Monday, September 5, 2011

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Tuesday, September 6, 2011

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

My Mother Is ...
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Recent work by Amy Bartell and Cynthia Clabough, with special guest KayCie Simmons. Also featuring works in collaboration with Emma Bourque, Nate Bourque, Maddie Carlone, Alyssa Lunka, Aaron Roe and Sara Roe. The exhibition explores our relationship to our mothers.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Activated Space
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jacqueline Adamo: abstract oil paintings on linen and canvas
Miyo Hirano: raku,gas and wood fired ceramics
Melissa Montgomery: concrete sculpture
Bradley Hudson: mixed media on paper and canvas

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Curiosities Below and Synchronicity: Works by Rachel Harms and Ann Skiöld
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Rachel Harms' exhibition, "Curiosities Below," features new oil paintings that are influenced through memory and sensory experience of place, color, and light. Many of the shapes and colors in this series have evolved from repetitive pattern in nature, found objects, the pervasiveness of water, things hidden and exposed. The surfaces of her paintings reveal subtle hints of what lies below.

Ann Skiöld's exhibition, "Synchronicity," features her new paintings and collages as "inscapes." The artist describes "inscape" as the result from experiencing many things at the same time. It is through processing these experiences, we are able to interpret them in a very personal way. Skiöld's abstract paintings and collages have a raw, yet lyrical style with a mysterious undertone.

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

Read a review!

Visiting Artist Lecture Series: Jerome Witkin
Syracuse University School of Art and Design

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in the Department of Art, will present an artist's talk in conjunction with the exhibition "Drawn to Paint: The Art of Jerome Witkin," on view Sept. 8-Oct. 23 at SU Art Galleries and Sept. 7-Oct. 16 at XL Projects, 307-313 S. Clinton St. "Drawn to Paint" consists of 70 works by Witkin, including drawings, paintings and sketchbooks, and marks the first time he has allowed his drawings to be displayed beside their finished works.

Witkin's career as a professor at VPA spans four decades. He has known an enviable number of artists central to the development of 20th-century American painting, and he has studied the history of art with great care. Witkin brings all of this knowledge of drawing, painting and history to bear in the classroom studio, where he encourages and critiques his students. "Drawn to Paint" celebrates his career as an artist-teacher, a dual role in which he has excelled.

Parking is available in SU pay lots.

Organ Recital
Syracuse University Setnor School of Music
Featuring Kola Owolabi, organist

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Kola Owolabi, SU organist and assistant professor of music, will present a recital featuring works by Bach, Karg-Elert, Paulus, Widor, Franck and Dupré.

Owolabi teaches courses in organ, improvisation, continuo playing and music theory; plays for weekly chapel services and special events; and coordinates the Malmgren Concert Series at Hendricks Chapel. He is also the sub dean for the Syracuse chapter of the American Guild of Organists and is responsible for planning chapter events.

A native of Toronto, Owolabi has held positions as assistant organist at St. Michael's Cathedral in Toronto and at the Church of St. Andrew and St. Paul in Montreal. He is a published composer and has received commissions from the Royal Canadian College of Organists and the Catholic Archdiocese of Toronto. In 2002, he was awarded second prize and the audience prize at the American Guild of Organists National Young Artists Competition in Organ Performance.

As a recitalist, he has performed across Canada, the United States, Mexico and Jamaica, appearing at such venues as St. Thomas Church on Fifth Avenue in New York City; Methuen Memorial Music Hall in Massachusetts; Cornell University in Ithaca; and the University of the West Indies in Jamaica.

Free parking is available in the Irving Garage; patrons should mention that they are attending the recital. For more information, contact Owolabi at 315-443-5043. For Setnor Auditorium concert status updates, contact the Setnor School at 315-443-2191.

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

Wednesday, September 7, 2011

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

My Mother Is ...
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Recent work by Amy Bartell and Cynthia Clabough, with special guest KayCie Simmons. Also featuring works in collaboration with Emma Bourque, Nate Bourque, Maddie Carlone, Alyssa Lunka, Aaron Roe and Sara Roe. The exhibition explores our relationship to our mothers.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Activated Space
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jacqueline Adamo: abstract oil paintings on linen and canvas
Miyo Hirano: raku,gas and wood fired ceramics
Melissa Montgomery: concrete sculpture
Bradley Hudson: mixed media on paper and canvas

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Curiosities Below and Synchronicity: Works by Rachel Harms and Ann Skiöld
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Rachel Harms' exhibition, "Curiosities Below," features new oil paintings that are influenced through memory and sensory experience of place, color, and light. Many of the shapes and colors in this series have evolved from repetitive pattern in nature, found objects, the pervasiveness of water, things hidden and exposed. The surfaces of her paintings reveal subtle hints of what lies below.

Ann Skiöld's exhibition, "Synchronicity," features her new paintings and collages as "inscapes." The artist describes "inscape" as the result from experiencing many things at the same time. It is through processing these experiences, we are able to interpret them in a very personal way. Skiöld's abstract paintings and collages have a raw, yet lyrical style with a mysterious undertone.

Opening: Perceived Environments
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

The gallery's September exhibit is a group show featuring six artists' comprehension of captured moments in their personal and imagined environments.

James Skvarch, well known for his detailed etchings of real or inventive spaces, will display works selected from two of his series, "Interiors" and "Caprices."

Self-taught artist John (Jaws) McGrath details in pen and ink his 'minds-eye' remembrances of sights he encountered throughout his 30-year travels across the country as a biker.

The show's exhibited photography by artists Harry Freeman-Jones and R. L. Mercer will give viewers up-close takes of familiar environments as Freeman-Jones presents lush colors of flora and fauna in a back yard garden, and Mercer, in his photogenic eye, depicts things normally overlooked in everyday scenes.

Artists Wendy Harris and Robert Niedzwiecki paint landscapes in different ways, Harris using pastels to achieve pure color intensity, and Niedzwiecki using oils and watercolors to create a more realistic look at what is in front of him.

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

Read a review!

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

Opening: Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Organ Recital
Syracuse University Setnor School of Music
Featuring Kola Owolabi, organist

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Kola Owolabi, SU organist and assistant professor of music, will present a recital featuring works by Bach, Karg-Elert, Paulus, Widor, Franck and Dupré.

Owolabi teaches courses in organ, improvisation, continuo playing and music theory; plays for weekly chapel services and special events; and coordinates the Malmgren Concert Series at Hendricks Chapel. He is also the sub dean for the Syracuse chapter of the American Guild of Organists and is responsible for planning chapter events.

A native of Toronto, Owolabi has held positions as assistant organist at St. Michael's Cathedral in Toronto and at the Church of St. Andrew and St. Paul in Montreal. He is a published composer and has received commissions from the Royal Canadian College of Organists and the Catholic Archdiocese of Toronto. In 2002, he was awarded second prize and the audience prize at the American Guild of Organists National Young Artists Competition in Organ Performance.

As a recitalist, he has performed across Canada, the United States, Mexico and Jamaica, appearing at such venues as St. Thomas Church on Fifth Avenue in New York City; Methuen Memorial Music Hall in Massachusetts; Cornell University in Ithaca; and the University of the West Indies in Jamaica.

Free parking is available in the Irving Garage; patrons should mention that they are attending the recital. For more information, contact Owolabi at 315-443-5043. For Setnor Auditorium concert status updates, contact the Setnor School at 315-443-2191.

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

Thursday, September 8, 2011

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

My Mother Is ...
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Recent work by Amy Bartell and Cynthia Clabough, with special guest KayCie Simmons. Also featuring works in collaboration with Emma Bourque, Nate Bourque, Maddie Carlone, Alyssa Lunka, Aaron Roe and Sara Roe. The exhibition explores our relationship to our mothers.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Activated Space
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jacqueline Adamo: abstract oil paintings on linen and canvas
Miyo Hirano: raku,gas and wood fired ceramics
Melissa Montgomery: concrete sculpture
Bradley Hudson: mixed media on paper and canvas

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Curiosities Below and Synchronicity: Works by Rachel Harms and Ann Skiöld
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Rachel Harms' exhibition, "Curiosities Below," features new oil paintings that are influenced through memory and sensory experience of place, color, and light. Many of the shapes and colors in this series have evolved from repetitive pattern in nature, found objects, the pervasiveness of water, things hidden and exposed. The surfaces of her paintings reveal subtle hints of what lies below.

Ann Skiöld's exhibition, "Synchronicity," features her new paintings and collages as "inscapes." The artist describes "inscape" as the result from experiencing many things at the same time. It is through processing these experiences, we are able to interpret them in a very personal way. Skiöld's abstract paintings and collages have a raw, yet lyrical style with a mysterious undertone.

Opening: Game On!
Syracuse University School of Art and Design

Price: Free
Genet Design Gallery
The Warehouse, 350 W. Fayette St., Syracuse

Most of us remember playing board games as young children. We not only mastered strategy and spatial recognition -- if we were lucky, we learned diplomacy, teamwork and how to be a gracious winner and a good loser. Early games date back to 3500 B.C. and new ones are still being developed today. Simple boards and game pieces may take a back seat to technology and electronics, but the gameplay can be just as exciting.

Second-year industrial and interaction design students explore the genre of board games in "Game On!" The students worked on the project as part of the course "Principles of Industrial Design II." They began the assignment by understanding what made an activity interesting to a group of people and worked their way to the creation of compelling objects.

For more information, contact Denise Heckman.

Perceived Environments
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

The gallery's September exhibit is a group show featuring six artists' comprehension of captured moments in their personal and imagined environments.

James Skvarch, well known for his detailed etchings of real or inventive spaces, will display works selected from two of his series, "Interiors" and "Caprices."

Self-taught artist John (Jaws) McGrath details in pen and ink his 'minds-eye' remembrances of sights he encountered throughout his 30-year travels across the country as a biker.

The show's exhibited photography by artists Harry Freeman-Jones and R. L. Mercer will give viewers up-close takes of familiar environments as Freeman-Jones presents lush colors of flora and fauna in a back yard garden, and Mercer, in his photogenic eye, depicts things normally overlooked in everyday scenes.

Artists Wendy Harris and Robert Niedzwiecki paint landscapes in different ways, Harris using pastels to achieve pure color intensity, and Niedzwiecki using oils and watercolors to create a more realistic look at what is in front of him.

Opening: A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

There will be an opening reception this evening 5:00-7:00 p.m.

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Opening: Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

There will be an opening reception this evening 5:00-7:00 p.m.

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

Read a review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Gallery Talk with David MacDonald
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Join ceramic artist David MacDonald for a tour of his solo exhibition New Work, which includes monumental figurative vessels and plates from his Divination Series.

The Heavy Pets
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

Friday, September 9, 2011

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

My Mother Is ...
SUNY Oswego Metro Center at the Atrium

SUNY Oswego Metro Center at the Atrium
2 Clinton Square, Syracuse

Recent work by Amy Bartell and Cynthia Clabough, with special guest KayCie Simmons. Also featuring works in collaboration with Emma Bourque, Nate Bourque, Maddie Carlone, Alyssa Lunka, Aaron Roe and Sara Roe. The exhibition explores our relationship to our mothers.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Activated Space
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Jacqueline Adamo: abstract oil paintings on linen and canvas
Miyo Hirano: raku,gas and wood fired ceramics
Melissa Montgomery: concrete sculpture
Bradley Hudson: mixed media on paper and canvas

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Curiosities Below and Synchronicity: Works by Rachel Harms and Ann Skiöld
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Rachel Harms' exhibition, "Curiosities Below," features new oil paintings that are influenced through memory and sensory experience of place, color, and light. Many of the shapes and colors in this series have evolved from repetitive pattern in nature, found objects, the pervasiveness of water, things hidden and exposed. The surfaces of her paintings reveal subtle hints of what lies below.

Ann Skiöld's exhibition, "Synchronicity," features her new paintings and collages as "inscapes." The artist describes "inscape" as the result from experiencing many things at the same time. It is through processing these experiences, we are able to interpret them in a very personal way. Skiöld's abstract paintings and collages have a raw, yet lyrical style with a mysterious undertone.

Game On!
Syracuse University School of Art and Design

Price: Free
Genet Design Gallery
The Warehouse, 350 W. Fayette St., Syracuse

Most of us remember playing board games as young children. We not only mastered strategy and spatial recognition -- if we were lucky, we learned diplomacy, teamwork and how to be a gracious winner and a good loser. Early games date back to 3500 B.C. and new ones are still being developed today. Simple boards and game pieces may take a back seat to technology and electronics, but the gameplay can be just as exciting.

Second-year industrial and interaction design students explore the genre of board games in "Game On!" The students worked on the project as part of the course "Principles of Industrial Design II." They began the assignment by understanding what made an activity interesting to a group of people and worked their way to the creation of compelling objects.

For more information, contact Denise Heckman.

Perceived Environments
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

There will be an artists' reception this evening 5:00-8:00 pm.

The gallery's September exhibit is a group show featuring six artists' comprehension of captured moments in their personal and imagined environments.

James Skvarch, well known for his detailed etchings of real or inventive spaces, will display works selected from two of his series, "Interiors" and "Caprices."

Self-taught artist John (Jaws) McGrath details in pen and ink his 'minds-eye' remembrances of sights he encountered throughout his 30-year travels across the country as a biker.

The show's exhibited photography by artists Harry Freeman-Jones and R. L. Mercer will give viewers up-close takes of familiar environments as Freeman-Jones presents lush colors of flora and fauna in a back yard garden, and Mercer, in his photogenic eye, depicts things normally overlooked in everyday scenes.

Artists Wendy Harris and Robert Niedzwiecki paint landscapes in different ways, Harris using pastels to achieve pure color intensity, and Niedzwiecki using oils and watercolors to create a more realistic look at what is in front of him.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

Read a review!

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Opening: Inner Gravitas
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

There will be an artist opening celebration this evening 7:00-9:00 pm. Live visual art performances, music, food, drinks, and an outdoor living room.

Mixed media installation by Alexey Vs and Michael John.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Irish Cultural Festival

Price: Free
Clinton Square
Downtown, Syracuse

MAIN STAGE
5:00 pm: The Flyin' Column
5:50 pm: Drumcliffe School of Irish Dance
6:10 pm: Goitse
7:20 pm: Rince Na Sonas School of Irish Dance
7:40 pm: The Elders
9:15 pm: McDonald-Ashford Academy of Irish Dance
9:45 pm: The Glengarry Bhoys

LE MOYNE STAGE
12:00 pm: Goitse
1:30 pm: An Ceol
2:15 pm: Pamela McGrath
3:00 pm: Cuppa Tae
4:00 pm: Syracuse Irish Session
5:00 pm: Quigsy and the Bird
5:50 pm: Rince Na Sonas School of Irish Dance
6:10 pm: Home Slice
7:00 pm: McDonald-Ashford Academy of Irish Dance
7:20 pm: Merry Mischief
8:25 pm: Drumcliffe School of Irish Dance
8:45 pm: Rathkeltair

For more information, visit syracuseirishfestival.com.

Scare-a-Cuse/B-Movie Festival

Price: $45 for 3-day pass, $20 for 1-day-only
OnCenter Convention Center
800 South State St., Syracuse

Horror and Sci-Fi festival. For complete information, visit scare-a-cuse.net.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Preparing Students for the Changing Role of Orchestral Musicians in the 21st Century
Syracuse University Setnor School of Music

Setnor Auditorium, Crouse College
Syracuse University, Syracuse

A conversation led by Daniel Hege and Patrick Jones.

Professional orchestras are feeling financial pressure. Attendance has dropped, revenues have decreased and traditional donors are scaling back. Some orchestras have closed, and many have shortened seasons or reduced salaries. The music industry is also changing. More people are accessing music digitally and making music on their own. Musical tastes have also changed as more people are exposed to a variety of cultures and their musics. Therefore, careers as professional orchestral musicians will require a broader set of skills. This discussion will be about helping to identify those skills and how best to prepare today's music students for careers as orchestral musicians.

Daniel Hege is the Stevenson Professor of Practice in the Setnor School. Widely recognized as one of America's finest young conductors, he has earned critical acclaim for his fresh interpretations of the standard repertoire and for his commitment to creative programming. He served for 11 seasons as the music director of the Syracuse Symphony and in June 2009 was appointed music director of the Wichita Symphony, beginning his tenure with that orchestra in September 2010.

Patrick Jones is the director of the Setnor School and a professor of music. He has enjoyed an international career as a conductor of military and youth bands and is conductor emeritus of Sinfonisches Blasorchester Eifel-Ardennen. He has presented workshops and scholarly papers internationally on a variety of topics, including music education history, curriculum and policy; is a contributing author to several books; and is a member of the editorial boards of the "International Journal of Community Music" and "Visions of Research in Music Education." In addition to his academic career, he is a colonel in the Air National Guard and chief of Air National Guard Bands.

Free parking is available in the Irving Garage; patrons should mention that they are attending the event.

Jamfest 2011
Central New York Bluegrass Association

Apple Valley Festival Grounds
Route 20, Lafayette

For details, visit www.cnyba.com.

Antje Dovekot
Folkus Project

Price: $15
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Renowned for her live shows, Antje Duvekot brings an intense innocence to her performances. Her angelic voice is simply beautiful and her lyrics are astonishing. She brings fresh imagery to the timeless subjects of longing, loss, love, loneliness, and vulnerability. Poetic and inventive, her songs are sweet and moving. Duvekot holds three top songwriting awards, including the Grand Prize in the prestigious John Lennon Songwriting Competition, the Kerrville Folk Festival "Best New Folk Award," and the Boston Music Award for "Outstanding Folk Act." Her fast-growing fan base, the viral spreading of her music, and a track record of sold-out shows are testaments to her growing popularity.

Best Coast
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

Shadowlands
Appleseed Productions
Sharee Lemos, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

C.S. Lewis, author of The Chronicles of Narnia, led a quiet, unassuming life, surrounded by his Oxford companions and held aloft by his unwavering Christian faith. But when he met Joy Davidman, American poet and divorcee, everything changed. Their romance came to challenge everything he understood about faith, hope and love. Written by William Nicholson.

Read a Review!

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

The Queen of Bingo
Encore Presentations
William Edward White, director

Glen Loch Restaurant
4626 North St., Jamesville

A comedy of love by the numbers, by Jeanne Michels and Phyllis Murphy

Read a review!

*SOLD OUT* Disenchanted: Bitches of the Kingdom
Rarely Done Productions
Dan Tursi, director

Price: $25
Jazz Central
441 E. Washington St., Syracuse

Happ'ly ever after can be a royal pain in the ass! A riotous new musical-comedy revue featuring the original storybook princesses comically kvetching about the exploitation they've suffered in the Disney movies and theme parks. Snow White and her angry band of warbling royal friends musically storm the castle in this hilariously clever take on the princesses!

Disenchanted! is the winner of the 2010 New Jersey Playwrights Contest.

Musical Director Michael Stephan. Music, lyrics, book by Dennis T. Giacino; additional lyrics by Fiely A. Matias.

This show is intended for mature audiences only.

Read a Review!

La MaMa Series: Folktales of Asia and Africa
Redhouse
Featuring Jane Catherine Shaw

Price: $20 regular, $15 members, $10 children under 18
Former Redhouse Theater
219 S. West St., Syracuse

While she is making bread, the hostess discovers that she has guests. As they all wait for the dough to rise she tells them three stories using kitchen utensils to play the characters, in the style of found object puppetry.

Audiences love to see eggbeaters hop into cloth napkins to become Japanese sisters dressed in kimonos, or watch as a flour sifter becomes an old man with a cookie cutter for a pet rabbit. Among the many notable characters are wooden salt and pepper shakers as sisters in "The Dragon with Five Heads" from Zimbabwe, four steak knives that become the wise man in the Japanese tale "The Lantern and The Fan," and an unusual doughnut maker becomes the moon goddess disguised as an old women in "The Old Man and the Moon" from Burma.

This one-woman show was created, designed, and performed by Jane Catherine Shaw nearly 20 years ago and has been an audience favorite wherever she has performed it. Children and adults delight in the imaginative use of everyday objects to portray the characters in the three stories. "Folktales of Asia and Africa" brings puppetry to its essence, in which common objects of daily use assume fantastic character through the artistry of puppetry and the puppeteer.

Saturday, September 10, 2011

Inner Gravitas
Echo

745 N. Salina St. (formerly Craft Chemistry)
Syracuse

Mixed media installation by Alexey Vs and Michael John.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

Read a review!

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

Curiosities Below and Synchronicity: Works by Rachel Harms and Ann Skiöld
Limestone Art and Framing Gallery

Limestone Art and Framing Gallery
105 Brooklea Dr., Fayetteville

Rachel Harms' exhibition, "Curiosities Below," features new oil paintings that are influenced through memory and sensory experience of place, color, and light. Many of the shapes and colors in this series have evolved from repetitive pattern in nature, found objects, the pervasiveness of water, things hidden and exposed. The surfaces of her paintings reveal subtle hints of what lies below.

Ann Skiöld's exhibition, "Synchronicity," features her new paintings and collages as "inscapes." The artist describes "inscape" as the result from experiencing many things at the same time. It is through processing these experiences, we are able to interpret them in a very personal way. Skiöld's abstract paintings and collages have a raw, yet lyrical style with a mysterious undertone.

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Game On!
Syracuse University School of Art and Design

Price: Free
Genet Design Gallery
The Warehouse, 350 W. Fayette St., Syracuse

Most of us remember playing board games as young children. We not only mastered strategy and spatial recognition -- if we were lucky, we learned diplomacy, teamwork and how to be a gracious winner and a good loser. Early games date back to 3500 B.C. and new ones are still being developed today. Simple boards and game pieces may take a back seat to technology and electronics, but the gameplay can be just as exciting.

Second-year industrial and interaction design students explore the genre of board games in "Game On!" The students worked on the project as part of the course "Principles of Industrial Design II." They began the assignment by understanding what made an activity interesting to a group of people and worked their way to the creation of compelling objects.

For more information, contact Denise Heckman.

Perceived Environments
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

The gallery's September exhibit is a group show featuring six artists' comprehension of captured moments in their personal and imagined environments.

James Skvarch, well known for his detailed etchings of real or inventive spaces, will display works selected from two of his series, "Interiors" and "Caprices."

Self-taught artist John (Jaws) McGrath details in pen and ink his 'minds-eye' remembrances of sights he encountered throughout his 30-year travels across the country as a biker.

The show's exhibited photography by artists Harry Freeman-Jones and R. L. Mercer will give viewers up-close takes of familiar environments as Freeman-Jones presents lush colors of flora and fauna in a back yard garden, and Mercer, in his photogenic eye, depicts things normally overlooked in everyday scenes.

Artists Wendy Harris and Robert Niedzwiecki paint landscapes in different ways, Harris using pastels to achieve pure color intensity, and Niedzwiecki using oils and watercolors to create a more realistic look at what is in front of him.

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Reception: Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Live kora performances and artist reception.

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Opening: The Machine/La Maquina: The Art of Favianna Rodriguez
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

There will be an opening artist reception this evening 7:00-9:00.

The work of Favianna Rodriguez embodies an art and cultural practice that gives voices to disenfranchised people all over the world, transforming it into a tool for agitation, inspiration, and action. The exhibition, The Machine/La Maquina will feature some of Favianna's newest works. Favianna's composites reflect literal and imaginative migration, global community, and interdependence. Whether her subjects are immigrant youth in the USA, land workers fighting for their survival, or her own abstract self portraits, Rodriguez brings new audiences into the art world by refocusing the cultural lens.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Golden Harvest Festival

Price: $5 adults, $1 children ages 6-17, free for 5 and under
Beaver Lake Nature Center
8477 E. Mud Lake Rd., Baldwinsville

For details, visit the website.

Scare-a-Cuse/B-Movie Festival

Price: $45 for 3-day pass, $25 for 1-day-only
OnCenter Convention Center
800 South State St., Syracuse

Horror and Sci-Fi festival. For complete information, visit scare-a-cuse.net.

Irish Cultural Festival

Price: Free
Clinton Square
Downtown, Syracuse

MAIN STAGE
12:10 pm: Tom Dooley Choraliers
12:30 pm: Emish
2:10 pm: Harrington School of Dance
2:30 pm: The Elders
3:45 pm: Butler-Sheehan Academy of Irish Dance
4:05 pm: Rathkeltair
5:30 pm: Francis Academy of Irish Dance
5:50 pm: The Causeway Giants
7:10 pm: Johnston School of Irish Dance
7:30 pm: Searson
9:30 pm: The Elders

LE MOYNE STAGE
12:30 pm: An Ceol
1:20 pm: Kristin Gitler and Dave Goldman
2:10 pm: Slainte
2:55 pm: Johnston School of Irish Dance
3:15 pm: Wind and Wire
4:00 pm: Merry Mischief
4:50 pm: Traonach
5:35 pm: Harrington School of Dance
5:55 pm: Syracuse Irish Session
6:35 pm: Blarney Rebel Band
7:35 pm: Butler-Sheehan Academy of Irish Dance
7:55 pm: The Fighting 86's
8:45 pm: Francis Academy of Irish Dance
9:05 pm: Bill Delaney

For more information, visit syracuseirishfestival.com.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Jamfest 2011
Central New York Bluegrass Association

Apple Valley Festival Grounds
Route 20, Lafayette

For details, visit www.cnyba.com.

Loren Barrigar in Concert

Price: $15
Robinson Memorial Church
126 Terry Rd. (corner of Granger), Syracuse

Linda McRae in Concert
Kellish Hill Farm

Price: $10
Kellish Hill Farm
3192 Pompey Center Rd., Pompey

Roger McGuinn in Concert

Price: $30
Palace Theater
2384 James St., Syracuse

The Princess and the Pea
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive retelling of the children's classic story.

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

Shadowlands
Appleseed Productions
Sharee Lemos, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

C.S. Lewis, author of The Chronicles of Narnia, led a quiet, unassuming life, surrounded by his Oxford companions and held aloft by his unwavering Christian faith. But when he met Joy Davidman, American poet and divorcee, everything changed. Their romance came to challenge everything he understood about faith, hope and love. Written by William Nicholson.

Read a Review!

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

The Queen of Bingo
Encore Presentations
William Edward White, director

Glen Loch Restaurant
4626 North St., Jamesville

A comedy of love by the numbers, by Jeanne Michels and Phyllis Murphy

Read a review!

*SOLD OUT* Disenchanted: Bitches of the Kingdom
Rarely Done Productions
Dan Tursi, director

Price: $20
Jazz Central
441 E. Washington St., Syracuse

Happ'ly ever after can be a royal pain in the ass! A riotous new musical-comedy revue featuring the original storybook princesses comically kvetching about the exploitation they've suffered in the Disney movies and theme parks. Snow White and her angry band of warbling royal friends musically storm the castle in this hilariously clever take on the princesses!

Disenchanted! is the winner of the 2010 New Jersey Playwrights Contest.

Musical Director Michael Stephan. Music, lyrics, book by Dennis T. Giacino; additional lyrics by Fiely A. Matias.

This show is intended for mature audiences only.

Read a Review!

La MaMa Series: Folktales of Asia and Africa
Redhouse
Featuring Jane Catherine Shaw

Price: $20 regular, $15 members, $10 children under 18
Former Redhouse Theater
219 S. West St., Syracuse

While she is making bread, the hostess discovers that she has guests. As they all wait for the dough to rise she tells them three stories using kitchen utensils to play the characters, in the style of found object puppetry.

Audiences love to see eggbeaters hop into cloth napkins to become Japanese sisters dressed in kimonos, or watch as a flour sifter becomes an old man with a cookie cutter for a pet rabbit. Among the many notable characters are wooden salt and pepper shakers as sisters in "The Dragon with Five Heads" from Zimbabwe, four steak knives that become the wise man in the Japanese tale "The Lantern and The Fan," and an unusual doughnut maker becomes the moon goddess disguised as an old women in "The Old Man and the Moon" from Burma.

This one-woman show was created, designed, and performed by Jane Catherine Shaw nearly 20 years ago and has been an audience favorite wherever she has performed it. Children and adults delight in the imaginative use of everyday objects to portray the characters in the three stories. "Folktales of Asia and Africa" brings puppetry to its essence, in which common objects of daily use assume fantastic character through the artistry of puppetry and the puppeteer.

Sunday, September 11, 2011

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

Read a review!

Game On!
Syracuse University School of Art and Design

Price: Free
Genet Design Gallery
The Warehouse, 350 W. Fayette St., Syracuse

Most of us remember playing board games as young children. We not only mastered strategy and spatial recognition -- if we were lucky, we learned diplomacy, teamwork and how to be a gracious winner and a good loser. Early games date back to 3500 B.C. and new ones are still being developed today. Simple boards and game pieces may take a back seat to technology and electronics, but the gameplay can be just as exciting.

Second-year industrial and interaction design students explore the genre of board games in "Game On!" The students worked on the project as part of the course "Principles of Industrial Design II." They began the assignment by understanding what made an activity interesting to a group of people and worked their way to the creation of compelling objects.

For more information, contact Denise Heckman.

Perceived Environments
Szozda Gallery

Szozda Gallery
Delavan Center, 501 W. Fayette St., Syracuse

The gallery's September exhibit is a group show featuring six artists' comprehension of captured moments in their personal and imagined environments.

James Skvarch, well known for his detailed etchings of real or inventive spaces, will display works selected from two of his series, "Interiors" and "Caprices."

Self-taught artist John (Jaws) McGrath details in pen and ink his 'minds-eye' remembrances of sights he encountered throughout his 30-year travels across the country as a biker.

The show's exhibited photography by artists Harry Freeman-Jones and R. L. Mercer will give viewers up-close takes of familiar environments as Freeman-Jones presents lush colors of flora and fauna in a back yard garden, and Mercer, in his photogenic eye, depicts things normally overlooked in everyday scenes.

Artists Wendy Harris and Robert Niedzwiecki paint landscapes in different ways, Harris using pastels to achieve pure color intensity, and Niedzwiecki using oils and watercolors to create a more realistic look at what is in front of him.

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

Drawn to Paint: The Art of Jerome Witkin
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Drawn to Paint: The Art of Jerome Witkin" consists of 70 works including drawings, paintings, and sketchbooks. Dividing the show between two venues to allow for broader access, "Drawn to Paint" will be on view at the SUArt Galleries on the Syracuse University main campus and the XL Projects gallery in downtown Syracuse. This exhibition, with Dr. Edward A. Aiken as its curator, is the first time Jerome Witkin has allowed his drawings to be displayed beside their finished works. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

"Drawn to Paint" is more than a selection of masterfully painted narratives. Through the juxtaposition of drawings and sketchbooks, the exhibition represents a rare look into the artist's process, from the inception of an idea to the completed artwork. The works of Jerome Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition while his brushwork encourages close examination to better admire the painting's surface.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Read a review!

A Magnificent Obsession: Selections from the Hamilton Armstrong Collection of Prints
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For decades, Hamilton Armstrong of Fayetteville, NY has been collecting prints created by some of most important and well-known American and European artists of the last 200 years. While only a fraction of the number of works he collected will be exhibited, this show will demonstrate two areas of great interest to Armstrong.

First is the area of architectural etching that began in 19th century Europe and continued into 20th century American printmaking. Consisting of more than 30 prints by Charles Meryon, John Taylor Arms, Samuel Chamberlain, and others, this part of the exhibition highlights an impressive selection of Meryon's rare etchings.

The second part of the show is a series of wood engravings done by Fritz Eichenberg for a reprint of Emily Bronte's classic novel, Wuthering Heights. These images are rare artist proof prints for the 1943 Random House edition of the novel and have been considered some of best illustrations of the 19th century classic because they capture the drama of author's text without adding superfluous material.

Weekend and evening visitors can park in the Q4 lot on College Place. Notify the attendant that you are visiting the Galleries and you will be directed where to park. Parking is on a space available basis and may be restricted during events held at the Carrier Dome. If spaces aren't available the attendant will direct you to the nearest lot.

Celestial Nights: Visions of an Ancient Land
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The Everson recently received a gift of 47 black-and-white photographs by Neil Folberg entitled "Celestial Nights: Visions of an Ancient Land." "Celestial Nights" is a stunning portfolio of nocturnal landscapes and star-filled skies set in ancient ruins found in the Middle East. The artist skillfully captures a spectacular world of nocturnal landscapes in Israel and the Sinai where the horizon is not always definitive. The earth and heavens are mingled in this series of arresting images, which to Folberg represents a blurred division between present and eternity, substance and spirit, and knowledge and imagination. Folberg writes, "In landscape I see a revelation of how pure spirituality has descended into physical existence ... These are the scenes, on the human edge of the cosmos, that I am showing in these photographs."

Neil Folberg was born in San Francisco and grew up in the Midwest. He was a student of Ansel Adams in 1967 and enrolled at the University of California at Berkeley the following year. In 1976 He moved to Jerusalem, a place that has become the subject of much of his work. He has exhibited widely and published several photographic books including the internationally acclaimed In A Desert Land (1987), a series of color photographs of Middle Eastern landscapes and architecture. His second book, And I Shall Dwell Among Them (1995) featured synagogue architecture throughout the Jewish Diaspora. Celestial Nights, published in 2001, became a major traveling exhibition organized by Aperture.

The Power of Pattern: New Work by David MacDonald
Everson Museum of Art

Price: $5 suggested donation
Everson Museum of Art
401 Harrison St., Syracuse

David MacDonald's long awaited solo exhibition will open with an innovative body of work. The highlight of the exhibition will be a monumental work commissioned by the Everson in 2008 with funds donated by the Social Arts Club. Also on view will be several new figurative vessels, monumental in scale, and plates from the Divination Series. Recently retired from Syracuse University's College of Visual and Performing Arts where he taught ceramics for more than 37 years, MacDonald is now able to concentrate on a new body of work.

Early in his career, ceramic artist David MacDonald turned to his African heritage for inspiration in his work. The many examples of surface pattern and decoration found in textiles, utilitarian objects, body ornament and architecture present among the diverse ethnic groups of sub-Sahara Africa continue to inform MacDonald's work on many levels. In his artist's statement, he proclaims "The principle concern of my art is the articulation of the magnificence and nobility of the human spirit; a celebration of my African heritage." For more than three decades, MacDonald has used clay to express these words through a significant body of work focusing on highly decorated utilitarian objects that have come to symbolize tremendous integrity and endurance.

MacDonald is recognized nationally not only for his master craftsmanship in ceramics but for his dedication as a mentor and teacher to a countless number of aspiring artists and students. Locally, he is a founding member of the Community Folk Art Center, an organization affiliated with Syracuse University's Department of African American Studies that aims to provide a space to engage artists from underrrepresented ethnic groups in Central New York. In addition, MacDonald is involved in many community activities including serving on the Everson's Collection Committee.

Still Life: Revisited
Everson Museum of Art

Price: Suggested donation $5 adults
Everson Museum of Art
401 Harrison St., Syracuse

The current exhibition examines the influence of painting on photography within the still life genre. 19th- and 20th-century American paintings from the permanent collection will be on display with the work of contemporary photographers such as Sharon Core, Laura Letinsky, Paulette Tavormina, and D.W. Mellor, and Irving Penn. Daniel K. Tennant, a local still life painter and photographer will also be included.

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Drawn to Paint: The Art of Jerome Witkin
XL Projects

Price: Free
XL Projects
307-313 S. Clinton St., Syracuse

"Drawn to Paint" consists of 70 works including drawings, paintings and sketchbooks by Jerome Witkin, one of America's leading figurative painters and a longtime professor of painting in VPA's Department of Art.

"Drawn to Paint" marks the first time Witkin has allowed his drawings to be displayed beside their finished works. Curator of the exhibition is Edward A. Aiken, associate professor and program coordinator of VPA's graduate program in museum studies in the Department of Design. "Drawn to Paint" will be traveling to other museums around the country during a two-year tour that will conclude at the Palmer Museum of Art in University Park, PA.

The works of Witkin carry forward into our era the grand Western European tradition of history painting. His images offer dramatic narratives that reveal themselves over time. Many of his most interesting paintings are large multiple panels, each section presenting a different chapter of an unfolding story. Their scale pushes the viewer back to see the whole composition, while his brushwork encourages close examination to better admire the painting's surface.

For more information, phone 315-442-2542 during gallery hours or e-mail Andrew Havenhand at ahavenhand@yahoo.com. Complete information and related programming is available at suart.syr.edu or on Facebook.

Dying Oak, Wild Raspberry Bush: Works by Pae White
Urban Video Project

Price: Free
Everson Museum of Art Plaza
401 Harrison St., Syracuse

Two videos, Dying Oak/Elephant (3-min loop) and Ballerina (Wild Raspberry Bush)(1-min loop), both 2009, by internationally recognized artist and designer, Pae White.

These two video pieces employ high-tech 3D scanning and motion animation techniques and apply them to objects from the natural world, playfully interrogating the integrity of the human/nature divide. The result is a mesmerizing exploration of natural form in which perspective and scale are in constant flux, the data points coalescing for a moment to create an image that is almost hyper-real in its detail, and in the next dispersing into glowing abstractions that might be galaxies or cities at night.

Golden Harvest Festival

Price: $5 adults, $1 children ages 6-17, free for 5 and under
Beaver Lake Nature Center
8477 E. Mud Lake Rd., Baldwinsville

For details, visit the website.

Scare-a-Cuse/B-Movie Festival

Price: $45 for 3-day pass, $20 for 1-day-only
OnCenter Convention Center
800 South State St., Syracuse

Horror and Sci-Fi festival. For complete information, visit scare-a-cuse.net.

Our Sporting Life: The Heroes, The Highlights, The History
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

This local sports history exhibit will highlight a variety of sports equipment, photographs, ephemera, and most importantly, the people involved in making sports history come alive. From baseball, to basketball, to football, hockey, bowling, and more, the exhibit will recount the "thrill of victory and the agony of defeat" for our local sports history makers. Visitors will learn more about Syracuse’s professional basketball team, women athletes, ice boating on Onondaga Lake, past Syracuse hockey teams, as well as African American athletes such as Moses Fleetwood Walker. Guests will also get a chance to see some vintage trophies, uniforms, equipment, and images of our local competitors in action.

Seafood Music Festival

Price: Free
Sherwood Inn
26 W. Genesee St., Skaneateles

Free music by Full Tilt, Grupo Pagan, The Mere Mortals, and the Joe Whiting Band. Held on the west lawn. Food available for purchase. For more information, phone 315-685-3405.

Interfaith Service of Hope and Remembrance
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Participants include SU Brass, Hendricks Chapel Choir, Black Celestial Choral Ensemble, and Syracuse Children's Chorus, as well as speakers. For more information, phone 315-443-2901.

Remember, Reflect, Renew

Price: Free
West Genesee High School
5201 W. Genesee St., Syracuse

A healing gift to the community. Participants include the Syracuse Chorale, Onondaga Civic Symphony, Syracuse Pops Chorus, Master's Touch Chorale, Five to Life, Syracuse Scottish Pipe Band, as well as speakers. Doors open at 2:15 pm.

Remembering The Heroes: A Musical Tribute To The Victims Of 9/11

Price: Free, but donations accepted for Somalia Relief.
Andrews Memorial United Methodist Church
106 Church St., North Syracuse

Music from Broadway, the movies and more performed in memory of those whose lives were lost during the tragic events of September 11, 2001.

This concert features light classical and popular music of reflection and inspiration, performed in a peaceful environment. This event is not meant to be a political statement or to rehash the events that occurred on that day, but simply to provide an opportunity to gather together to reflect and celebrate in a positive way those who we lost through the power of live music. This concert has been given annually since 2003.

Refreshments provided by the Cicero-Mattydale Lions Club.

For more information, visit the event's Facebook page.

10th Anniversary Concert to Commemorate 9/11

Price: Free
St. Paul's Syracuse
220 E. Fayette St., Syracuse

A concert of choral and instrumental music for remembrance and healing.

This concert will feature vocal soloist Marcus Haddock, tenor, of Skaneateles who will sing "Ingemisco" from Verdi's Requiem. Haddock was performing Verdi's Requiem in Ghent, Belgium on Sept 11, 2001. This concert marks Haddock's return to the concert stage after two and a half years of rehabilitation.

Heather Buchman from Hamilton College will conduct. The concert will also include music by Paul Mealor (Ubi Caritas, first heard at the recent Royal Wedding), John Ireland, Brahms, Sibelius, and Shostakovich. Local composers Persis Persal Vehar (composer of the opera Eleanor Roosevelt), David Byrne, Ernst Bacon, and Christian Imboden will also be featured. Instrumental performers will include Walden Bass, cello; John Spradling, piano; Ilze Brink-Button, French horn; and James Potts, organ. Vocal soloists include Phil Eisenman, baritone and Sabine Krantz, soprano, as well as performances by over 30 of the area's finest vocal artists.

Byron Jones, the Welsh Wizard
Syracuse Wurlitzer

Price: $15 adults, $2 children
Empire Theater
New York State Fairgrounds, Geddes

Byron Jones was born in South Wales, well-known as the land of song, and from a very early age he showed a great interest in music. It was not long before he was playing for his local Sunday school, where he was introduced to an harmonium. He continued piano lessons while at school and upon leaving was asked to play the newly installed Hammond organ in the local miners club. Soon he was accompanying famous West End artists when they appeared in clubs in his native Wales.

He now has his own music club with over 600 members. He hosts a number of music festivals per year on both electronic and pipe organs, and has played many of the prime theatre organ venues in England as well as touring throughout the United States. He has broadcast many times on TV and radio and has produced many excellent CDs and Videos. A perennial favorite, he returns to Syracuse for a program on our world famous Wurlitzer Theatre Pipe Organ.

Eliot Lipp
Westcott Theater

Westcott Theater
524 Westcott St., Syracuse

The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

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Shadowlands
Appleseed Productions
Sharee Lemos, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

C.S. Lewis, author of The Chronicles of Narnia, led a quiet, unassuming life, surrounded by his Oxford companions and held aloft by his unwavering Christian faith. But when he met Joy Davidman, American poet and divorcee, everything changed. Their romance came to challenge everything he understood about faith, hope and love. Written by William Nicholson.

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The Lion King
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Take Africa's animal kingdom, add the story of a lion-cub prince who becomes fatherless, and give director and master puppeteer Julie Taymor free reign. Throw in scores by Elton John, Tim Rice and Hans Zimmer. Now you have an idea why The Lion King has remained an audience favorite since its opening in November 1997. The winner of six Tony awards, the musical is based on the 1994 Disney film with the same title.

Read a Review!

Monday, September 12, 2011

Natural Selections: Works by Bob Ripley
Baltimore Woods

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit of wildlife paintings in transparent watercolors.

Leftovers for Dinner
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

SU sculpture students Becky Reiser and Alexander Svoboda present their collaborative installation.

Senegal - France - Syracuse: Works of James Secor
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Experience the interplay of James Secor's expressive paintings with his kora music. Art and music coming together with influences from all over the world! The kora is a traditional West African instrument, much like a harp, but in play can resemble flamenco or even delta blues guitar techniques.

Vivid colors illuminate the subjects of James Secor's paintings, varying in style from representative to abstract. A visual vocabulary has evolved and emerged through his constant search for inventive solutions. Seeking to create a sense of unity and a balance of forces, whether by color, line or in value.

James Secor made his studies of the kora in Senegal through a Griot, one of a traditional culture of storytellers who often accompany themselves on koras or other instruments. Secor took in 12 of these traditional songs. Having been a musician for many years before learning the kora, this journey was certain to expand his repertoire for musical expression. The music James wrote in France resembles traditional kora and is influenced both by his own style as well as by his 8-month immersion in the world of the little French village of Tournus.

Hanging Out To Dry: Works by Lisa Noviasky
Gallery 54

Gallery 54
54 E. Genesee St., Skaneateles

Michelle Danforth Landscape Paintings
Imagine

Imagine
38 E. Genesee St., Skaneateles

[hyphen] Americans
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The exhibition features stunning tintype portraits created by photographer Keliy Anderson-Staley. The exhibition title speaks to the multicultural character of American identities (Irish-American, African-American, etc.). Although a person's heritage might be inferred by looking at their features and clothing, viewers of Anderson-Staley's work are encouraged, according to the artist, "to suspend the kind of thinking that would traditionally assist in decoding these images in the context of American identity politics."

Anderson-Staley makes portraits with the 19th-century wet-plate collodion process. She uses wooden view cameras, 19th-century brass lenses and chemicals she hand-mixes according to the traditional formulas. In this series, she focuses on just one plane in the face--usually the eyes. The exposures are long, lasting anywhere from 10-60 seconds, so the images capture a full moment of thought. Because of these characteristics of the process, there is an introspective quality to each portrait, as if each person has been caught looking at himself or herself in a mirror.

The portraits in the exhibition are mostly individuals from the broader Syracuse community photographed during Anderson-Staley's residency in 2010. This collection of tintypes, numbering more than 100, is thus as much a portrait of a diverse community as it is a series of individual portraits.

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Game On!
Syracuse University School of Art and Design

Price: Free
Genet Design Gallery
The Warehouse, 350 W. Fayette St., Syracuse

Most of us remember playing board games as young children. We not only mastered strategy and spatial recognition -- if we were lucky, we learned diplomacy, teamwork and how to be a gracious winner and a good loser. Early games date back to 3500 B.C. and new ones are still being developed today. Simple boards and game pieces may take a back seat to technology and electronics, but the gameplay can be just as exciting.

Second-year industrial and interaction design students explore the genre of board games in "Game On!" The students worked on the project as part of the course "Principles of Industrial Design II." They began the assignment by understanding what made an activity interesting to a group of people and worked their way to the creation of compelling objects.

For more information, contact Denise Heckman.

Fall Flamenco Festival: Africa and Iberia

Price: $18 adult, $12 with student ID, $35 VIP
Palace Theater
2384 James St., Syracuse

An evening of music and dance with Sergio Aranda, flamenco dancer from Spain guest artists of AB Productions and Puente Flamenco.

A portion of the proceeds of this event will be donated to master puppeteer Vladimir V. of Open Hand Theater, whose home was destroyed in a fire.