Monday, November 2, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Memories in Paint: Works by Michael Lynne
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Artist Statement by Michael Lynne:
My work and my interests are eclectic and are reflected throughout the work I have selected for this show. You can see the work meander between realism, social commentary, narrative and even some abstract paintings. The changes in interest, direction and use of mediums are evident. One "stage" is not necessarily better than another but rather reflects either a change in interest by the artist or the arrival of a particularly inspiring idea. This evolving path has been my own road to self-discovery as an artist and is a path that I continue to travel.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

There's Always Tomorrow (1934)
Syracuse Cinephile Society

Price: $3 regular, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Touching drama of a hard-working husband and father who feels neglected until his old flame re-enters his life. Directed by Edward Sloman. Cast includes Frank Morgan, Binnie Barnes, Lois Wilson, Robert Taylor, Alan Hale, Margaret Hamilton.

The Rat Pack is Back!
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

This spirited tribute recreates one of the famous Summit at the Sands hotel shows, when the swingin', ring-a-ding group known as the Rat Pack was creating hipster legend with a free-wheeling, no-holds-barred nightclub act starring Vegas' four favorite sons: Frank Sinatra, Sammy Davis, Jr., Dean Martin, and Joey Bishop.

Written and produced by Sandy Hackett, son of legendary comedian Buddy Hackett, The Rat Pack is Back! features uncanny vocal recreations, unbridled humor, and a hot, live big band that sends audiences straight back to the coolest time in history. Hits include That's Amore, Fly Me to the Moon, Mr. Bojangles, and many more. See why The Las Vegas Sun writes, "This is as close as anyone has come to capturing the feeling of the real thing," and the Chicago Tribune raves, "Excellent!"

Read a review!

Tuesday, November 3, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Memories in Paint: Works by Michael Lynne
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Artist Statement by Michael Lynne:
My work and my interests are eclectic and are reflected throughout the work I have selected for this show. You can see the work meander between realism, social commentary, narrative and even some abstract paintings. The changes in interest, direction and use of mediums are evident. One "stage" is not necessarily better than another but rather reflects either a change in interest by the artist or the arrival of a particularly inspiring idea. This evolving path has been my own road to self-discovery as an artist and is a path that I continue to travel.

Power and Pride: An Elizabeth Catlett Retrospective
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

"Power and Pride: An Elizabeth Catlett Retrospective" features 50 years of prints, drawings, collages and sculptures by Catlett, who is an icon of American art. The exhibition was organized with the assistance of Stella Jones Gallery, New Orleans, LA.

Born in Washington, DC, Elizabeth Catlett graduated from Howard University with a degree in painting and was the first student to receive an M.F.A. degree in sculpture from the University of Iowa in 1940. She later studied ceramics at the Art Institute of Chicago, and lithography at the Art Students League in New York. In 1943, she studied with sculptor Ossip Zadkine in New York. Catlett was awarded a Rosenwald Fellowship in 1946, under which she travelled to Mexico to study sculpture, mural painting and printmaking. In Mexico, she worked at the Escuela de Pintura y Escultura and at the Taller de Gráfica Popular (Popular Graphic Arts Workshop), a group of artists who created art that expressed desire for social change. In 1947, she married Mexican artist Francisco Mora, and became a naturalized Mexican citizen in 1962. A lifelong artist, activist and educator, Catlett is known for her depiction of social and political issues, in particular those relating to African American and women's themes.

Elizabeth Catlett has taught at Dillard University, Hampton University, the George Washington Carver School, and the National Autonomous University of Mexico in Mexico City, where she became the first female professor and first female department chair at the School of Fine Arts.

She retired in 1976 and makes her home in Cuernavaca, Mexico, where she continues to work in her studio. Her work is featured in many public and private collections around the world, and she has participated in numerous solo and group exhibitions. Catlett has been the recipient of numerous awards and honorary degrees.

Read a review!

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

Read a review!

Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

American Ream: Works of Marco Maggi
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

The exhibition features the installation HOTBED (ORANGE), the drawing PLEXI LINE, and the video D-REAMS. The exhibition is intended for audiences of all ages.

Uruguayan-born, New Paltz-based Marco Maggi is best known for his use of everyday materials on which he inscribes a vocabulary that evokes Aztec culture and the art of Joaquín Torres-García. By focusing on visual codes (such as repeated visual symbols that only suggest objects), spatiality, and the political connotations of maps, Maggi's work also reflects Latin American traditions and concerns expressed by many contemporary artists. American Ream (The Warehouse Gallery) and Slow Scandal (The Point of Contact Gallery) are the result of a partnership between both organizations and feature media that the artist chose as a means of responding to both spaces.

Window Project: This is Not Site-Specific by Nathan Cordero
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Syracuse-based, self-taught Nathan Cordero moved recently from Sacramento, CA, where he worked primarily in public art. For the Window Projects, Cordero has covered the wall with paintings that refer to urban art while also creating an assemblage (through the inclusion of everyday objects into the artwork). An excellent draftsman, his art is about self-expression, protest and the desire to take street art into the galleries.

For this exhibition, Cordero used found objects such as plywood and photographs. He covered a person's face in the photographs to make her/him look like a thief or terrorist, and to reflect upon specific events in his personal life that also refer to issues in today's society. Engraved into the plywood, the paintings manifest the artist's ease in the medium. He uses masking tape or paint to refer to common television talk shows, personal events or books that are part of pop culture. Cordero's work, which was for the most part created within the last few months, demonstrates the artist's capacity of turning daily, banal or threatening events into art. This is his first solo museum exhibition.

Architecture and Context
Syracuse University School of Architecture
Featuring Annabelle Selldorf

Price: Free
Slocum Hall Auditorium
Syracuse University campus, Syracuse

Annabelle Selldorf, FAIA, an AD 100 Top Designer and member of the Interior Design Hall of Fame, is principal of Selldorf Architects, which she established in 1988. Born and raised in Germany, Selldorf received her architecture degree from Pratt Institute and her M.Arch. degree from Syracuse Architecture. Book signing will follow.

**POSTPONED** A Voice for Children
University Lectures
Featuring Marian Wright Edelman

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Ms. Edelman's appearance has been postponed until April 6, 2010 due to a conflict that has arisen with her schedule.

Marian Wright Edelman has been an advocate for disadvantaged Americans for her entire professional life. Under her leadership, Children's Defense Fund has become the nation's strongest voice for children and families. The Leave No Child Behind mission of the CDFund is to ensure every child a Healthy Start, a Head Start, a Fair Start, a Safe Start, and a Moral Start in life and successful passage to adulthood with the help of caring families and communities. Edelman began her career in the mid-'60s when, as the first black woman admitted to the Mississippi Bar, she directed the NAACP Legal Defense and Educational Fund office in Jackson, MS. She served as counsel for the Poor People's Campaign in Washington, DC, founded the Washington Research Project, and served as the director of the Center for Law and Education at Harvard University for two years. Her work has earned her numerous awards, including the Presidential Medal of Freedom. A prolific author, her latest book, The Sea is So Wide and My Boat is So Small: Charting a Course for the Next Generation, was released last fall.

Reduced-rate parking for the event is available in the Irving Avenue parking garage.

Windjammer Vocal Jazz Ensemble
Syracuse University Setnor School of Music
Bill DiCosimo, conductor

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

The ensemble will feature arrangements of jazz standards from Johnny Mercer, Hoagy Carmichael, Thomas "Fats" Waller, and Bob Thiele, as well as a number of featured solo numbers and a premier of DiCosimo's original bossa-jazz piece "Tomorrow Brings The Rain.

Parking is available in Irving Garage. For more information, contact DiCosimo at 315-443-6145 or wjdicosi@syr.edu.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

The Rat Pack is Back!
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

This spirited tribute recreates one of the famous Summit at the Sands hotel shows, when the swingin', ring-a-ding group known as the Rat Pack was creating hipster legend with a free-wheeling, no-holds-barred nightclub act starring Vegas' four favorite sons: Frank Sinatra, Sammy Davis, Jr., Dean Martin, and Joey Bishop.

Written and produced by Sandy Hackett, son of legendary comedian Buddy Hackett, The Rat Pack is Back! features uncanny vocal recreations, unbridled humor, and a hot, live big band that sends audiences straight back to the coolest time in history. Hits include That's Amore, Fly Me to the Moon, Mr. Bojangles, and many more. See why The Las Vegas Sun writes, "This is as close as anyone has come to capturing the feeling of the real thing," and the Chicago Tribune raves, "Excellent!"

Read a review!

Laugh to Keep from Crying

Price: $42
Landmark Theatre
362 S. Salina St., Syracuse

For more information, phone 315-475-7979.

Wednesday, November 4, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Memories in Paint: Works by Michael Lynne
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Artist Statement by Michael Lynne:
My work and my interests are eclectic and are reflected throughout the work I have selected for this show. You can see the work meander between realism, social commentary, narrative and even some abstract paintings. The changes in interest, direction and use of mediums are evident. One "stage" is not necessarily better than another but rather reflects either a change in interest by the artist or the arrival of a particularly inspiring idea. This evolving path has been my own road to self-discovery as an artist and is a path that I continue to travel.

Power and Pride: An Elizabeth Catlett Retrospective
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

"Power and Pride: An Elizabeth Catlett Retrospective" features 50 years of prints, drawings, collages and sculptures by Catlett, who is an icon of American art. The exhibition was organized with the assistance of Stella Jones Gallery, New Orleans, LA.

Born in Washington, DC, Elizabeth Catlett graduated from Howard University with a degree in painting and was the first student to receive an M.F.A. degree in sculpture from the University of Iowa in 1940. She later studied ceramics at the Art Institute of Chicago, and lithography at the Art Students League in New York. In 1943, she studied with sculptor Ossip Zadkine in New York. Catlett was awarded a Rosenwald Fellowship in 1946, under which she travelled to Mexico to study sculpture, mural painting and printmaking. In Mexico, she worked at the Escuela de Pintura y Escultura and at the Taller de Gráfica Popular (Popular Graphic Arts Workshop), a group of artists who created art that expressed desire for social change. In 1947, she married Mexican artist Francisco Mora, and became a naturalized Mexican citizen in 1962. A lifelong artist, activist and educator, Catlett is known for her depiction of social and political issues, in particular those relating to African American and women's themes.

Elizabeth Catlett has taught at Dillard University, Hampton University, the George Washington Carver School, and the National Autonomous University of Mexico in Mexico City, where she became the first female professor and first female department chair at the School of Fine Arts.

She retired in 1976 and makes her home in Cuernavaca, Mexico, where she continues to work in her studio. Her work is featured in many public and private collections around the world, and she has participated in numerous solo and group exhibitions. Catlett has been the recipient of numerous awards and honorary degrees.

Read a review!

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

Annual Group Show
Open Figure Drawing

Price: Free
The Warehouse Link Gallery
350 W. Fayette St., Syracuse

More than a dozen members of the weekly drawing group exhibit diverse interpretations of the human figure in a variety of media: pen, pencil, pastel, charcoal, scratch board, oil, acrylic, and watercolor. For more information, visit www.openfiguredrawing.com or call Iver Johnson, 315-475-3400.

Syracuse During the Time of Impressionism
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

A complementary exhibit to the Everson Museum of Art's "From Turner To Cezanne", OHA's exhibit will look at what was happening in Syracuse at the time of the European Impressionist painters, 1880-1916. The exhibit will feature artwork, clothing, products, archival material, and other items that will interpret the Syracuse scene during this time impressionist painters were viewed by their contemporaries as "outrageously modern."

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

Read a review!

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

VPA Faculty Show
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

An exhibition of work by faculty members in the College of Visual and Performing Arts. For more information, phone 315-443-5889.

American Ream: Works of Marco Maggi
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

The exhibition features the installation HOTBED (ORANGE), the drawing PLEXI LINE, and the video D-REAMS. The exhibition is intended for audiences of all ages.

Uruguayan-born, New Paltz-based Marco Maggi is best known for his use of everyday materials on which he inscribes a vocabulary that evokes Aztec culture and the art of Joaquín Torres-García. By focusing on visual codes (such as repeated visual symbols that only suggest objects), spatiality, and the political connotations of maps, Maggi's work also reflects Latin American traditions and concerns expressed by many contemporary artists. American Ream (The Warehouse Gallery) and Slow Scandal (The Point of Contact Gallery) are the result of a partnership between both organizations and feature media that the artist chose as a means of responding to both spaces.

Window Project: This is Not Site-Specific by Nathan Cordero
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Syracuse-based, self-taught Nathan Cordero moved recently from Sacramento, CA, where he worked primarily in public art. For the Window Projects, Cordero has covered the wall with paintings that refer to urban art while also creating an assemblage (through the inclusion of everyday objects into the artwork). An excellent draftsman, his art is about self-expression, protest and the desire to take street art into the galleries.

For this exhibition, Cordero used found objects such as plywood and photographs. He covered a person's face in the photographs to make her/him look like a thief or terrorist, and to reflect upon specific events in his personal life that also refer to issues in today's society. Engraved into the plywood, the paintings manifest the artist's ease in the medium. He uses masking tape or paint to refer to common television talk shows, personal events or books that are part of pop culture. Cordero's work, which was for the most part created within the last few months, demonstrates the artist's capacity of turning daily, banal or threatening events into art. This is his first solo museum exhibition.

The Corporation
ArtRage Gallery

Price: Freewill offering
ArtRage Gallery
505 Hawley Ave., Syracuse

Winner of 23 international awards, The Corporation is an acclaimed documentary film which explores the nature and spectacular rise of the most pervasive institution of our time. Few words have the baggage that the word "corporate" does. The majority of workers in the United States work for corporations. These days you're most likely to hear the word "corporate" bandied about as a rallying cry. It's leveled at artists who sell out, or "go corporate." Thrown like pies at politicians with "corporate interests." Corporate goons are the lynchpins of countless cuckold and old-boy jokes. And yet corporations are stronger now than ever, driven by favorable political winds, fed by a steady stream of willing workers, and nestled deep and safe inside the American psyche. The Corporation's directors, Jennifer Abbott and Mark Achbar, attempt to distill all this into a 145-minute film. They succeed brilliantly, providing both entertainment and intellect.

Sara Mastrangelo, violin; Lindsay Groves, cello; Susan Crocker, piano; Ben Weirich, piano
Civic Morning Musicals

Price: Free
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Mendelssohn Trio, Debussy Sonata for cello and piano and solo piano music.

American Boychoir in Concert

Price: Freewill offering
St. Joseph's Church of Camillus
5600 W. Genesee St., Camillus

Works by Brahms, Faure, Gershwin, and Randall Thompson, plus pieces by composers from Venezuela, Brazil, Korea, and Japan.

The Rat Pack is Back!
Broadway in Syracuse

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

This spirited tribute recreates one of the famous Summit at the Sands hotel shows, when the swingin', ring-a-ding group known as the Rat Pack was creating hipster legend with a free-wheeling, no-holds-barred nightclub act starring Vegas' four favorite sons: Frank Sinatra, Sammy Davis, Jr., Dean Martin, and Joey Bishop.

Written and produced by Sandy Hackett, son of legendary comedian Buddy Hackett, The Rat Pack is Back! features uncanny vocal recreations, unbridled humor, and a hot, live big band that sends audiences straight back to the coolest time in history. Hits include That's Amore, Fly Me to the Moon, Mr. Bojangles, and many more. See why The Las Vegas Sun writes, "This is as close as anyone has come to capturing the feeling of the real thing," and the Chicago Tribune raves, "Excellent!"

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Thursday, November 5, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Memories in Paint: Works by Michael Lynne
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Artist Statement by Michael Lynne:
My work and my interests are eclectic and are reflected throughout the work I have selected for this show. You can see the work meander between realism, social commentary, narrative and even some abstract paintings. The changes in interest, direction and use of mediums are evident. One "stage" is not necessarily better than another but rather reflects either a change in interest by the artist or the arrival of a particularly inspiring idea. This evolving path has been my own road to self-discovery as an artist and is a path that I continue to travel.

Power and Pride: An Elizabeth Catlett Retrospective
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

"Power and Pride: An Elizabeth Catlett Retrospective" features 50 years of prints, drawings, collages and sculptures by Catlett, who is an icon of American art. The exhibition was organized with the assistance of Stella Jones Gallery, New Orleans, LA.

Born in Washington, DC, Elizabeth Catlett graduated from Howard University with a degree in painting and was the first student to receive an M.F.A. degree in sculpture from the University of Iowa in 1940. She later studied ceramics at the Art Institute of Chicago, and lithography at the Art Students League in New York. In 1943, she studied with sculptor Ossip Zadkine in New York. Catlett was awarded a Rosenwald Fellowship in 1946, under which she travelled to Mexico to study sculpture, mural painting and printmaking. In Mexico, she worked at the Escuela de Pintura y Escultura and at the Taller de Gráfica Popular (Popular Graphic Arts Workshop), a group of artists who created art that expressed desire for social change. In 1947, she married Mexican artist Francisco Mora, and became a naturalized Mexican citizen in 1962. A lifelong artist, activist and educator, Catlett is known for her depiction of social and political issues, in particular those relating to African American and women's themes.

Elizabeth Catlett has taught at Dillard University, Hampton University, the George Washington Carver School, and the National Autonomous University of Mexico in Mexico City, where she became the first female professor and first female department chair at the School of Fine Arts.

She retired in 1976 and makes her home in Cuernavaca, Mexico, where she continues to work in her studio. Her work is featured in many public and private collections around the world, and she has participated in numerous solo and group exhibitions. Catlett has been the recipient of numerous awards and honorary degrees.

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Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Opening reception 5:00-8:00 pm this evening.

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Annual Group Show
Open Figure Drawing

Price: Free
The Warehouse Link Gallery
350 W. Fayette St., Syracuse

More than a dozen members of the weekly drawing group exhibit diverse interpretations of the human figure in a variety of media: pen, pencil, pastel, charcoal, scratch board, oil, acrylic, and watercolor. For more information, visit www.openfiguredrawing.com or call Iver Johnson, 315-475-3400.

Syracuse During the Time of Impressionism
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

A complementary exhibit to the Everson Museum of Art's "From Turner To Cezanne", OHA's exhibit will look at what was happening in Syracuse at the time of the European Impressionist painters, 1880-1916. The exhibit will feature artwork, clothing, products, archival material, and other items that will interpret the Syracuse scene during this time impressionist painters were viewed by their contemporaries as "outrageously modern."

Fired Experience: Recent Work by Jack Troy
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jack Troy, teacher, potter, and writer once wrote, ",I have picked up, moved, shaped and lightened myself of many tons of clay, and those tons lifted, moved and shaped me...". He has taught more than 200 workshops in the US, Canada, New Zealand, Australia, and Great Britain. He has worked at the Institute of Ceramic Studies, Jingdezhen, China; and was an invited artist at the Shigaraki Ceramic Cultural Park, in Japan. His education in ceramics has included trips to 13 countries. Having published over 70 articles in ceramics publications, he also wrote Salt Glazed Ceramics, Woodfired Stoneware and Porcelain, and Calling the Planet Home, [poems]. His work has been exhibited widely, and is in numerous collections, public and private. Troy will bring this wealth of knowledge and experience to Syracuse University for a 2-week intensive workshop and kiln firing. The exhibition of his work at the Gandee Gallery is in conjunction with his visit to the Syracuse University Ceramics Program and will feature his most recent work.

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

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Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

VPA Faculty Show
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

An exhibition of work by faculty members in the College of Visual and Performing Arts. For more information, phone 315-443-5889.

American Ream: Works of Marco Maggi
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

The exhibition features the installation HOTBED (ORANGE), the drawing PLEXI LINE, and the video D-REAMS. The exhibition is intended for audiences of all ages.

Uruguayan-born, New Paltz-based Marco Maggi is best known for his use of everyday materials on which he inscribes a vocabulary that evokes Aztec culture and the art of Joaquín Torres-García. By focusing on visual codes (such as repeated visual symbols that only suggest objects), spatiality, and the political connotations of maps, Maggi's work also reflects Latin American traditions and concerns expressed by many contemporary artists. American Ream (The Warehouse Gallery) and Slow Scandal (The Point of Contact Gallery) are the result of a partnership between both organizations and feature media that the artist chose as a means of responding to both spaces.

Window Project: This is Not Site-Specific by Nathan Cordero
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Syracuse-based, self-taught Nathan Cordero moved recently from Sacramento, CA, where he worked primarily in public art. For the Window Projects, Cordero has covered the wall with paintings that refer to urban art while also creating an assemblage (through the inclusion of everyday objects into the artwork). An excellent draftsman, his art is about self-expression, protest and the desire to take street art into the galleries.

For this exhibition, Cordero used found objects such as plywood and photographs. He covered a person's face in the photographs to make her/him look like a thief or terrorist, and to reflect upon specific events in his personal life that also refer to issues in today's society. Engraved into the plywood, the paintings manifest the artist's ease in the medium. He uses masking tape or paint to refer to common television talk shows, personal events or books that are part of pop culture. Cordero's work, which was for the most part created within the last few months, demonstrates the artist's capacity of turning daily, banal or threatening events into art. This is his first solo museum exhibition.

Opening: Elements
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Paintings by Lynette Blake, ceramics by Amy Haven, and paintings by James Van Hoven

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Opening: Wild Card Exhibition: Transitional Living Services Art Exhibit
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Music Evening @ Artrage: Jesse Collins and John Heard
ArtRage Gallery

Price: $5 suggested donation
ArtRage Gallery
505 Hawley Ave., Syracuse

This monthly concert series consists of a two-set performance by Jesse Collins and John Heard and a third set, a "New York City-style jam session," that will be hosted by the band. It's a great way to support both the ArtRage Gallery and local musicians! The music-loving public is invited to bring their interest and instruments to the jam session or to just come to listen and enjoy!

Jesse Collins, saxophone, has performed and studied with a Who's Who list of the legends of jazz and is a 2003 JazzTimes Magazine "Critics-Pic Top Ten" award recipient for "Introducing Jesse Collins" (Lat Cat Records). John Heard, percussion, has been playing African-American percussion for 30 years, teaching an after-school program for the Syracuse City School District for seven years, has recorded with many CNY artists, and is also a visual artist.

Joanne Shenandoah in Concert
Onondaga Community College

Price: Free
Storer Auditorium
Onondaga Community College, Syracuse

A Grammy Award and 11 Time Native American Music award winning artist, and Wolf Clan member of the Iroquois Confederacy, Joanne Shenandoah has fulfilled the promise of her Native American name, Tekaliwah-kwa, (She Sings). "She's become one of the most acclaimed Native American recording artists of her time." Associated Press

Since emerging as an artist in 1990, she has performed at high-profile gigs at Carnegie Hall; the White House; Kennedy Center; Earth Day on the Mall; Woodstock '94; the Parliament of the Worlds Religions in South Africa; the famous Sagrada Familia in Barcelona, Spain; Istanbul; Hwa Eom Temple, South Korea; and in thousands of venues in the U.S.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

Tomb With a View
Acme Mystery Company

Price: $25.95 plus tax and gratuities (includes meal and show)
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interactive mystery-comedy dinner theater. The zombies who inhabit the site of an old mine disaster bring a class-action lawsuit against an ambitious mall developer.

Dr. Jekyll and Mr. Hyde
Appleseed Productions
William Edward White, director

Price: $15 regular; $12 students/seniors (price includes dessert and beverage at intermission)
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The respected Dr. Jekyll has begun to display alarmingly erratic behavior toward his friends. At the same time, a brutal figure has begun to haunt the city's streets. In Jeffrey Hatcher's intense new version of Robert Louis Stevenson's classic tale, Dr. Jekyll confronts the many faces of the monstrous Mr. Hyde in a maze of interlocking scenes that attempt to answer the puzzles at the heart of a tortured soul. On the fog-bound streets of Victorian-era London, Henry Jekyll's experiments with exotic "powders and tinctures" have brought forth his other self -- Edward Hyde, a sensualist and villain free to commit the sins Jekyll is too civilized to comprehend. When Hyde meets a woman who stirs his interest, Jekyll fears for her life and decides to end his experiments. But Hyde has other ideas, and so the two sides battle each other in a deadly game of cat-and-mouse to determine who shall be the master and who his slave.

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As You Like It
LeMoyne College
Steve Braddock, director

Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare's astutely funny pastoral comedy, As You Like It, runs the gamut of the comedic canon, combining cross-dressing and slapstick with gentle satire and sparkling, witty conversation.

As You Like It follows the lively exploits of banished Rosalind and her quest for true love amid the schemes of two warring brothers. In the untarnished and idyllic Forest of Arden, Rosalind, disguised as a gentleman farmer, stumbles upon an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own exiled father, and the cast-out young man she loves.

The play, which contains some of Shakespeare's loveliest poetry, including "All the world's a stage," provides a glimpse into the contrasts between the courtbristling with envy and rivalryand the compassionate harmony of the forest, allowing us to recognize our own human foibles by considering the romantic versus the realistic, and by laughing at the excesses of love.

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Friday, November 6, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Memories in Paint: Works by Michael Lynne
Westcott Community Art Gallery

Price: Free
Westcott Community Center
Corner of Euclid Ave. and Westcott St., Syracuse

Artist Statement by Michael Lynne:
My work and my interests are eclectic and are reflected throughout the work I have selected for this show. You can see the work meander between realism, social commentary, narrative and even some abstract paintings. The changes in interest, direction and use of mediums are evident. One "stage" is not necessarily better than another but rather reflects either a change in interest by the artist or the arrival of a particularly inspiring idea. This evolving path has been my own road to self-discovery as an artist and is a path that I continue to travel.

Power and Pride: An Elizabeth Catlett Retrospective
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

"Power and Pride: An Elizabeth Catlett Retrospective" features 50 years of prints, drawings, collages and sculptures by Catlett, who is an icon of American art. The exhibition was organized with the assistance of Stella Jones Gallery, New Orleans, LA.

Born in Washington, DC, Elizabeth Catlett graduated from Howard University with a degree in painting and was the first student to receive an M.F.A. degree in sculpture from the University of Iowa in 1940. She later studied ceramics at the Art Institute of Chicago, and lithography at the Art Students League in New York. In 1943, she studied with sculptor Ossip Zadkine in New York. Catlett was awarded a Rosenwald Fellowship in 1946, under which she travelled to Mexico to study sculpture, mural painting and printmaking. In Mexico, she worked at the Escuela de Pintura y Escultura and at the Taller de Gráfica Popular (Popular Graphic Arts Workshop), a group of artists who created art that expressed desire for social change. In 1947, she married Mexican artist Francisco Mora, and became a naturalized Mexican citizen in 1962. A lifelong artist, activist and educator, Catlett is known for her depiction of social and political issues, in particular those relating to African American and women's themes.

Elizabeth Catlett has taught at Dillard University, Hampton University, the George Washington Carver School, and the National Autonomous University of Mexico in Mexico City, where she became the first female professor and first female department chair at the School of Fine Arts.

She retired in 1976 and makes her home in Cuernavaca, Mexico, where she continues to work in her studio. Her work is featured in many public and private collections around the world, and she has participated in numerous solo and group exhibitions. Catlett has been the recipient of numerous awards and honorary degrees.

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Opening: Works by Jeremy Randall
Imagine

Imagine
38 E. Genesee St., Skaneateles

There will be an opening reception 6:00-9:00 PM, featuring entertainment by The Usual Suspects, an old-time string band.

Ceramic artist Jeremy Randall was recognized by Ceramics Monthly as an Emerging Artist for 2009.

Randall, of Tully, is co-owner of the gallery. He also is a visiting professor of art and studio manager at Cazenovia College and an adjunct instructor of ceramics at Syracuse University.

Randall's work has been featured in some 40 exhibitions and is held in the collections of Southern Illinois University and the Myerhoff Collection in Baltimore. This year alone, he has shown at the Meredith Gallery in Baltimore, Baltimore Clayworks, Limestone Art Gallery in Fayetteville, the Art House Gallery in Atlanta, the Armory Art Center in West Palm Beach, Fla., and the Cazenovia College Art Gallery.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

Annual Group Show
Open Figure Drawing

Price: Free
The Warehouse Link Gallery
350 W. Fayette St., Syracuse

More than a dozen members of the weekly drawing group exhibit diverse interpretations of the human figure in a variety of media: pen, pencil, pastel, charcoal, scratch board, oil, acrylic, and watercolor. For more information, visit www.openfiguredrawing.com or call Iver Johnson, 315-475-3400.

Syracuse During the Time of Impressionism
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

A complementary exhibit to the Everson Museum of Art's "From Turner To Cezanne", OHA's exhibit will look at what was happening in Syracuse at the time of the European Impressionist painters, 1880-1916. The exhibit will feature artwork, clothing, products, archival material, and other items that will interpret the Syracuse scene during this time impressionist painters were viewed by their contemporaries as "outrageously modern."

Fired Experience: Recent Work by Jack Troy
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jack Troy, teacher, potter, and writer once wrote, ",I have picked up, moved, shaped and lightened myself of many tons of clay, and those tons lifted, moved and shaped me...". He has taught more than 200 workshops in the US, Canada, New Zealand, Australia, and Great Britain. He has worked at the Institute of Ceramic Studies, Jingdezhen, China; and was an invited artist at the Shigaraki Ceramic Cultural Park, in Japan. His education in ceramics has included trips to 13 countries. Having published over 70 articles in ceramics publications, he also wrote Salt Glazed Ceramics, Woodfired Stoneware and Porcelain, and Calling the Planet Home, [poems]. His work has been exhibited widely, and is in numerous collections, public and private. Troy will bring this wealth of knowledge and experience to Syracuse University for a 2-week intensive workshop and kiln firing. The exhibition of his work at the Gandee Gallery is in conjunction with his visit to the Syracuse University Ceramics Program and will feature his most recent work.

Opening: 35th Annual Art Mart
Syracuse Allied Arts

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Original crafts and fine arts by more than 50 artists and craftspeople from Central New York. For more information, phone 315-468-2616.

Opening: Works by Patricia Tucker, Sharon Terry, and David Lisi
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

There will be an opening reception from 6:00-9:00, with music by Steve Giacondo, guitarist.

A new exhibit featuring artists Patricia Tucker, painting; Sharon Terry, jewelry; and David Lisi, pottery.

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

Wild Card Exhibition: Transitional Living Services Art Exhibit
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Elements
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Paintings by Lynette Blake, ceramics by Amy Haven, and paintings by James Van Hoven

Read a review!

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

Read a review!

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

VPA Faculty Show
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

An exhibition of work by faculty members in the College of Visual and Performing Arts. For more information, phone 315-443-5889.

American Ream: Works of Marco Maggi
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

The exhibition features the installation HOTBED (ORANGE), the drawing PLEXI LINE, and the video D-REAMS. The exhibition is intended for audiences of all ages.

Uruguayan-born, New Paltz-based Marco Maggi is best known for his use of everyday materials on which he inscribes a vocabulary that evokes Aztec culture and the art of Joaquín Torres-García. By focusing on visual codes (such as repeated visual symbols that only suggest objects), spatiality, and the political connotations of maps, Maggi's work also reflects Latin American traditions and concerns expressed by many contemporary artists. American Ream (The Warehouse Gallery) and Slow Scandal (The Point of Contact Gallery) are the result of a partnership between both organizations and feature media that the artist chose as a means of responding to both spaces.

Window Project: This is Not Site-Specific by Nathan Cordero
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Syracuse-based, self-taught Nathan Cordero moved recently from Sacramento, CA, where he worked primarily in public art. For the Window Projects, Cordero has covered the wall with paintings that refer to urban art while also creating an assemblage (through the inclusion of everyday objects into the artwork). An excellent draftsman, his art is about self-expression, protest and the desire to take street art into the galleries.

For this exhibition, Cordero used found objects such as plywood and photographs. He covered a person's face in the photographs to make her/him look like a thief or terrorist, and to reflect upon specific events in his personal life that also refer to issues in today's society. Engraved into the plywood, the paintings manifest the artist's ease in the medium. He uses masking tape or paint to refer to common television talk shows, personal events or books that are part of pop culture. Cordero's work, which was for the most part created within the last few months, demonstrates the artist's capacity of turning daily, banal or threatening events into art. This is his first solo museum exhibition.

Pottery Plus Show and Sale
Syracuse Ceramic Guild

Price: Free
Syracuse Vineyard Church
312 Lakeside Rd., Syracuse

Exhibit and sale of ceramics, painting, jewelry, and fiber arts.

For more information, visit the website.

BTG Scholarship Fund Benefit
Don't Feed the Actors

Price: $15 regular, $13 students/seniors, $12 in advance
Pucello's Restaurant
1 Village Blvd., Baldwinsville

Don't Feed The Actors Improv Comedy troupe headlines a fundraiser for our friends in the Baldwinsville Theater Guild. Made up of heralded local actors, the DFtA crew puts on their unique blend of audience interactive improv where the audience can get involved.

An Evening of Improv
Lazlo's Closet

Price: $13
Jazz Central
441 E. Washington St., Syracuse

The Renegades perform in support of the Food Bank of Central New York. For every canned food item you bring, it's $1 off the $13.00 entrance fee!

Classics Series: Paul Taylor Dance Company
Syracuse Symphony Orchestra
David LaMarche, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Co-produced by Syracuse University and the SSO, the event features performances of "Also Playing" (set to the music of Donizetti), "Cascade" (set to the music of Bach), and the world premiere of the University-commissioned "Brief Encounters" (set to the music of Debussy), all choreographed by Paul Taylor.

B-Movie Festival
Alternative Movies and Events

Price: $5
Former Redhouse Theater
219 S. West St., Syracuse

The festival opens with a premiere screening of the locally produced feature Ms. Cannibal Holocaust (formerly titled ONE) staring Nicola Fiore, Kellyn Lindsay, and Wes Reid, and written and directed by Ron Bonk (CLAY).

Spark Video
Spark Contemporary Art Space

Price: $3
Spark Contemporary Art Space
1005 E. Fayette St., Syracuse

Please join us to celebrate the wonder that is video art. Featuring local and international works, this hour long program will be well worth it!

Author Mitch Albom

Price: $30 at the door, $25 in advance
Holiday Inn
Electronics Parkway, Liverpool

Best-selling author of Tuesdays with Morrie and Five People You Meet in Heaven will sign books and speak about faith in the modern world. Tickets available at Ticketmaster or Naturtyme. For more information, phone 315-382-0541.

Red Line Sax Quartet
Onondaga Community College

Price: Free
Storer Auditorium
Onondaga Community College, Syracuse

John Gorka
Folkus Project

May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

John Gorka is one of the premier songwriters in folk music and he's returning to Syracuse with a new CD, just released in October. Gorka is known for applying his unique songcraft to a wide range of forms; intimate confessional songs about love and loss, humorous commentaries about daily life in his neighborhood, poignant political opinions, and exuberant explosions of unmitigated joy. With provocative, soul-stirring sophistication, he turns his keen observations of troubled times and the rough roads we travel into musical gems that shine with hopefulness. Gorka's honest writing and ability to say it all with an economy of words has earned him accolades from the music industry and his peers. It is that same honesty that keeps his fans coming to his concerts again and again.

Meg Kearney, poet
Downtown Writer's Center

Price: Free
YMCA Downtown
340 Montgomery St., Syracuse

Meg Kearney's first collection of poetry, An Unkindness of Ravens, was published by BOA Editions Ltd. in 2001. The Secret of Me, her novel in verse for teens, was released in hardcover by Persea Books in 2005; the paperback edition, along with a teacher's guide, came out in 2007. Four Way Books will publish her next collection of poems, Home By Now, in fall 2009. She has taught poetry at The New School University, and is the Director of the Solstice Creative Writing Programs of Pine Manor College in Massachusetts. Her poetry has been featured on Poetry Daily and Garrison Keillor's "A Writer's Almanac," and has been published in such publications as Poetry, Agni, and Ploughshares, and in many anthologies.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

Any Wednesday
Onondaga Hillplayers
Robert Steingraber, director

Price: $35 includes dinner, show, tax, and tip
Sunset Ridge Golf Club
2814 W. Seneca Tpke., Marcellus

A light and bouncy comedy by Muriel Resnik.

For reservations, phone 315-673-2255.

Read a Review!

Dr. Jekyll and Mr. Hyde
Appleseed Productions
William Edward White, director

Price: $15 regular; $12 students/seniors (price includes dessert and beverage at intermission)
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The respected Dr. Jekyll has begun to display alarmingly erratic behavior toward his friends. At the same time, a brutal figure has begun to haunt the city's streets. In Jeffrey Hatcher's intense new version of Robert Louis Stevenson's classic tale, Dr. Jekyll confronts the many faces of the monstrous Mr. Hyde in a maze of interlocking scenes that attempt to answer the puzzles at the heart of a tortured soul. On the fog-bound streets of Victorian-era London, Henry Jekyll's experiments with exotic "powders and tinctures" have brought forth his other self -- Edward Hyde, a sensualist and villain free to commit the sins Jekyll is too civilized to comprehend. When Hyde meets a woman who stirs his interest, Jekyll fears for her life and decides to end his experiments. But Hyde has other ideas, and so the two sides battle each other in a deadly game of cat-and-mouse to determine who shall be the master and who his slave.

Read a Review!

As You Like It
LeMoyne College
Steve Braddock, director

Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare's astutely funny pastoral comedy, As You Like It, runs the gamut of the comedic canon, combining cross-dressing and slapstick with gentle satire and sparkling, witty conversation.

As You Like It follows the lively exploits of banished Rosalind and her quest for true love amid the schemes of two warring brothers. In the untarnished and idyllic Forest of Arden, Rosalind, disguised as a gentleman farmer, stumbles upon an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own exiled father, and the cast-out young man she loves.

The play, which contains some of Shakespeare's loveliest poetry, including "All the world's a stage," provides a glimpse into the contrasts between the courtbristling with envy and rivalryand the compassionate harmony of the forest, allowing us to recognize our own human foibles by considering the romantic versus the realistic, and by laughing at the excesses of love.

Read a Review!

Saturday, November 7, 2009

Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

Read a review!

Elements
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Paintings by Lynette Blake, ceramics by Amy Haven, and paintings by James Van Hoven

Read a review!

Wild Card Exhibition: Transitional Living Services Art Exhibit
Delavan Art Gallery

Delavan Art Gallery
501 W. Fayette St., Syracuse

Works by Jeremy Randall
Imagine

Imagine
38 E. Genesee St., Skaneateles

Ceramic artist Jeremy Randall was recognized by Ceramics Monthly as an Emerging Artist for 2009.

Randall, of Tully, is co-owner of the gallery. He also is a visiting professor of art and studio manager at Cazenovia College and an adjunct instructor of ceramics at Syracuse University.

Randall's work has been featured in some 40 exhibitions and is held in the collections of Southern Illinois University and the Myerhoff Collection in Baltimore. This year alone, he has shown at the Meredith Gallery in Baltimore, Baltimore Clayworks, Limestone Art Gallery in Fayetteville, the Art House Gallery in Atlanta, the Armory Art Center in West Palm Beach, Fla., and the Cazenovia College Art Gallery.

Pottery Plus Show and Sale
Syracuse Ceramic Guild

Price: Free
Syracuse Vineyard Church
312 Lakeside Rd., Syracuse

Exhibit and sale of ceramics, painting, jewelry, and fiber arts.

For more information, visit the website.

Works by Patricia Tucker, Sharon Terry, and David Lisi
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

A new exhibit featuring artists Patricia Tucker, painting; Sharon Terry, jewelry; and David Lisi, pottery.

Power and Pride: An Elizabeth Catlett Retrospective
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

"Power and Pride: An Elizabeth Catlett Retrospective" features 50 years of prints, drawings, collages and sculptures by Catlett, who is an icon of American art. The exhibition was organized with the assistance of Stella Jones Gallery, New Orleans, LA.

Born in Washington, DC, Elizabeth Catlett graduated from Howard University with a degree in painting and was the first student to receive an M.F.A. degree in sculpture from the University of Iowa in 1940. She later studied ceramics at the Art Institute of Chicago, and lithography at the Art Students League in New York. In 1943, she studied with sculptor Ossip Zadkine in New York. Catlett was awarded a Rosenwald Fellowship in 1946, under which she travelled to Mexico to study sculpture, mural painting and printmaking. In Mexico, she worked at the Escuela de Pintura y Escultura and at the Taller de Gráfica Popular (Popular Graphic Arts Workshop), a group of artists who created art that expressed desire for social change. In 1947, she married Mexican artist Francisco Mora, and became a naturalized Mexican citizen in 1962. A lifelong artist, activist and educator, Catlett is known for her depiction of social and political issues, in particular those relating to African American and women's themes.

Elizabeth Catlett has taught at Dillard University, Hampton University, the George Washington Carver School, and the National Autonomous University of Mexico in Mexico City, where she became the first female professor and first female department chair at the School of Fine Arts.

She retired in 1976 and makes her home in Cuernavaca, Mexico, where she continues to work in her studio. Her work is featured in many public and private collections around the world, and she has participated in numerous solo and group exhibitions. Catlett has been the recipient of numerous awards and honorary degrees.

Read a review!

35th Annual Art Mart
Syracuse Allied Arts

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Original crafts and fine arts by more than 50 artists and craftspeople from Central New York. For more information, phone 315-468-2616.

Syracuse During the Time of Impressionism
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

A complementary exhibit to the Everson Museum of Art's "From Turner To Cezanne", OHA's exhibit will look at what was happening in Syracuse at the time of the European Impressionist painters, 1880-1916. The exhibit will feature artwork, clothing, products, archival material, and other items that will interpret the Syracuse scene during this time impressionist painters were viewed by their contemporaries as "outrageously modern."

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

The Picture Man: Photographs of Milton Rogovin
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Milton Rogovin is a social documentary photographer, with a focus of photographing the poor and working class for 50 years. His choice of subject was summed up in his words, "The rich have their own photographers. I have chosen to photograph the poor." Rogovin has photographed miners in 10 nations, collaborated with the Chilean poet Pablo Neruda, photographed a six-square block neighborhood in Buffalo for 30 years, and so much more. In 1957, he was called before the House Un-American Activities Committee. Because he refused to "name names" he was blacklisted and his optometry practice in Buffalo suffered. "My voice was essentially silenced, so I decided to speak out through photography." In 1969, the Library of Congress accepted Rogovin's entire body of work.

Annual Group Show
Open Figure Drawing

Price: Free
The Warehouse Link Gallery
350 W. Fayette St., Syracuse

More than a dozen members of the weekly drawing group exhibit diverse interpretations of the human figure in a variety of media: pen, pencil, pastel, charcoal, scratch board, oil, acrylic, and watercolor. For more information, visit www.openfiguredrawing.com or call Iver Johnson, 315-475-3400.

VPA Faculty Show
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

An exhibition of work by faculty members in the College of Visual and Performing Arts. For more information, phone 315-443-5889.

Window Project: This is Not Site-Specific by Nathan Cordero
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

Syracuse-based, self-taught Nathan Cordero moved recently from Sacramento, CA, where he worked primarily in public art. For the Window Projects, Cordero has covered the wall with paintings that refer to urban art while also creating an assemblage (through the inclusion of everyday objects into the artwork). An excellent draftsman, his art is about self-expression, protest and the desire to take street art into the galleries.

For this exhibition, Cordero used found objects such as plywood and photographs. He covered a person's face in the photographs to make her/him look like a thief or terrorist, and to reflect upon specific events in his personal life that also refer to issues in today's society. Engraved into the plywood, the paintings manifest the artist's ease in the medium. He uses masking tape or paint to refer to common television talk shows, personal events or books that are part of pop culture. Cordero's work, which was for the most part created within the last few months, demonstrates the artist's capacity of turning daily, banal or threatening events into art. This is his first solo museum exhibition.

American Ream: Works of Marco Maggi
The Warehouse Gallery

The Warehouse Gallery
350 W. Fayette St., Syracuse

The exhibition features the installation HOTBED (ORANGE), the drawing PLEXI LINE, and the video D-REAMS. The exhibition is intended for audiences of all ages.

Uruguayan-born, New Paltz-based Marco Maggi is best known for his use of everyday materials on which he inscribes a vocabulary that evokes Aztec culture and the art of Joaquín Torres-García. By focusing on visual codes (such as repeated visual symbols that only suggest objects), spatiality, and the political connotations of maps, Maggi's work also reflects Latin American traditions and concerns expressed by many contemporary artists. American Ream (The Warehouse Gallery) and Slow Scandal (The Point of Contact Gallery) are the result of a partnership between both organizations and feature media that the artist chose as a means of responding to both spaces.

Don't Feed the Actors Dinner Theater
Don't Feed the Actors

Price: Dinner theater: $25 single; $40 couple. Show only: $15 on day of show if seating available
Fire and Ice Banquet Hall, The Locker Room
528 Hiawatha Blvd., Syracuse

Audience-interactive improv comedy with some of Syracuse's finest comedic actors.

Dinner 6:45 pm, show begins at 8:00 pm.

Read a review!

Classics Series: Paul Taylor Dance Company
Syracuse Symphony Orchestra
David LaMarche, conductor

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Co-produced by Syracuse University and the SSO, the event features performances of "Also Playing" (set to the music of Donizetti), "Cascade" (set to the music of Bach), and the world premiere of the University-commissioned "Brief Encounters" (set to the music of Debussy), all choreographed by Paul Taylor.

B-Movie Festival
Alternative Movies and Events

Gear Factory Gallery
200 South Geddes St., Syracuse

The following features are set to screen:
Scream of the Bikini
The Bounty
Sexina, Popstar Pi
Doctor "S" Battles the Sex-Crazed Reefers Zombies
Bikini Girls on Ice
The Hills have Thighs
Monkeys Wear Cement Shoes

The following shorts are set to screen:
The Baby Shredder Song
Deadspeil
Massacrator
Clowns vs Ninjas
Zombies and Cigarettes
Blood from a Stone
Spaceman on Earth
Blind Date of Coffin Joe
Death in Charge
The Ballad of Angel Face
Lions... Tigers... Bears

L'Heure exquise: A Gallery Walk Recital
Syracuse Opera
Featuring Julie Nesrallah, mezzo-soprano; Chad Sloan, baritone; Douglas Kinney Frost, piano

Price: $35 includes exhibition admission
Everson Museum of Art
401 Harrison St., Syracuse

A unique vocal program specifically designed to highlight paintings in Turner to Cézanne, L'Heure exquise will feature musical selections from Debussy, Ravel, Duparc and Fauré, set to the poetry of Verlaine, Hugo and Moréas, among others. Spanning 100 years from English Romanticism through Impressionism, and paving the way into the 20th century, each pairing of visual and musical art will inspire a deep resonance of both sight and sound in the works and of mind and heart in the listener.

View the original paintings as you hear these live performances in the galleries and learn about selected works in the exhibition. Enjoy a dessert reception with the artists following the recital. Tickets include admission to exhibition, recital and dessert reception. Attendance is limited to 35 people.

**SOLD OUT** Karen Savoca & Pete Heitzman
Redhouse

Price: $15 regular, $12 students/seniors
Former Redhouse Theater
219 S. West St., Syracuse

Karen Savoca is a gifted songwriter, drawing you into her world with humor and compassion, telling her stories with such grace and ease, you feel as though you've been invited to her table for supper. Savoca composes and records on a variety of instruments, but opts for the primal combination of voice and drum in live performance, and the groove is deep and satisfying.

Pete Heitzman's inspired and transcendent guitar work is central to their signature sound. An innovative and sensitive accompanist, Heitzman, a Syracuse native, is so full of surprises that he has been called "a human aurora borealis".

Syracuse Friends of Chamber Music
New York Chamber Soloists

Price: $20 regular, $15 senior, $10 student, children under 13 free
Lincoln Middle School
1613 James St., Syracuse

This group of distinguished virtuosi performs a diverse repertoire in creatively-programmed concerts that include winds as well as strings. Founded in 1959, the ensemble has toured worldwide, and is repeatedly invited back to perform in such notable series as the Library of Congress in Washington and the Metropolitan Museum of Art in New York. We last enjoyed them in Syracuse in 2004.

Mozart Serenade No. 13 in G Major, K.525, "Eine Kleine Nachtmusik"
Prokofiev Quintet in G minor for oboe, clarinet and strings, Op. 39
Brahms Quintet in B minor for Clarinet and Strings, Op. 115

Everybody Loves Pirates
Open Hand Theater
Frogtown Mountain Puppeteers

Price: $8 adults; $6 children
International Mask and Puppet Museum
518 Prospect Ave., Syracuse

Everybody loved Frogtown Mountain Puppeteers and their wild west show at WOP last year. Now this small puppetry troupe comprised of three siblings—Erik, Brian, and Robin Torbeck—are back with the antics of their swash-buckling pirate puppets. As a young up-and-coming company, Frogtown Mountain Puppeteers received the 2008 Citation of Excellence in the Art of Puppetry from Puppeteers of America-Unima-USA.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

The Little Mermaid
Magic Circle Children's Theatre

Price: $5
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Interaction adaptation of this children's favorite. The audience helps the Mermaid foil the Seawitch and get her voice back.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

Any Wednesday
Onondaga Hillplayers
Robert Steingraber, director

Price: $35 includes dinner, show, tax, and tip
Sunset Ridge Golf Club
2814 W. Seneca Tpke., Marcellus

A light and bouncy comedy by Muriel Resnik.

For reservations, phone 315-673-2255.

Read a Review!

Death by Disco
Without a Cue Productions

Price: $39.50, includes dinner and show
Glen Loch Restaurant
4626 North St., Jamesville

Welcome to the Land of Oz Discoteria and the "3rd Annual World Championship of Disco Championship." Contestants are ready to show their moves, but they don't know that tonight some competition will definitely be stiff. Join us for "Death by Disco." a murderous evening of theater, dancing, and great food!

Dr. Jekyll and Mr. Hyde
Appleseed Productions
William Edward White, director

Price: $15 regular; $12 students/seniors (price includes dessert and beverage at intermission)
Atonement Lutheran Church
116 W. Glen Ave., Syracuse

The respected Dr. Jekyll has begun to display alarmingly erratic behavior toward his friends. At the same time, a brutal figure has begun to haunt the city's streets. In Jeffrey Hatcher's intense new version of Robert Louis Stevenson's classic tale, Dr. Jekyll confronts the many faces of the monstrous Mr. Hyde in a maze of interlocking scenes that attempt to answer the puzzles at the heart of a tortured soul. On the fog-bound streets of Victorian-era London, Henry Jekyll's experiments with exotic "powders and tinctures" have brought forth his other self -- Edward Hyde, a sensualist and villain free to commit the sins Jekyll is too civilized to comprehend. When Hyde meets a woman who stirs his interest, Jekyll fears for her life and decides to end his experiments. But Hyde has other ideas, and so the two sides battle each other in a deadly game of cat-and-mouse to determine who shall be the master and who his slave.

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As You Like It
LeMoyne College
Steve Braddock, director

Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Shakespeare's astutely funny pastoral comedy, As You Like It, runs the gamut of the comedic canon, combining cross-dressing and slapstick with gentle satire and sparkling, witty conversation.

As You Like It follows the lively exploits of banished Rosalind and her quest for true love amid the schemes of two warring brothers. In the untarnished and idyllic Forest of Arden, Rosalind, disguised as a gentleman farmer, stumbles upon an extraordinary assemblage of characters, including a fool, a malcontent traveler, her own exiled father, and the cast-out young man she loves.

The play, which contains some of Shakespeare's loveliest poetry, including "All the world's a stage," provides a glimpse into the contrasts between the courtbristling with envy and rivalryand the compassionate harmony of the forest, allowing us to recognize our own human foibles by considering the romantic versus the realistic, and by laughing at the excesses of love.

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Sunday, November 8, 2009

Women of Rookwood: The Joyce and Eliot Sterling Collection
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

The Rookwood Pottery, founded in Cincinnati, Ohio in 1880, established itself as a commercial pottery that successfully elevated ordinary ceramic objects to a fine art status during the heyday of art pottery in America. Each unique piece was hand-painted and signed by the artist, many of whom were young women. This exhibition, which includes examples by several of these women including Sarah Sax, Fannie Auckland, Sadie Markland, Grace Young, and Rookwood founder Maria Longworth Nichols, was selected from The Joyce and Eliot Sterling Collection in conjunction with the "Women as Visionaries, Women as Participants" Symposium scheduled for October 17.

Turner to Cézanne: Masterpieces from the Davies Collection
Everson Museum of Art

Price: $15 non-members, $12 students/seniors, $10 Everson members, children 5 and under free, $50 family rate (maximum two adults and four dependent children)
Everson Museum of Art
401 Harrison St., Syracuse

This collection is comprised of an extraordinary group of 19th- and early 20th-century paintings collected largely between 1908 and 1923 by sisters Margaret and Gwendoline Davies. By 1914, the Davies sisters had assembled one of the finest collections of European modern art in Britain, with works from artists such as Paul Cézanne, Camille Corot, Claude Monet, Vincent van Gogh, and Joseph M.W. Turner, among several others.

Turner to Cézanne speaks volumes about taste, patronage and philanthropy. The 53 original works by 29 artists included also a present survey of modern art, ranging from Turner's Romantic naturalism to Cézanne's modern aesthetic innovations. This exhibition serves as a reminder of the value of creativity, and of persistence, as many of the artists were, at first, either misunderstood or scorned.

Docent-led tours are available Tuesday-Thursday at 2:00 pm and Saturdays at 10:00 am and 3:00 pm. These tours are complimentary with exhibition admission, and no reservation is required. A complimentary cell phone audio tour is available to all visitors.

Read a review!

Arts & Crafts of New York State
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Arts & Crafts movement that blossomed in Europe in the late 19th century and rapidly spread to America not only has deep roots in New York State, but it is still very much alive in the upstate region today. Gustav Stickley and Adelaide Robineau, significant figures on the national Arts & Crafts scene at the turn of the century, were based in Syracuse. Elbert Hubbard established the Roycrofters in East Aurora in the 1880s and the Byrdcliffe Colony flourished in Woodstock, New York at the same time. This exhibition showcases paintings, furniture, ceramics, and metal work created by these masters of the Arts & Crafts movement from 1890 to 1920.

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Works by Jeremy Randall
Imagine

Imagine
38 E. Genesee St., Skaneateles

Ceramic artist Jeremy Randall was recognized by Ceramics Monthly as an Emerging Artist for 2009.

Randall, of Tully, is co-owner of the gallery. He also is a visiting professor of art and studio manager at Cazenovia College and an adjunct instructor of ceramics at Syracuse University.

Randall's work has been featured in some 40 exhibitions and is held in the collections of Southern Illinois University and the Myerhoff Collection in Baltimore. This year alone, he has shown at the Meredith Gallery in Baltimore, Baltimore Clayworks, Limestone Art Gallery in Fayetteville, the Art House Gallery in Atlanta, the Armory Art Center in West Palm Beach, Fla., and the Cazenovia College Art Gallery.

35th Annual Art Mart
Syracuse Allied Arts

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Original crafts and fine arts by more than 50 artists and craftspeople from Central New York. For more information, phone 315-468-2616.

Syracuse During the Time of Impressionism
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

A complementary exhibit to the Everson Museum of Art's "From Turner To Cezanne", OHA's exhibit will look at what was happening in Syracuse at the time of the European Impressionist painters, 1880-1916. The exhibit will feature artwork, clothing, products, archival material, and other items that will interpret the Syracuse scene during this time impressionist painters were viewed by their contemporaries as "outrageously modern."

John Wood: On the Edge of Clear Meaning
Syracuse University Art Museum

Price: Free
Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

This retrospective exhibition highlights the work of mixed media photography pioneer John Wood. Over 100 works that chronicle the artist's work from the 1960s to the present will be on display in his first major retrospective exhibition.

Well known as a photographer who routinely broke the barriers of "pure photography," Wood's work is credited as being the foundation for the mixed media and digital imagery processes of the last two decades. A master of processes from straight photography, collage, cliché verre, solarization, mixed media, offset lithography to drawing, he has a unique ability to work decisively across a variety of media with ease.

Wood's early influences as a photographer stem from his time served in the Army Air Corps as a B-17 pilot, as seen in his multiple frame landscapes and time-lapse collages. After the war, Wood trained as a visual designer and photographer at the Institute of Design in Chicago. Wood spent 35 years teaching photography and printmaking at the School of Art and Design at Alfred University in Alfred, NY. Like the work of Jasper Johns, John Wood is relentless in pushing the boundaries of traditional media. His work has laid the groundwork for the multi process, cross disciplinary artwork being created for years.

Paid parking is available for weekday visitors in any SU pay lot. Free parking for weekend and evening visitors is available in the Q4 lot, located on College Place. Patrons should notify the attendant that they are visiting the SUArt Galleries. Evening and weekend parking is on a space-available basis and may be restricted during events held at the Carrier Dome.

Works by Patricia Tucker, Sharon Terry, and David Lisi
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

A new exhibit featuring artists Patricia Tucker, painting; Sharon Terry, jewelry; and David Lisi, pottery.

VPA Faculty Show
Syracuse University School of Art and Design

XL Projects
307-313 S. Clinton St., Syracuse

An exhibition of work by faculty members in the College of Visual and Performing Arts. For more information, phone 315-443-5889.

B-Movie Festival
Alternative Movies and Events

Former Redhouse Theater
219 S. West St., Syracuse

Film screenings and awards ceremony.

**RESCHEDULED to 11/10** Live at the Everson
Civic Morning Musicals
Featuring David LeDoux, cello; Daniel Kim, piano

Price: $15
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

This performance has been rescheduled to Tues., 11/10, 7:30 pm.

Music by Ravel, Debussy, Poulenc, and Stravinsky.

Fayetteville Free Library
Syracuse Symphony Flute and String Ensemble

Price: Free
Fayetteville Free Library
300 Orchard St., Fayetteville

Works include a Mozart flute quartet and a Beethoven trio.

L'Heure exquise
Syracuse Opera
Featuring Julie Nesrallah, mezzo-soprano; Chad Sloan, baritone; Douglas Kinney Frost, piano

Price: $20 recital only; tickets for the exhibit are available for an additional $12
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

A unique vocal program specifically designed to highlight paintings in Turner to Cézanne, "L'Heure exquise" will feature musical selections from Debussy, Ravel, Duparc and Fauré, set to the poetry of Verlaine, Hugo and Moréas, among others. Spanning 100 years from English Romanticism through Impressionism, and paving the way into the 20th century, each pairing of visual and musical art will inspire a deep resonance of both sight and sound in the works and of mind and heart in the listener. This full-length recital will include projected images of works from the exhibit by Turner, Manet, Renoir, Daumier, Corot and Cézanne.

Piano Recital
Joyful Noise Concert Series
Featuring Sam Emanuel, piano

Price: Free (donations accepted)
Liverpool First United Methodist Church
604 Oswego St., Liverpool

Works by Chopin, Haydn, and more.

Jonathan Ortloff, 2008 ATOS Young Organist of the Year
Syracuse Wurlitzer

Empire Theater
New York State Fairgrounds, Geddes

Jonathan Ortloff is a student at the University of Rochester Eastman School of Music where he studies under David Higgs and William Porter. A graduate of Phillips Exeter Academy, he plans to build pipe organs upon graduation. Over the past six years, Jon has worked for renowned organ builders and restorers in the United States including C.B. Fisk, Russell & Company, Paul Fritts & Company, and Jonathan Ambrosino. In 2006, he was awarded a grant from the Kauffman Foundation of Kansas City to stay an additional year at the university to plan for the restoration of the 1937 G. Donald Harrison Aeolian-Skinner organ in Strong Auditorium on the university's River Campus. Currently, he is a member of the OHS committee rewriting the guidelines for conservation and documentation and is the organist for the First Church of Christ, Scientist in Rochester. He is also directing the restoration of an 8-rank Wurlitzer theatre organ in his hometown of Plattsburgh, New York. In 2008 Jonathan won the ATOS Young Organist of the Year award. This is Jonathan's second theatre organ performance in Syracuse.

The Woman in the Blue Dress
Syracuse Stage
Leslie Noble, director

Price: $5
Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

The Woman in the Blue Dress is a multi-media theatre work that brings to life Henriette Henriot, a fledgling actress at the Théâtre de L'Odéon in Paris and model for artist Pierre-August Renoir's "La Parisienne." In the work, Henriette, played by Kathleen Wrinn, shares her provocative story of life in the theatre, her experience in the Parisian art world of the 1870s, and what it was like to model for Renoir, the most shocking Impressionist painter of his day. The Woman in the Blue Dress is an original 30-minute piece by Stage's Director of Educational Programming Lauren Unbekant. This special project is presented in conjunction with the Turner to Cézanne exhibit at the Everson Museum.

Any Wednesday
Onondaga Hillplayers
Robert Steingraber, director

Price: $35 includes dinner, show, tax, and tip
Sunset Ridge Golf Club
2814 W. Seneca Tpke., Marcellus

A light and bouncy comedy by Muriel Resnik.

For reservations, phone 315-673-2255.

Read a Review!

Monday, November 9, 2009

Gallery Exhibition: Mary Giehl
Onondaga Community College

Price: Free
Ann Felton Multicultural Center and Gallery
Onondaga Community College, Syracuse

Mary Giehl's work has taken on themes that she had encountered through her work experience as a registered nurse in a pediatric intensive care unit. She had often cared for children after they had been abused. Much of her work focuses around this theme. There are hints of darkness and confinement in her installations along with a mixture and balance of playfulness and seriousness.

Howard Bond Retrospective
Syracuse University Library Special Collections Research Center

Price: Free
Bird Library, 6th Floor
Syracuse University, Syracuse

Twenty-two pieces of Bond's work was donated to the SU's Bird Library by alumnus Carl Armani. The exhibition, which includes these works, is a retrospective of 30 years of Bond's creative work highlighting the photographer's mastery of abstraction, proximity, pattern, texture, and landscape.

Presented in conjunction with the 2009 Syracuse Symposium, "Light".

Works by Jeremy Randall
Imagine

Imagine
38 E. Genesee St., Skaneateles

Ceramic artist Jeremy Randall was recognized by Ceramics Monthly as an Emerging Artist for 2009.

Randall, of Tully, is co-owner of the gallery. He also is a visiting professor of art and studio manager at Cazenovia College and an adjunct instructor of ceramics at Syracuse University.

Randall's work has been featured in some 40 exhibitions and is held in the collections of Southern Illinois University and the Myerhoff Collection in Baltimore. This year alone, he has shown at the Meredith Gallery in Baltimore, Baltimore Clayworks, Limestone Art Gallery in Fayetteville, the Art House Gallery in Atlanta, the Armory Art Center in West Palm Beach, Fla., and the Cazenovia College Art Gallery.

Corporeal: Works by Deana Lawson
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Deana Lawson's photographs examine how the body informs personal, political, and historical identities. Her psychological portraits seem to start out in one shape before morphing into something unexpected. Their apparent transparency at first glance dissolves into a complex set of questions about the people who are imaged and the nature of photographing, questions that will never have clear and finite answers, no matter how hard and long we look.

Lawson calls the people she photographs her family, whether they are in fact related or whether they met as friends in church, at the grocery store, or in a club. The ties that bind her images together are not in the blood but rather in the shared experience of representation.

If the personal is political, then the portrait may present the most intense form in which to control the message of the self. In viewing Lawson's portraits, as we come to terms with the body and the sometimes uncomfortable intimacy of a stranger's personal truth, we see flesh, beauty, pain, salvation, life, and death all performed within the context of the frame. As bare identities emerge from these photographs, we may reassess the often easily avoided questions of what we are willing to look at and why.

The rooms and faces in the photographs may change, but the gaze and gesture of Lawson's subjects consistently telegraph a unified refrain: The beauty of this moment in front of the lens belongs to them. The people in her photographs offer an unrelenting intention to be seen as they want to be seen. Just as important, they possess an unbridled courage to reveal that fleeting truth to others. Although Lawson is a collaborator and co-adventurer in the making of each picture, her subjects make the key contributions that give the photographs in Corporeal their power.

Artists at Work: Transmedia Photo Faculty
Light Work Gallery

Price: Free
Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

For many years Light Work has enjoyed a close affiliation with the art photography department in the College of Visual and Performing Arts. The faculty and students of art photo interact with Light Work's roster of international artists through lectures, internships, and classroom visits. In addition, they utilize the Community Darkrooms facilities and take full advantage of the expertise of the Light Work staff. Together we share an energy, passion, and commitment to contemporary art and photography. The exhibition "Artists At Work: Transmedia Photo Faculty" highlights this relationship by featuring work by Doug Dubois, Laura Heyman, Yasser Aggour, John Wesley Mannion, Aaron Hraba, Jennifer Wilkey, Sara Zamecnik, Kelli Pennington, Jeffrey Einhorn, and Shimpei Shirafuji.

35th Annual Art Mart
Syracuse Allied Arts

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

Original crafts and fine arts by more than 50 artists and craftspeople from Central New York. For more information, phone 315-468-2616.

Works by Patricia Tucker, Sharon Terry, and David Lisi
Skaneateles Artisans

Skaneateles Artisans
11 Fennell St., Skaneateles

A new exhibit featuring artists Patricia Tucker, painting; Sharon Terry, jewelry; and David Lisi, pottery.

In the Navy (1941)
Syracuse Cinephile Society

Price: $3 regular, $2.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Bud Abbott, Lou Costello, and Dick Powell join the fleet in this lively and fun musical-comedy that's loaded with classic routines. Directed by Arthur Lubin. Cast also included The Andrews Sisters, Shemp Howard, Claire Dodd, and Dick Foran.