craftsman by the Generalitat de Catalunya (Catalan Government Institution.)

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Paintings and Sculpture
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Artists exhibiting include Rachael Baldanza, Amber Balding, Alex Betancourt, Anna, Cinquemani, Sally Dutko, Bob Rose, Helena Cooper, Jeanne Dupre, Peg Hewitt, Nicholas Ruth, Sylvia Steen, Joan Stier, Karen Tashkovski, Leigh Yardley, Louise Woodard, and members of the North Syracuse Art Guild. Includes digital photography, mixed-media collages, art quilts, fiber compositions, and landscapes.

The Small Press and the Black Arts Movement
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Spanning the years between 1960 and 1975, the initial period of the Black Arts Movement is variously associated with the passage of the Civil Rights Act in 1964, the assassination of Malcolm X in 1965, and the subsequent rise of the Nation of Islam. Although the origin of the Black Arts Movement still generates debate among scholars, there is no doubt that it signaled the rise of a new cultural aesthetic marked by an extraordinary burst of creative energy in the literary, performing, and visual arts. Significantly, the Black Arts Movement opened the floodgates for a diversity of American voices, while offering an impressive model for the expression of minority points of view.

Because no exhibit on the Black Arts Movement would be complete without mention of one of its founding fathers, Amiri Baraka, we take this opportunity to draw attention to the printed resources that have been gathered to enhance the manuscript collection acquired by the library in the mid-1960s related to the Beat periodical Yugen, which Baraka edited from 1958 to 1962. More recently, we acquired a cache of material pertaining to Barakas arrest in 1967 in Newark, New Jersey, his defense by the writing community, and the subsequent dismissal of the charges against him.

Composed of artistic, cultural, political, and social dimensions, the Black Arts Movement was propelled by the simultaneous emergence of a number of small presses that promoted the work of black artists, dramatists, and poets. The exhibit focuses on two African American presses, the Broadside Press and the Third World Press, as well as a series of poetry pamphlets issued in London by the publisher Paul Breman. Together, these small independent presses brought to wider attention the work of Gwendolyn Brooks, Ed Bullins, Ben Caldwell, Sam Cornish, Ray Durem, Nikki Giovanni, David Henderson, Ted Jones, Etheridge Knight, Haki R. Madhubuti, Larry Neal, Sonia Sanchez, Lorenzo Thomas, Askia Touré, Marvin X, Al Young, and many others. The Black Power aesthetic of much of this literature is often reinforced by the cover art for these productions. This artwork documents the emergence of a distinctive, yet tremendously varied, graphic style.

Good for What Ails You!
Westcott Community Center

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Women healing from loss...from loss of loved ones, loss of health, loss of dreams, loss of youth. We heal ourselves. We heal others. We heal through stories, through reframing memories, through engagement in our art; we heal by redefining ourselves and rebirthing. It is a story of sadness and honesty and transformation. It is about connection and growth. Ultimately it is a story of triumph.

Paintings, mixed media, fibers, photography, ceramic sculpture, creative compuer art, and poetry by Maria Brown, Melissa DeStevens-Valensuela, Linda Esterly, Patrice Fitzsimmons, Cathy Gibbons, Vanessa Johnson, Amy Patricia Komar, Suzanne Masters, Georgia Popoff, and Elaine Quick.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Visual Arts Showcase #63: Elements
CNY Arts

The Warehouse Link Gallery
350 W. Fayette St., Syracuse

A juried show of works created by upstate New York artists.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Self, House, Self
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

An exhibition of drawings and sculptures by Marion Wilson and Michael Burkard. Both Wilson and Burkard utilize the metaphor of "house" and "home" in the artwork.

Marion Wilson is the Director of Community Initiatives in the Visual Arts at Syracuse University's College of Visual & Performing Arts and teaches in the Sculpture Department. Wilson started MLAB, a collaborative design team of art and architecture students throughout Syracuse University, as part of her belief in the revitalization of urban life through the arts. Wilson regularly exhibits artwork both nationally and internationally including Art Basel: Miami, Exit Art, and New Museum of Contemporary Art.

Michael Burkard is an Associate Professor of English in the MFA Creative Writing Program at Syracuse University. He has published ten poetry collections. His poems have appeared in American Poetry Review, The Paris Review, Ploughshares, and many other magazines.

Milestones in Piano Writing
Civic Morning Musicals
Featuring Anthony Crain, piano

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Scarlatti, Debussy Images, Balakirev Islamey.

CNY Jazz Arts Foundation
The Larry Ham Trio

Price: $19.50, $23.50, $26.50
Jazz Central
441 E. Washington St., Syracuse

Jazz pianist Larry Ham and his trio will perform selections from their recent critically acclaimed CD Carousel along with classic jazz standards and some new compositions.

Ham has been part of the thriving Manhattan jazz scene for many years, touring and recording with many of today's top jazz artists. He is also a noted composer, with a crisp, swinging and lyrical style at the piano. He has performed throughout the US, and appears often in Europe, in Japan, Russia, India, and West Africa.

Appearing with Ham will be bassist Lee Hudson and drummer Tom Melito. The three have been friends for many years, with countless shared performances behind them. Their camaraderie and love for their music is clearly evident in all of their performances.

Lee Hudson is a much sought-after bassist, always busy recording and traveling. He currently performs and tours in groups led by vocalist Catherine Russell and by saxophonist Charles Davis.

Tom Melito is a seasoned veteran of the New York jazz scene, and has recorded with many well-known artists, including Michael Moore, Ken Peplowski and Jerry Bergonzi.

S.U. Contemporary Music Ensemble
Syracuse University Setnor School of Music
James Welsch, conductor

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Charles Ives Unanswered Question
Stravinsky Suite from L'Histoire du Soldat
Walter Piston Three Pieces for flute, clarinet, and bassoon
Shostakovich Piano Trio in E minor, op. 67
David Lang Cheeting, Lying, Steeling for bass clarinet, cello, piano and antiphonal percussion

Parking is available in Irving Garage.

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

Thursday, April 10, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Gallery Exhibit: Carles Vives
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

An exhibit by Carles Vives, internationally renowned ceramic sculptor from Spain. Born in Barcelona, Spain in 1957, Carles Vives studied art at Massana School of Art in Barcelona. His art is on display in museums and galleries throughout Spain, Italy, Australia, Mongolia, Peru and the United States (Everson Museum of Syracuse and in Miami). In addition, Vives' art has been exhibited in Portugal, Taiwan, Korea and New Zealand.

Most recently Vives was selected to participate in the Sino-Spain Ceramic Art Residency Program in Fuping, China in June, to celebrate the addition of the new Ceramic Art Museum of Spain to the FuLe International Ceramic Art Museums of Fuping.

Onondaga art professor Andrew Schuster met Carles Vives several years ago while lecturing at a workshop in Spain. The two sculptors formed a professional relationship and have collaborated on many artistic endeavors. Professor Schuster was instrumental in securing this prominent artist's exhibit for Onondaga in what will be Vives' first visit to the United States.

Vives has worked for the last 25 years at a studio in Canovelles near Barcelona. In 2004, he received the honorary diploma of Master Craftsman by the Generalitat de Catalunya (Catalan Government Institution.)

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Paintings and Sculpture
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Artists exhibiting include Rachael Baldanza, Amber Balding, Alex Betancourt, Anna, Cinquemani, Sally Dutko, Bob Rose, Helena Cooper, Jeanne Dupre, Peg Hewitt, Nicholas Ruth, Sylvia Steen, Joan Stier, Karen Tashkovski, Leigh Yardley, Louise Woodard, and members of the North Syracuse Art Guild. Includes digital photography, mixed-media collages, art quilts, fiber compositions, and landscapes.

The Small Press and the Black Arts Movement
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Spanning the years between 1960 and 1975, the initial period of the Black Arts Movement is variously associated with the passage of the Civil Rights Act in 1964, the assassination of Malcolm X in 1965, and the subsequent rise of the Nation of Islam. Although the origin of the Black Arts Movement still generates debate among scholars, there is no doubt that it signaled the rise of a new cultural aesthetic marked by an extraordinary burst of creative energy in the literary, performing, and visual arts. Significantly, the Black Arts Movement opened the floodgates for a diversity of American voices, while offering an impressive model for the expression of minority points of view.

Because no exhibit on the Black Arts Movement would be complete without mention of one of its founding fathers, Amiri Baraka, we take this opportunity to draw attention to the printed resources that have been gathered to enhance the manuscript collection acquired by the library in the mid-1960s related to the Beat periodical Yugen, which Baraka edited from 1958 to 1962. More recently, we acquired a cache of material pertaining to Barakas arrest in 1967 in Newark, New Jersey, his defense by the writing community, and the subsequent dismissal of the charges against him.

Composed of artistic, cultural, political, and social dimensions, the Black Arts Movement was propelled by the simultaneous emergence of a number of small presses that promoted the work of black artists, dramatists, and poets. The exhibit focuses on two African American presses, the Broadside Press and the Third World Press, as well as a series of poetry pamphlets issued in London by the publisher Paul Breman. Together, these small independent presses brought to wider attention the work of Gwendolyn Brooks, Ed Bullins, Ben Caldwell, Sam Cornish, Ray Durem, Nikki Giovanni, David Henderson, Ted Jones, Etheridge Knight, Haki R. Madhubuti, Larry Neal, Sonia Sanchez, Lorenzo Thomas, Askia Touré, Marvin X, Al Young, and many others. The Black Power aesthetic of much of this literature is often reinforced by the cover art for these productions. This artwork documents the emergence of a distinctive, yet tremendously varied, graphic style.

Good for What Ails You!
Westcott Community Center

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Women healing from loss...from loss of loved ones, loss of health, loss of dreams, loss of youth. We heal ourselves. We heal others. We heal through stories, through reframing memories, through engagement in our art; we heal by redefining ourselves and rebirthing. It is a story of sadness and honesty and transformation. It is about connection and growth. Ultimately it is a story of triumph.

Paintings, mixed media, fibers, photography, ceramic sculpture, creative compuer art, and poetry by Maria Brown, Melissa DeStevens-Valensuela, Linda Esterly, Patrice Fitzsimmons, Cathy Gibbons, Vanessa Johnson, Amy Patricia Komar, Suzanne Masters, Georgia Popoff, and Elaine Quick.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

There will be a gallery reception tonight from 5:00-8:00 pm.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Visual Arts Showcase #63: Elements
CNY Arts

The Warehouse Link Gallery
350 W. Fayette St., Syracuse

A juried show of works created by upstate New York artists.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Self, House, Self
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

An exhibition of drawings and sculptures by Marion Wilson and Michael Burkard. Both Wilson and Burkard utilize the metaphor of "house" and "home" in the artwork.

Marion Wilson is the Director of Community Initiatives in the Visual Arts at Syracuse University's College of Visual & Performing Arts and teaches in the Sculpture Department. Wilson started MLAB, a collaborative design team of art and architecture students throughout Syracuse University, as part of her belief in the revitalization of urban life through the arts. Wilson regularly exhibits artwork both nationally and internationally including Art Basel: Miami, Exit Art, and New Museum of Contemporary Art.

Michael Burkard is an Associate Professor of English in the MFA Creative Writing Program at Syracuse University. He has published ten poetry collections. His poems have appeared in American Poetry Review, The Paris Review, Ploughshares, and many other magazines.

Spark Contemporary Art Space
Grown Together

Price: Free
Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

Exhibition by Paige Goedkoop

Migration: Josefina Posch
Point of Contact Gallery

Price: Free
Kilian Room, 500 Hall of Languages
Syracuse University, Syracuse

Josefina Posch, a visiting artist from the Valand School of Fine Arts, Gothenburg University, Sweden,
will offer a lecture and present her work.

Filmmaker William E. Jones
Reel Queer Film Festival

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Queer experimental/documentary filmmaker William E. Jones will screen and discuss his works Mansfield 1962, v.o., and Film Montages (For Peter Roehr). Jones' work deals with queer memory, porn and histories of surveillance.

Florence of Moravia
Acme Mystery Company

Price: $25.95 plus tax and gratuities (includes meal and show)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive mystery/comedy dinner theater.

The Mystery at Twickenham Vicarage and Other Oddities by David Ives
LeMoyne College

Marren Studio Theatre, Coyne Performing Arts Ctr
LeMoyne College, Syracuse

Brain candy of the first order and offering laughs from many angles, the plays tweak everything from highbrow English Mysteries (Prime Suspect meets Miss Marple), to simultaneous translations ("well..." says a customer. "A deep hole in the ground" the interpreter interprets), psycho-analysis meets Stephen Hawking. Fun for the well read and thinly read alike. The titles of the individual plays are The Mystery at Twickenham Vicarage, Arabian Nights, Enigma Variations and The Philadelphia. Not for the faint of heart or humor impaired.

Read a review!

Friday, April 11, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Gallery Exhibit: Carles Vives
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

An exhibit by Carles Vives, internationally renowned ceramic sculptor from Spain. Born in Barcelona, Spain in 1957, Carles Vives studied art at Massana School of Art in Barcelona. His art is on display in museums and galleries throughout Spain, Italy, Australia, Mongolia, Peru and the United States (Everson Museum of Syracuse and in Miami). In addition, Vives' art has been exhibited in Portugal, Taiwan, Korea and New Zealand.

Most recently Vives was selected to participate in the Sino-Spain Ceramic Art Residency Program in Fuping, China in June, to celebrate the addition of the new Ceramic Art Museum of Spain to the FuLe International Ceramic Art Museums of Fuping.

Onondaga art professor Andrew Schuster met Carles Vives several years ago while lecturing at a workshop in Spain. The two sculptors formed a professional relationship and have collaborated on many artistic endeavors. Professor Schuster was instrumental in securing this prominent artist's exhibit for Onondaga in what will be Vives' first visit to the United States.

Vives has worked for the last 25 years at a studio in Canovelles near Barcelona. In 2004, he received the honorary diploma of Master Craftsman by the Generalitat de Catalunya (Catalan Government Institution.)

Labyrinths
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A life-size maze of mirrors and dreams reveals an exceptional collection of works by Swietlan Nicholas Kraczyna: a fugue-like series of 25 drawings and etchings inspired by the Borgian notion of the labyrinth, with Icarus as protagonist. Twenty-three 7-foot tall mirrored panels form this massive installation that complicates and multiplies the space of the gallery, and infiltrates the observer.

Paintings and Sculpture
Syracuse Technology Garden Gallery

Price: Free
Syracuse Technology Garden
235 Harrison St., Syracuse

Artists exhibiting include Rachael Baldanza, Amber Balding, Alex Betancourt, Anna, Cinquemani, Sally Dutko, Bob Rose, Helena Cooper, Jeanne Dupre, Peg Hewitt, Nicholas Ruth, Sylvia Steen, Joan Stier, Karen Tashkovski, Leigh Yardley, Louise Woodard, and members of the North Syracuse Art Guild. Includes digital photography, mixed-media collages, art quilts, fiber compositions, and landscapes.

The Small Press and the Black Arts Movement
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Spanning the years between 1960 and 1975, the initial period of the Black Arts Movement is variously associated with the passage of the Civil Rights Act in 1964, the assassination of Malcolm X in 1965, and the subsequent rise of the Nation of Islam. Although the origin of the Black Arts Movement still generates debate among scholars, there is no doubt that it signaled the rise of a new cultural aesthetic marked by an extraordinary burst of creative energy in the literary, performing, and visual arts. Significantly, the Black Arts Movement opened the floodgates for a diversity of American voices, while offering an impressive model for the expression of minority points of view.

Because no exhibit on the Black Arts Movement would be complete without mention of one of its founding fathers, Amiri Baraka, we take this opportunity to draw attention to the printed resources that have been gathered to enhance the manuscript collection acquired by the library in the mid-1960s related to the Beat periodical Yugen, which Baraka edited from 1958 to 1962. More recently, we acquired a cache of material pertaining to Barakas arrest in 1967 in Newark, New Jersey, his defense by the writing community, and the subsequent dismissal of the charges against him.

Composed of artistic, cultural, political, and social dimensions, the Black Arts Movement was propelled by the simultaneous emergence of a number of small presses that promoted the work of black artists, dramatists, and poets. The exhibit focuses on two African American presses, the Broadside Press and the Third World Press, as well as a series of poetry pamphlets issued in London by the publisher Paul Breman. Together, these small independent presses brought to wider attention the work of Gwendolyn Brooks, Ed Bullins, Ben Caldwell, Sam Cornish, Ray Durem, Nikki Giovanni, David Henderson, Ted Jones, Etheridge Knight, Haki R. Madhubuti, Larry Neal, Sonia Sanchez, Lorenzo Thomas, Askia Touré, Marvin X, Al Young, and many others. The Black Power aesthetic of much of this literature is often reinforced by the cover art for these productions. This artwork documents the emergence of a distinctive, yet tremendously varied, graphic style.

Good for What Ails You!
Westcott Community Center

Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Women healing from loss...from loss of loved ones, loss of health, loss of dreams, loss of youth. We heal ourselves. We heal others. We heal through stories, through reframing memories, through engagement in our art; we heal by redefining ourselves and rebirthing. It is a story of sadness and honesty and transformation. It is about connection and growth. Ultimately it is a story of triumph.

Paintings, mixed media, fibers, photography, ceramic sculpture, creative compuer art, and poetry by Maria Brown, Melissa DeStevens-Valensuela, Linda Esterly, Patrice Fitzsimmons, Cathy Gibbons, Vanessa Johnson, Amy Patricia Komar, Suzanne Masters, Georgia Popoff, and Elaine Quick.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Visual Arts Showcase #63: Elements
CNY Arts

The Warehouse Link Gallery
350 W. Fayette St., Syracuse

A juried show of works created by upstate New York artists.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

Self, House, Self
Redhouse

Price: Free
Former Redhouse Theater
219 S. West St., Syracuse

An exhibition of drawings and sculptures by Marion Wilson and Michael Burkard. Both Wilson and Burkard utilize the metaphor of "house" and "home" in the artwork.

Marion Wilson is the Director of Community Initiatives in the Visual Arts at Syracuse University's College of Visual & Performing Arts and teaches in the Sculpture Department. Wilson started MLAB, a collaborative design team of art and architecture students throughout Syracuse University, as part of her belief in the revitalization of urban life through the arts. Wilson regularly exhibits artwork both nationally and internationally including Art Basel: Miami, Exit Art, and New Museum of Contemporary Art.

Michael Burkard is an Associate Professor of English in the MFA Creative Writing Program at Syracuse University. He has published ten poetry collections. His poems have appeared in American Poetry Review, The Paris Review, Ploughshares, and many other magazines.

Spring Dance Concert
LeMoyne College
Le Moyne Student Dance Company

Price: $10 regular; $8 seniors; $3 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Features choreography from area professionals along with that of Le Moyne students.

The Ground Truth
Maxwell's Program on the Analysis and Resolution of Conflict and the Public Affairs Program

Price: Free
Maxwell Auditorium
Syracuse University, Syracuse

A screening of the award-winning film on Iraq, followed by a panel panel discussion by veterans and family members affected by the war, with audience participation.

The Ground Truth is a 70-minute documentary focusing on the lives of men and women who served in Iraq and how the war affected them. The film maker's subjects are patriotic young men and women -- ordinary young men and women who heeded the call for military service in Iraq -- who experience recruitment, training, combat, homecoming, and the struggle to reintegrate with families and communities.

Panel members include:
Joe Godfrey: Father of three Army veterans, two of whom served in combat in Iraq and Afghanistan. His eldest son returned from Iraq in the spring of 2004 and shortly thereafter was granted a medical retirement, suffering from symptoms of PTSD. After less than three months at home he was killed in a robbery/murder, a result (his family believes) of the government's failure to provide adequate medical treatment. Joe has sought to increase public awareness of this country's failure to adequately care for our veterans by telling his son's story.

Mike Blake: An Iraq war veteran from Binghamton, he enlisted at 18 in 2001 to serve his country and earn money for college. In April of 2003 his Army unit, the 4th Infantry Division was sent to Iraq. He served in Iraq until March 2004 as a Humvee and supply truck driver for a tank battalion. He applied for conscientious objector status based on his experience in Iraq and received an honorable discharge in 2004. He is currently a student at SUNY-Cortland studying elementary education.

Bill Cross: West Point graduate and Viet Nam veteran who served from Sept. 64-Sept. 65 as an adviser with a Vietnamese Armored Cavalry Troop. Saw combat and was awarded the Combat Infantryman's Badge and two medals for valor. He resigned from the Army as a Major, after 10 years in service. The last 3 years were spent back at West Point teaching leadership. He is currently a Professor of Psychology at OCC and in private practice helps veterans with stress disorders and their families.

Gloriously Free; Truths & Transformations
Reel Queer Film Festival

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Gloriously Free
A powerful profile of gay immigrants to Canada. Among them are Al-Hussein from Jordan; Julian, blackmailed and blacklisted in his homeland of Mexico; Bruno, who immigrated from Brazil; David, a former port captain with a prominent Texas-based drilling company; and Frantz, a graphic artist from Jamaica. Excluded from the opportunity to live freely in their native countries, these resilient young men tell stories of blackmail, torture and violence.

Truths & Transformations
Truths & Transformations probes whether the gay community should embrace traditional institutions or find ways to preserve their queer identity now that marriage is becoming legal. A lightening rod for self examination and dialogue, the film offers a glimpse into the lives of people who struggle with their personal, familial, and sexual identities. Abandonment, incest, consumerism, semantics, conformity, and ignorance play against a stirring political backdrop leaving viewers to decide whether we should all be reaching for wedding rings.

Additional selected short films will be screened.

Vocal Repertory Class of Professor Richard McCullough
Onondaga Community College

Price: Free
Storer Auditorium
Onondaga Community College, Syracuse

Jerk Framed
Spark Contemporary Art Space

Price: $5
Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

Celebrating 5 solid years of dedication to expressing student voices/views. Music from DJ AKO, Minutes Per Second, and Anorexic Beauty Queen.

Martha Collins, poet
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Martha Collins is the author of the book-length poem Blue Front (Graywolf, 2006), which focuses on a lynching her father witnessed when he was five years old. Blue Front won an Anisfield-Wolf Award and an Ohioana Award, and was chosen as one of "25 Books to Remember from 2006" by the New York Public Library. Collins has published four earlier collections of poems, including Some Things Words Can Do (Sheep Meadow, 1998), and two chapbooks, Gone So Far and Sheer (Barnwood, 2005, 2008), as well two collections of co-translations of poetry from the Vietnamese. Other awards include fellowships from the NEA, the Witter Bynner Foundation, and the Ingram Merrill Foundation, as well as three Pushcart Prizes and a Lannan Foundation residency.

The Mystery at Twickenham Vicarage and Other Oddities by David Ives
LeMoyne College

Marren Studio Theatre, Coyne Performing Arts Ctr
LeMoyne College, Syracuse

Brain candy of the first order and offering laughs from many angles, the plays tweak everything from highbrow English Mysteries (Prime Suspect meets Miss Marple), to simultaneous translations ("well..." says a customer. "A deep hole in the ground" the interpreter interprets), psycho-analysis meets Stephen Hawking. Fun for the well read and thinly read alike. The titles of the individual plays are The Mystery at Twickenham Vicarage, Arabian Nights, Enigma Variations and The Philadelphia. Not for the faint of heart or humor impaired.

Read a review!

Romance
Rarely Done Productions
Judith Harris, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

A screwball look at political correctness, jurisprudence, and hilariously misquoted Shakespeare. The characters reveal to us their bigotry -- against religion, against race, against national origin, against sexual orientation -- all in rhythm with David Mamet's unique storytelling style. Be prepared to be offended and yet laugh through this 2005 comedy sometimes referred to as "Kafka Meets Monty Python." Mature audiences only.

Seating for each show is limited. To reserve tickets, phone the box office at 315-546-3224.

Read a Review!

The Beard of Avon
Syracuse Shakespeare-in-the-Park
Ronald Bell, director

Price: $10
The Warehouse, Main Auditorium
350 W. Fayette St., Syracuse

The exciting, satirical and comical look at the age-old question of who wrote Shakespeare. Playwright Amy Freed, nominated for a Pulitzer Prize for her Freedomland, takes us on a journey that few playwrights have tackled before; the origins of Shakespeare's works. Ms. Freed applies her cinematic approach to the theatrical realm as she follows the Bard from his marriage in Stratford to London and back again and traces his journey for us to behold. For all you Shakespeare in Love fans, this is the play you've been waiting for.

For reservations, please phone 315-476-1835 or e-mail bell444@gmail.com.

Read a Review!

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

Picasso at the Lapin Agile
Wit's End Players

Price: $20
Empire Theater
New York State Fairgrounds, Geddes

Famed comedian and former Saturday Night Live alum Steve Martin's Off-Broadway comedy finds Albert Einstein, Pablo Picasso and a time-traveling Elvis meeting in a Paris café (The Nimble Rabbit) in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with Cubism. Martin's brilliant script plays fast and loose with fact, fame and fortune as these three geniuses, and a zany cast of characters, muse on the century's achievements and prospects as well as other fanciful topics with infectious hilarity!

Read a Review!

Saturday, April 12, 2008

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Visual Arts Showcase #63: Elements
CNY Arts

The Warehouse Link Gallery
350 W. Fayette St., Syracuse

A juried show of works created by upstate New York artists.

New Paintings of Melissa Johnson: Spaces Between
LeMoyne College

Wilson Art Gallery, Noreen Reale Falcone Library
LeMoyne College, Syracuse

Spring Dance Concert
LeMoyne College
Le Moyne Student Dance Company

Price: $10 regular; $8 seniors; $3 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Features choreography from area professionals along with that of Le Moyne students.

Spring Dance Concert
LeMoyne College
Le Moyne Student Dance Company

Price: $10 regular; $8 seniors; $3 students
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Features choreography from area professionals along with that of Le Moyne students.

Itty Bitty Titty Committee
Reel Queer Film Festival

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Itty Bitty Titty Committee
Winner of the 2007 award for Best Film at South by Southwest, Itty Bitty Titty Committee follows a recent high school grad's transformation from a shy, insecure girl to a radical womyn, full of the righteous indignation needed to take action and change the world. Full of mosh pits, power fists and utter charm, Jamie Babbit's (But I'm a Cheerleader) latest film is as fun as a romantic comedy can get.

Additional selected short films will be screened.

Syracuse Friends of Chamber Music
Beaux Arts Trio

Price: $20 regular, $15 senior, $10 student, children under 13 free
Lincoln Middle School
1613 James St., Syracuse

Ravel Trio in A minor
Kurtag Work for Piano Trio
Schubert Trio No. 2 in E-flat major, Op. 100

Second Saturday Series: Charlie King and Colleen Kattau
Westcott Community Center

Price: $12 (WCC members $10)
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Extraordinary music, sweet harmonies, incendiary lyrics -- a journey of humor, heartache and hope.

Charlie King and Colleen Kattau sing with a common passion that makes you believe the world can be saved by beauty. Their songs are like flowers growing from the hard soil of political realities, rooted in the belief that music can cultivate a new reality by embodying visions in song. Best known for the work they do independent of each other, they've performed together sporadically since 1993. The common repertoire they've developed is rich, harmonious and brimming with comic relief.

Charlie King has been at the heart of American folk music for over 40 years. His songs have been recorded and sung by other performers such as Pete Seeger, Holly Near, Ronnie Gilbert, John McCutcheon, Arlo Guthrie, Peggy Seeger, Chad Mitchell and Judy Small. Honors include an "Indie" award for one of the top three folk recordings of 1984. In May of 1998 the War Resisters League gave their Peacemaker Award to Charlie and to Odetta. Pete Seeger nominated Charlie for the Sacco-Vanzetti Social Justice Award, which he received in November 1999. Charlie has released a dozen solo albums since 1976. He has also released three albums with the touring ensemble Bright Morning Star, and numerous compilation albums with other artists.

Colleen Kattau, a bi-lingual singer songwriter of New Song and Nueva Canción, performs original alternative acoustic music in a mix of poetry and rhythm. Her voice can be both strong and tender and has been likened to that of Joni Mitchell, Natalie Merchant, and Shawn Colvin. Colleen has performed for diverse audiences at colleges and universities, women's festivals, environmental festivals and Latin American and labor solidarity events.

The Singin' Solar System
Open Hand Theater
Tom Knight

Price: $8 adults; $6 children
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

Tom Knight is back with a delightful whirl around songs and puppets and celestial objects.

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

The X-Prize and the Heroic Theory of Invention
Redhouse
Featuring Lewis Colburn

Price: $8 Adults and $5 Students/Seniors
Former Redhouse Theater
219 S. West St., Syracuse

The X-Prize and The Herotic Theory of Invention is a new performance by artist Lewis Colburn, that mixes elements of spaceflight, science fiction with aspects of theatre. The performance will be followed by a Q&A session with the artist and a chance to interact with the homemade space vehicles.

This event is part of a celebration of Yuri's Night World Space Party. Yuri's Night: World Space Party is like the St. Patrick's Day or Cinco de Mayo for Spacetravel. Yuri's Night takes its name from Russian Cosmonaut, Yuri Gagarin, the first person in space. Every year for the past 7 years on April 12th, Yuri's Night is celebrated all around the world -- this year there are over 120 events or parties scheduled in over 40 countries worldwide. The range of events is as diverse as the people who hold them -- even the residents of the International Space Station are joining in the fun! At Redhouse we will have the The X-Prize and The Herotic Theory of Invention performance, followed by music, dancing, prizes for best costume and space trivia.

The Mystery at Twickenham Vicarage and Other Oddities by David Ives
LeMoyne College

Marren Studio Theatre, Coyne Performing Arts Ctr
LeMoyne College, Syracuse

Brain candy of the first order and offering laughs from many angles, the plays tweak everything from highbrow English Mysteries (Prime Suspect meets Miss Marple), to simultaneous translations ("well..." says a customer. "A deep hole in the ground" the interpreter interprets), psycho-analysis meets Stephen Hawking. Fun for the well read and thinly read alike. The titles of the individual plays are The Mystery at Twickenham Vicarage, Arabian Nights, Enigma Variations and The Philadelphia. Not for the faint of heart or humor impaired.

Read a review!

Romance
Rarely Done Productions
Judith Harris, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

A screwball look at political correctness, jurisprudence, and hilariously misquoted Shakespeare. The characters reveal to us their bigotry -- against religion, against race, against national origin, against sexual orientation -- all in rhythm with David Mamet's unique storytelling style. Be prepared to be offended and yet laugh through this 2005 comedy sometimes referred to as "Kafka Meets Monty Python." Mature audiences only.

Seating for each show is limited. To reserve tickets, phone the box office at 315-546-3224.

Read a Review!

The Beard of Avon
Syracuse Shakespeare-in-the-Park
Ronald Bell, director

Price: $10
The Warehouse, Main Auditorium
350 W. Fayette St., Syracuse

The exciting, satirical and comical look at the age-old question of who wrote Shakespeare. Playwright Amy Freed, nominated for a Pulitzer Prize for her Freedomland, takes us on a journey that few playwrights have tackled before; the origins of Shakespeare's works. Ms. Freed applies her cinematic approach to the theatrical realm as she follows the Bard from his marriage in Stratford to London and back again and traces his journey for us to behold. For all you Shakespeare in Love fans, this is the play you've been waiting for.

For reservations, please phone 315-476-1835 or e-mail bell444@gmail.com.

Read a Review!

The Bomb-itty of Errors
Syracuse Stage
Andy Goldberg, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Shakespeare's Comedy of Errors has its origins in ancient Rome in Plautus's wild comedy The Menaechmi. Two sets of identical twins and multiple cases of mistaken identity make for a riotous comic event. This latest incarnation is a hip-hop, rap romp retelling of the famous comedy. Four gifted performers hit the street to launch an assault of non-stop, lightning-paced, side-splitting comedy. After all, the Bard was a master of "word."

Picasso at the Lapin Agile
Wit's End Players

Price: $20
Empire Theater
New York State Fairgrounds, Geddes

Famed comedian and former Saturday Night Live alum Steve Martin's Off-Broadway comedy finds Albert Einstein, Pablo Picasso and a time-traveling Elvis meeting in a Paris café (The Nimble Rabbit) in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with Cubism. Martin's brilliant script plays fast and loose with fact, fame and fortune as these three geniuses, and a zany cast of characters, muse on the century's achievements and prospects as well as other fanciful topics with infectious hilarity!

Read a Review!

Sunday, April 13, 2008

WRAP (World Reclamation Art Project)
International Fiber Collaborative

Price: Free
2301 E. Colvin St.
(corner of Nottingham), Syracuse

Artist Jennifer Marsh and participants from all over the world have crocheted, knitted, stitched, patched, or collaged 3-foot square fiber panels that express concern about the world's extreme dependency on oil. The panels have been sewn together to completely cover an abandoned gas station.

For more information, visit internationalfibercollaborative.com.

Blake Fitch: The Expectations of Adolescence
Light Work Gallery

Price: Free
Robert B. Menschel Media Center
316 Waverly Ave., Syracuse University, Syracuse

Blake Fitch's photographs capture her sister, cousin, and friends as they have grown from children to young adults. Fitch has been able to draw on the autobiographical nature of photography by creating candid and intimate images of her family.

Exploring History With Art: Work!
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

The third art exhibition in the series features occupations and places of work. Appropriately titled "Occupations & Places of Work," the exhibition showcases paintings illustrating different occupations and places of work in Onondaga County through the years.

Inside the exhibit gallery you'll see Onondaga Pottery, Comfort Tyler's Tavern, Good Shepherd Hospital, salt towers, and several others depicting the diverse places to work in Onondaga County from the early 19th through the late 20th centuries.

MFA 2008
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

An exhibition of the School of Art and Design's Masters of Fine Arts degree candidates.

17 artists will exhibit a range of work from video and installation to painting, photography, and sculpture. The exhibition contains a number of artists who explore the idea of identity, while others challenge accepted notions of wealth, time, and reality. Khanh Le explores his identity as a Vietnamese-born American by combining images of his own family life, fashion and home magazines, and well known images from the Vietnam War to create a "new historical narrative". Stacey VanWaldick playfully addresses what jewelry has come to stand for in today's commercial society by fabricating "precious stones" out of bronze and chocolate. Stephanie Koenig experiments with the idea of "recyclable nostalgia" by reclaiming 70's period style to outfit the interior of her interactive life-size pirate ship. Allison Fox forms intricately detailed thin sheets of clear plastic into organic shapes through which she shines light to create ambiguous undulating shadows. The relationship between the sculpture and the shadows on the wall establishes a vibration between reality and illusion.

Other featured artists include Jen Betton, Seunghee Chung, Jennifer Gandee, Jessica Lance, Tzu Cheng Liu, Thon Lorenz, Jennifer Marsh, Frank McCauley, Ge Maggie Mu, María José Pérez (Pepa Santamaria), David Serotkin, Carrie Will, Sue Hershberger Yoder

Parking for weekend and evening visitors is in Q4 lot on College Place. Notify the attendant that you are visiting the SUArt Galleries. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces are not available the attendant will direct you to the nearest lot.

Modernist Prints 1900-1955
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Since the turn of the century America and Europe have had a symbiotic relationship towards art. Movements that were born in Europe have been nurtured in the United States and those styles developed here have had a significant impact on artists abroad. In the years before World War I avant-garde movements in Europe seemed radical to many Americans but also extremely exciting to others. As the century progressed movements emerged that borrowed issues, techniques, devices, or other attributes from pre-existing styles. This led to a generic 'modernist' label for those art forms that did not seem to emerge from a traditional, academic manner.

The artwork in this exhibition was created by important artists of the era including Vasily Kandinsky, Joan Miro, and S. W. Hayter from Europe, and the Americans Stuart Davis, Boris Margo, and Morris Blackburn. The prints have been chosen to illustrate the multiplicity of graphic art styles that became popular during the period.

Images of Vice and Virtue from the Syracuse University Art Collection
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

Images of Vice and Virtue investigates how artists from different cultures and time periods visualized fundamental themes of good and evil. Early civilizations enacted codes of conduct believing that individual behavior benefited from these guidelines. The ancient Greeks developed a set of inspirational values that included prudence, justice, courage and temperance. Later, Christianity refined and enlarged these to the seven holy virtues against which were set seven deadly sins. Additionally, bible stories illustrated what would happen to individuals who either followed or violated church doctrine.

Western society's growing secularization from the late 18th century onward gave artists greater freedom in interpreting biblical subjects and themes. Artists like Picasso strongly criticized the Spanish government in a pair of prints that depicted the ruler Francisco Franco as a biological polyp. Andy Warhol showed his support for the civil rights movement in a 1964 print of the Birmingham race riot. These examples further indicated the artist's growing role as an individual commenting on good and evil.

Also included in the exhibition are several pieces by non-western cultures. Like their western counterparts, these pieces were inspired and informed by their culture's historical beliefs about good and evil and were often drawn from stories used to explain those beliefs. All of the objects in the exhibition have been drawn from Syracuse Universitys encyclopedic collection of over 45,000 objects.

Images of Vice and Virtue is curated by David Prince, Associate Director of Syracuse University Art Collection.

Read a review!

On the Move: Images of Travel from Everson Musuem of Art and Syracuse University Collections
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

As a result of technological advancement and the human desire to explore and secure resources, travel has become a primary force in shaping contemporary life and global history. In today's world, travel has become a normal part of everyday life. In fact, tourism and travel now drive several of the world's largest economic sectors.

On the Move displays a wide range of objects focusing on travel as a universal experience from the Industrial Revolution to the present day. Featuring objects from the Everson Museum and the multiple collections of Syracuse University, the exhibition highlights dreams of idyllic travel as well as the harsher realities of getting from one place to another.

On the Move has been organized by Syracuse University students in the Graduate Program in Museum Studies, in the Masters in Fine Arts program and the History of Art program who are under the curatorial guidance of Professors Edward Aiken and Judith Meighan in collaboration with the Everson. The exhibition includes works from the Everson Museum of Art, the Syracuse University Art Collections, Light Work, and the Special Collections Research Center of Syracuse University Library.

Paper Arts in the Low Countries: 1600 - 1800
Everson Museum of Art

Price: Suggested donation, $5, adults
Everson Museum of Art
401 Harrison St., Syracuse

The Low Countries, a region comprising present-day Holland and Belgium, was a site of truly spectacular art production during the so-called early modern period, ca. 1600 to ca. 1800. Indeed, some of the foremost artists in the history of European art practiced within this region, including Rembrandt van Rijn and Peter Paul Rubens. Although the art-loving public is quite familiar with paintings by Dutch (Holland) and Flemish (Belgium) masters their drawings and prints are less known, despite the many outstanding examples of such work that survive. Some of the most memorable and impressive art during this period was made with ink and paper, as opposed to oil paint and canvases and panels. Paper Arts in the Low Countries, 1600-1800 consists of 35 noteworthy examples of drawings and prints by prominent masters of the Low Countries (including Rembrandt and Rubens), drawn from a number of private collections and from the holdings of the Syracuse University Art Collection and the Herbert F. Johnson Museum of Art at Cornell University.

Paper Arts in the Low Countries is curated by Dr. Wayne Franits, Professor and Department Chair, Department of Fine Arts, Syracuse University with the assistance of graduate students currently enrolled in the Fine Arts program.

OCC Student Art Show
Onondaga Community College

Price: Free
Whitney Applied Technology Center
Onondaga Community College, Syracuse

Annual student exhibit.

Works by Steven Fland and Ed Levine
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

Exhibit featuring Steven Fland's wildlife sculptures and Ed Levine's watercolors.

Patterns of Perception: Works by Mary Raineri
Associated Artists of Central New York

Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Flute and Piano Recital
Martha Grener, flute; Marnya Mazhukhova, piano

Price: Free
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Works by Prokofiev, Poulenc, Handel, Faure, and Scott.

Stained Glass Series: Recorder Virtuoso
Syracuse Symphony Orchestra
Syracuse University Oratorio Society
Daniel Hege, conductor
Featuring Michala Petri, recorders; Lianne Coble, soprano; Quinn Patrick, mezzo-soprano; Robert Allen, tenor; Timothy LeFebvre, bass-baritone

Most Holy Rosary Church
111 Roberts Ave., Syracuse

Telemann Concerto in C major for Alto Recorder, Strings, and Basso Continuo
Bach Concerto in G minor for Recorder, Strings, and Basso Continuo
Haydn Mass in C major, Mass in Time of War

TK99 Sound Check
Redhouse
Featuring The Fabulous Ripcords and The Action

Price: $5
Former Redhouse Theater
219 S. West St., Syracuse

Romance
Rarely Done Productions
Judith Harris, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

A screwball look at political correctness, jurisprudence, and hilariously misquoted Shakespeare. The characters reveal to us their bigotry -- against religion, against race, against national origin, against sexual orientation -- all in rhythm with David Mamet's unique storytelling style. Be prepared to be offended and yet laugh through this 2005 comedy sometimes referred to as "Kafka Meets Monty Python." Mature audiences only.

Seating for each show is limited. To reserve tickets, phone the box office at 315-546-3224.

Read a Review!

The Beard of Avon
Syracuse Shakespeare-in-the-Park
Ronald Bell, director

Price: $10
The Warehouse, Main Auditorium
350 W. Fayette St., Syracuse

The exciting, satirical and comical look at the age-old question of who wrote Shakespeare. Playwright Amy Freed, nominated for a Pulitzer Prize for her Freedomland, takes us on a journey that few playwrights have tackled before; the origins of Shakespeare's works. Ms. Freed applies her cinematic approach to the theatrical realm as she follows the Bard from his marriage in Stratford to London and back again and traces his journey for us to behold. For all you Shakespeare in Love fans, this is the play you've been waiting for.

For reservations, please phone 315-476-1835 or e-mail bell444@gmail.com.

Read a Review!

Picasso at the Lapin Agile
Wit's End Players

Price: $20
Empire Theater
New York State Fairgrounds, Geddes

Famed comedian and former Saturday Night Live alum Steve Martin's Off-Broadway comedy finds Albert Einstein, Pablo Picasso and a time-traveling Elvis meeting in a Paris café (The Nimble Rabbit) in 1904, just before the renowned scientist transformed physics with his theory of relativity and the celebrated painter set the art world afire with Cubism. Martin's brilliant script plays fast and loose with fact, fame and fortune as these three geniuses, and a zany cast of characters, muse on the century's achievements and prospects as well as other fanciful topics with infectious hilarity!

Read a Review!